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Archive for the ‘CLIMATE’ Category

Bridgeport, CT. Courtesy of Rebuild by Design.

Bridgeport, CT. Courtesy of Rebuild by Design.

Back in November, we wrote about the early stages of the Rebuild by Design competition, just after the first teams of finalists presented their ideas to the public. The challenge, which is driven by the President’s Hurricane Sandy Rebuilding Task Force, will make substantial funding available for the winners from the U.S. Department of Housing and Urban Development as well as the private sector. We also reported on the Institute for Public Knowledge (“Backstage at Rebuild by Design,” November 2013,) the think tank that has helped shape the public discussions for the Rebuild Challenge.

Last week, the 10 finalist teams, BIG TEAM; HR&A Advisors, Inc. with Cooper, Robertson & Partners; Interboro Team; MIT CAU + ZUS + URBANISTEN;  OMA; PennDesign/OLIN; Sasaki/Rutgers/Arup;  SCAPE / Landscape Architecture; WB unabridged with Yale ARCADIS; and WXY/West 8, gathered to unveil the latest iteration of the designs in public meetings in New York and New Jersey. The teams have been collaborating with individual communities along the shoreline, and their proposals now reflect the input and specific conditions of particular places.

We weren’t able to get there in person, but you should read Justin Davidson’s write-up in New York magazine, accompanied by a handy slide show of the proposals, to see the latest work from the competition. HUD Secretary Shaun Donovan will announce the winning proposals later this spring.

 

 

 

 

 

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Courtesy Tim Cone/Environmental Film Festival.

Courtesy Tim Cone/Environmental Film Festival.

This year’s urban-themed Environmental Film Festival has an interesting angle for landscape architects. The Washington, D.C.-based festival, now in its 22nd year, will be showing 200 films on a program titled Our Cities, Our Planet that focuses on sustainable cities and the impact of urbanism on our environments. The festival is primarily documentaries, but it also includes experimental films, shorts, children’s films, archival gems (some with live orchestral accompaniment), and works in progress. Many of the screenings during the weeklong festival, which runs March 18–30, 2014,   are free, and include panel discussions with filmmakers and activists. Below is just a selection of the films that caught our eye (with the EFF program descriptions), and a full program and schedule can be seen here.

WATERMARK. From  Jennifer Baichwal and Nick de Pencier, and the photographer Edward Burtynsky, who collaborated on the 2006 film, Manufactured Landscapes, Watermark transports us all over the world, revealing the extent to which humanity has shaped water and how it has shaped us.

THE HUMAN SCALE. For 40 years, the Danish architect Jan Gehl has studied human behavior in cities, starting with what he calls “Life Between Buildings.” Gehl has documented how modern cities repel human interaction and argues that we can build cities in a way that takes human needs for inclusion and intimacy into account. In Copenhagen, Gehl has inspired the creation of pedestrian streets and bike paths and the organization of parks, squares, and other public spaces throughout the city.

RIVERS AND TIDES: ANDY GOLDSWORTHY WORKING WITH TIME. Acclaimed around the world for his site-specific earthworks, beautiful and ephemeral sculptures in the open air made of ice, mud, leaves, driftwood, stones, and twigs, Andy Goldsworthy thinks incessantly about “the veins that connect things.”

THE HUMAN TOUCH (clips). Ten years after making Rivers and Tides, Riedelsheimer and Goldsworthy started a new collaboration, exploring more aspects of Goldsworthy’s work and how it has changed  over the years.

SAND WARS. Sand seems quite insignificant, yet those grains of  silica surround and affect our lives. Every house, skyscraper, and glass building, every bridge, airport, and sidewalk depends on sand.What are the consequences of intensive beach sand mining for the environment and the neighboring populations?

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A monthly roundup of the news, dispatches, and marginalia that caught our eye.

In this dispatch of the Queue, the LAM staff reads up on the politics of space, urban parks in Mexico, an extraordinary gift of land in California, why architects talk funny, and way too much more.

OUR WOBBLY WORLD

Alexis Madrigal’s piece on California’s water problem is being heavily circulated, but in case  you haven’t seen it, the Atlantic has it posted in full.

Also all over the interwebs is Elizabeth Kolbert talking about her new book, the Sixth Extinction. “We are effectively undoing the beauty and the variety and the richness of the world which has taken tens of millions of years to reach,” Kolbert tells Fresh Air’s Terry Gross.  “We’re sort of unraveling that…. We’re doing, it’s often said, a massive experiment on the planet, and we really don’t know what the end point is going to be.”

Do our green urban policies actually undermine social equity? Tom Slater fires a shot across the bow of the advocates for urban sustainability and resiliency, and asks, Who gains? Who loses?

FIELD STUDIES

Recognition for the groups, including TCLF, Preservation Alliance of Minnesota, and the Minnesota chapter of Docomomo US,  who rallied to save M. Paul Friedberg’s modern landscape, Peavey Plaza.

Lorena Martínez, the mayor of Aguascalientes, Mexico, finds that the new 8 mile long linear park park, La Línea Verde, solves a host of urban problems, from asthma to crime. Cityscope talks to the mayor and the citizens about what it took.

Via Grist, Brentin Mock interviews Clarice Gaylord, who was in charge of the EPA’s first effort to deal with issues of environmental justice–under the Bush administration.

Instead of selling his 300 acres of highly valuable land near Silicon Valley–the number $500 million was thrown out there–Walter Cottle Lester willed his family farm to the state to be preserved as an agricultural park. No playgrounds, no swimming pools, no basketball court, just wide open space.

Via PlaceswireEsri’s ArcGIS opens up its platform to the public and puts reams of government data, including the EPA’s, into the public’s hands.

DISTRACT ME FROM MY DEADLINE DEPT.

Photographs by artist/geographer Trevor Paglen of never before-seen-surveillance sites cracks open the hidden landscapes of intelligence gathering.

So very cool new Multiplicity project from Landscape Forms and Fuseproject lets designers play with street furniture.

Translation, please: “Interrogating the hermeneutic potentiality of the urban fabric’s boundary conditions is the key to intervening in the city’s morphology. The phenomenological nature of a building and its neighborhood is enhanced by ludic acts of horizontality.”

How to make pennyfloors, with much chortling in the comments about cost per square foot.

The world without people is a little bit creepy.

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The Fluid and the Solid TRAILER from Alex + Ben on Vimeo.

If you haven’t used the term “Anthropocene” much, you can be forgiven. The term is of fairly recent origin, and it’s used to describe what some believe is a new geologic age: one in which human activity has changed the earth and its atmosphere. It’s a big idea, one that catches a lot of other ideas in its net—climate change being the most powerful. The idea of the Anthropocene lends more weight to what we already understand are the consequences of human activity. Our impact is not just local, national, or global, but temporal. We’ve literally changed the scale of geologic time.

The awesome consequences of human agency on the land are tough to convey without sounding ponderous, but for the filmmakers Alex Chohlas-Wood and Ben Mendelsohn, who are interested in things like infrastructure, technology, and the human/nature interface, much of the story can be told by the landscapes where these earth-changing processes take place. Which is how they came to make a documentary nominally about dredging, dredge landscapes, and sediment flow: The Fluid and the Solid.

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ALI's high-resolution geospatial model maps stormwater as potential groundwater augmentation supply in the San Fernando Valley.  Courtesy ALI

ALI’s high-resolution geospatial model maps stormwater as potential groundwater augmentation supply in the San Fernando Valley. Courtesy ALI.

Back when we first took note of the Arid Lands Institute (ALI) in the October 2012 issue of LAM, co-founder Hadley Arnold was talking about the William Turnball Drylands Design Competition: An Open Ideas Competition for Retrofitting the American West. In a partnership between Woodbury University, where ALI is based, and the California Architectural Foundation, Arnold envisioned an ideas competition that would promote “placing design in the ring with science and policy” in order “to find a radical, pugnacious beauty in new water thinking.” The competition resulted in an exhibit on Drylands Design at the Los Angeles Art and Design Museum, among other activities.

Now they’re back and they have a new program, titled “Divining LA: Drylands City Design for the Next 100 Years.” The initiative focuses on Los Angeles, and brings many of the ALI’s primary concerns to bear on the region, primarily the variablity of water sources and flows and the impact of climate change on hydrology.  Architect has a posted a piece from its December issue on ALI, and the work of Hadley Arnold and her partner Peter, to bring attention to L.A.’s complex water profile.

ALI will take its show on the road in January and February to Kansas, Utah, and Montana but you can also hear Hadley Arnold talking about L.A.s groundwater on KCRW’s venerable “Which Way LA?”

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In the November LAM, we report the backstory on  the Rebuild By Design Competition.  HUD has just announced the selection of 10 projects that will move forward to the next phase of the competition.

Ten teams convened for education sessions as part of the Rebuild by Design competition.

By Adam Regn Arvidson, FASLA

The Department of Housing and Urban Development and its partners this past summer announced the 10 finalist teams for Rebuild by Design (RBD), a multistage competition to rethink development in the New York City area after the devastation of Hurricane Sandy. Landscape architects are well represented among the teams, of course. Most of the big names are there. But there’s another name that is probably more obscure: the Institute for Public Knowledge. This think tank, based at New York University, is essentially running phase two of RBD. It will lead the deep analysis portion of the competition, working with the design teams to help them better understand the landscape. So what exactly is IPK and what is it doing with New York?

First, RBD is not a typical competition. The ultimate goal of the program is to spend around $5 billion from the congressionally approved Sandy Recovery Fund on projects that will make the metro area more resilient to future storms (seen as more likely as a result of climate-change-driven sea-level rise and erratic weather patterns). RBD is broken into four stages. First, candidates applied to the program based on their own skills and experience; no project proposals were requested. In the second stage (that’s where IPK comes in), the 10 teams selected after stage one are developing three to five conceptual design ideas, not necessarily linked to specific places. Another selection process will winnow those to one per team, and then these same 10 teams will develop their selected project more in phase three. Stage four will see additional refinement—though no elimination of teams. Those 10 become the candidates for the recovery fund money.

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LAM Arrives at the 2013 ASLA Expo in Boston.

LAM Arrives at the 2013 ASLA Expo in Boston.

The ASLA Annual Meeting & EXPO begins in Boston this Friday, and LAM will be there! Look for Editor-in-Chief Brad McKee and Writer/Editor Jennifer Reut, who will be hosting Meet the Editor sessions on the EXPO floor on Saturday and Sunday. Meeting attendees who’ve signed up for time slots can talk with them about article ideas or projects that might be of interest to our readers.

McKee will present this year’s Landscape Architecture Magazine Advertising Awards, also known as the Lammys, on Friday evening. Organized by LAM’s publisher, Ann Looper, Honorary ASLA, the awards recognize excellence in graphics, messages, and persuasiveness among the magazine’s advertisers. A jury made up of ASLA members from various practice and geographic areas represents the readership and chooses the winners, giving feedback on what kinds of ads catch the attention of landscape architects.

Among their many activities at EXPO, Reut and McKee will be attending meetings, stepping into Education and Learning Lab sessions, and, fresh off our November issue that focused on climate change, McKee will moderate the ASLA Open Forum on Climate Change at 11:00 a.m. on Sunday. You can also follow Reut on Twitter during the EXPO @JenniferEditor.

I will be on the EXPO floor on Saturday to tour the booths and look for products to include in future Goods columns. In 2014 we’ll have columns on new plant varieties, furniture for residential and public spaces, water and irrigation, fences, play equipment, and more. If you’re going to be at EXPO, keep an eye out for the LAM staff and introduce yourself.

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