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Archive for the ‘HISTORY’ Category

GRADY CLAY, THE AGITATOR

Interview_Grady Clay_0013cmsmall

Photo by Kenneth Hayden

 We were sad to receive word of the death Sunday of Grady Clay, Honorary ASLA, LAM’s longtime, influential, and much-loved editor, at the age of 96 in Louisville. More remembrance and details on observances will follow as we receive them. For now, we are posting a terrific interview that Charles Birnbaum, FASLA, did with Grady for the magazine’s 100th anniversary issue.

From the October 2010 issue of LAM:

By Charles A. Birnbaum, FASLA

GRADY CLAY, HONORARY ASLA, who worked as an associate editor and, ultimately, the executive editor of Landscape Architecture for 23 years, has a rich, extraordinary perspective on the profession and its practitioners. As an outsider with tremendous insight, Clay, now 94, helped shape decades of debate and discourse. He chronicled the origins of modernism, the first corporate office parks, The RSVP Cycles, Design with Nature, postmodernism, and both the New American Garden and the Bagel Garden. He plucked out new talent like a gifted curator and gave it a voice. Clay’s arrival came at a major hinge point in the profession, as it coincided with the centennial of Central Park and the onset of urban renewal. His incisive editorial vision marked a passing of the profession’s old guard and the rise of a new generation’s eclectic vision.

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Fletcher Steele was one of the first landscape architects to experiment with modernism, but he was not a modernist zealot. In fact, he once said: “A good garden abounds in suggestions to the past.”

A new short film created by the Library of American Landscape History and the filmmakers at Florentine Films/Hott Productions examines Steele’s most famous work, Naumkeag. The garden is best known for its Blue Steps with their parabolic railings; however, the stairs have only a small role in the film Fletcher Steele and Naumkeag: A Playground of the Imagination. The landscape historian Robin Karson, Affiliate ASLA, who provides most of the commentary, says the garden’s “masterpiece” is actually its sculptural South Lawn, which the film captures beautifully. Meanwhile, much of the film is dedicated to Naumkeag’s garden rooms that draw from Chinese and European precedents. You can see the entire film on the LALH website.

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It seems not much could rattle Shlomo Aronson, considering how much great landscape architecture work he has done in Israel, where the cultural sensitivities stack up well out of proportion to the country’s small size. In this new oral history filmed by The Cultural Landscape Foundation, Aronson, who is 76, talks about his life, times, and designs, including his work in Jerusalem with his friend and mentor Lawrence Halprin. Many of his works navigate the tricky shoals of history on complex ground. Yet sometimes the answers are amusingly straightforward. “Every place where you don’t know what to do, you put an olive tree,” Aronson says. “It’s an obvious solution to me. It’s indigenous. It’s from here. And you don’t have to argue about it…both communities, Jews and Arabs, love this thing.” In the excerpt above, Shlomo talks about his work on the Suzanne Dellal Dance and Theater Center in Tel Aviv.

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The Vollmer Garden

Celebrated landscape architect and plantsman Wolfgang Oehme died last December. But, as they have for more than two decades, a small group of friends and admirers came together to celebrate his birthday last weekend, with a weeding party at the Old Courthouse in Towson, Maryland. The garden at the courthouse, and its large massings of chest-high perennials, were designed by Oehme in concert with Avery Harden, then a landscape architect at the Baltimore County Parks Department. Carol Oppenheimer, Affiliate ASLA, Oehme’s partner in WOCO Organic Gardens, says Oehme would often use guerrilla tactics to edit the plantings. “There were a lot of azaleas in the beginning,” she says. “Wolfgang told me he would go there on Christmas Day, when it was completely deserted, to remove the azaleas and replace them with ‘his’ plants.”

After about two hours of weeding, pruning, and planting, the group paused for cake and strawberries, and Oppenheimer said a few words. Then she took everybody on a tour of two other landscapes Oehme designed. (more…)

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In honor of Frederick Law Olmsted’s birthday today, many landscape architects will be taking to the streets to tell the world about what they do. Meanwhile, Slate is marking the occasion with a gallery of photos from Olmsted’s most famous commission, Central Park, and an excerpt from a new anthology of essays showing that park’s place in the public imagination, edited by Andrew Blauner.

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Land Matters, from the May 2012 issue of LAM

When you work in the public realm, you’ve got to have a thick hide. If you don’t, the public will give you one.

M. Paul Friedberg, FASLA, and Tom Oslund, FASLA, have each run into this reality over the past year and a half. The two were teammates in 2010, until they weren’t, for a competition project to renovate Peavey Plaza next to Orchestra Hall, the home of the Minnesota Orchestra, in downtown Minneapolis. Friedberg designed the plaza in the early 1970s. You see his signature written in concrete all over its long amphitheater stair seats, floating terraces, groves of shade, plus, when the plumbing worked, in the cubic fountain that shed solid sheets of water and the big pool that stared up from the center of it all.

The pictures of the plaza are gorgeous. The plumbing hasn’t worked for some time. A couple of pumps that supply the 120,000 gallons of water it needs are on the fritz and can’t be fixed. The plaza is crumbling in places. It suffers from a chronic lack of love, not least from the city, which wants to replace it.

Replacement is not what Friedberg and his biggest advocate, Charles Birnbaum, FASLA, the founder of the Cultural Landscape Foundation, had in mind when they both joined Oslund’s design team, one of four that competed for the project. Things soured between Friedberg and Oslund after Oslund won the competition and Friedberg realized a new design would not keep his old one intact.

Otherwise this is pretty much a standard preservation dispute, (more…)

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TO THE RESCUE

Robert D. Rosenbaum, an attorney, is working to save the Wilderness Battlefield in Virginia. Photo © Allen Russ, courtesy the Cultural Landscape Foundation.

The Cultural Landscape Foundation is out with its annual list of threatened landscapes, with a spotlight on the people who are trying to save them. This year’s dozen includes a James Rose garden in Georgia, the Sonoran Desert, Michigan’s Saugatuck Dunes, and the Wilderness Battlefield in Virginia, where Ulysses S. Grant and Robert E. Lee first faced each other in battle during the Civil War.

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