Archive for the ‘IDEAS’ Category

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.


Credit: Clementine Inhye Jang, Student ASLA; Michelle Shofet, Student ASLA; and Jia Joy Hu, Student ASLA.

ASLA 2015 Analysis and Planning Student Honor Award winner “Airborne” by Clementine Inhye Jang, Student ASLA, Michelle Shofet, Student ASLA, and Jia Joy Hu, Student ASLA, in the October 2015 issue, features the investigation of designing easement networks through aerial seed transmission.

“This has a mesmerizing perspective with a mysterious quality that presents more questions than answers.”

—Chris McGee, LAM Art Director

Pick up a free digital issue of the October LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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Hopeful candidates pitch their projects and ideas to editors at the 2014 Meet the Editors in Denver.

The ASLA Annual Meeting and EXPO can be a great way to catch up with current trends in the profession and those much-needed Professional Development Hours. But it can also be an opportunity to share with the Landscape Architecture Magazine team that much-beloved project you’ve been working on all year. Editors from LAM, The Dirt, and Topos will be on hand at the 2015 ASLA Annual Meeting and EXPO in Chicago, Saturday and Sunday, November 7–8, for Meet the Editors, a time block of 15-minute sign-up sessions with your choice of editor to pitch story ideas or that project you’ve worked so hard on.

New to Meet the Editors this year is Christopher McGee, Art Director for LAM, who will be available to provide feedback on photography portfolios. Spots are limited and fill quickly, so be sure to snag a session before they’re gone. While we love to hear about new products and advertisements, Meet the Editors is meant for practitioners and professionals only. However, if you’ve got that hot new product you’re sure landscape architects will love, be sure to contact our Goods columnist, Lisa Speckhardt, at lspeckhardt@asla.org.

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Mia Scharphie delivers a dose of start-up energy to people and projects.

From the August 2015 issue of Landscape Architecture Magazine.

The merging of soul and role is a laudable idea—it refers, very broadly, to the ability to bring a set of personal, mission-driven values to your professional life—but it’s hard to integrate into full-time practice. For most designers, it means working on public projects with a community engagement component, or collaborating on one-off social impact design projects, or cordoning off pro bono work into a separate part of their business. Mia Scharphie wants to shake that up a bit.

Scharphie runs two consulting businesses—Proactive Practices, a research collaborative with Gilad Meron and Nick McClintock, and Build Yourself+, a workshop series. At first glance, they seem unrelated, but when you talk to her, you begin to see the kind of connections that are at the core of Scharphie’s work. Drawing on her training in landscape architecture (she began her career at the firm Public Architecture in San Francisco), which Scharphie says is “supercore” to spatializing community projects, she also brings in current thinking from the world of entrepreneurship, citing Sheryl Sandberg’s Lean In, Tara Mohr’s Playing Big, and Eric Ries’s The Lean Startup as touchstones and agents for social change that shape both Proactive Practices and Build Yourself+.

Build Yourself+ is a six-week course aimed specifically at women working in the design fields, investing women designers with the skills to articulate issues and obstacles to their own success and then get past them. Scharphie says designers, and women designers in particular, can be hobbled by the total work ethic of design. “The strange irony of design is that we do these renderings of super-happy people in our parks walking with infinite numbers of dogs and strollers,” yet the design culture of work-all-hours doesn’t permit any of this. “There’s a disconnect between what we try to imagine for people and what our social lives are like.” It’s a workshop approach that frankly acknowledges that the personal is deeply embedded in the professional, and it builds on the current cultural conversations about gender equity and cross-cultural communications in the workplace.


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Molly Meyer is capitalizing on a surge in demand.

Molly Meyer is capitalizing on a surge in demand.

From the July 2015 issue of Landscape Architecture Magazine.

Molly Meyer, a Stanford University-trained biogeochemist and the CEO of Omni Ecosystems and Rooftop Green Works in Chicago, is part of the green roof industry’s emerging generation of innovators. Meyer’s approach to green roof design emphasizes affordability and simplicity, with the goal of maximizing biodiversity. Through her sister companies, Meyer sells and installs a specially designed green roof tray system that supports unusually diverse plant species in shallow growing medium, most notably in veneer meadows. Meyer recently cofounded a third company, the Roof Crop, which began cultivating its first rooftop farm in April.

You’re from Indianapolis, which is a fairly large city. What drew you into soil science?

I loved playing outdoors as a kid. By the time I got to college I was looking for opportunities to do schoolwork outdoors. There were a lot of classes and research opportunities [for which] I could work outside and travel for by doing (more…)

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The Milan Expo 2015 raises unsought emotions about food, cities, the world.

The Milan Expo 2015 raises unsought emotions about food, cities, the world.

From the July 2015 issue of Landscape Architecture Magazine.

A city like Milan reflects the strivings of generations. It has a rich quality of everyday life that includes a sophisticated food culture, which, as in so many Italian cities, is both distinctly local and, because of its history of trade, cosmopolitan. The evolution of the city’s form has intertwined with the tastes and appetites of the Milanese. The convivial quality of many of its spaces comes from enclosures such as its ubiquitous courtyard gardens, its cool semiprivate zones where neighbors come into contact, or its sidewalk cafés. Milan was once Mediolanum (meaning “in the midst of the plain”), the capital of the Western Roman Empire. It was enclosed by walls, but open to its countryside in the Po River Valley, where alluvial soils raised abundant grain and grapes, and roads brought influence from all over Europe.

Milan’s economy has suffered, as has all of Italy’s, from the crash in 2008, and recession and unemployment are tenaciously rooted. While its economy continues to be underpinned by industry and agriculture, notably by small, family-owned farms, government policy has looked to urban and infrastructural development for solutions to the crisis. Italy’s new, post-Berlusconi government is trying to show evidence of its ability to deliver, and Milan, the financial center of Italy, has become a showcase of contemporary neoliberal development. In particular, two developments have shown great international visibility: the Milan Expo 2015 and the business district at Porta Nuova, best known for the Bosco Verticale (vertical forest), the heavily vegetated and much-published twin luxury apartment towers by the architect Stefano Boeri.

Boeri has courted controversy at both sites, attracting antigentrification protests both from the working-class neighborhood the towers protrude from, as well as accusations of deploying expensive greenwash that would never be possible in a lower-cost development. Much the same objections have been raised against the plans for this year’s expo in Milan, which he master planned with Jacques Herzog, William McDonough, and Ricky Burdett. “Feeding the Planet, Energy for Life” is the expo’s motto, meant, as it was, to embody a sustainable ethic, but it clashed with the presence of food giants such as McDonald’s and Coca-Cola among the nations represented. Lavish spending on the project further excited anger, as many people questioned the concentration of municipal spending on one site instead of many, and the inevitable siphoning away of funds that such concentration engenders. On May Day in Milan, cars blazed in the streets, windows were smashed, and ‘No Expo’ graffiti proliferated.


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DredgeFest_GreatLakes_Flyer-02 If you missed DredgeFestNYC and DredgeFest Louisiana (see “The Dredge Underground,” LAM, August 2014) then you haven’t experienced one of the most interesting landscape-focused gatherings around. Fortunately, another chance is just ahead at DredgeFest Great Lakes (DFGL) this August. DredgeFest draws a friendly and curious crowd across a wide spectrum of expertise to look critically at dredging and the land it winds up making—and there are many overlaps with contemporary landscape architecture practice.

This event (conference doesn’t really describe it) will focus on the Great Lakes region (aka the Third Coast in dredgespeak). It will include two days of talks and presentations from a range of designers and others who work in this industrial practice; a day of touring dredge sites around Duluth; and a weeklong workshop at the University of Minnesota’s School of Architecture and Department of Landscape Architecture that brings in a very intriguing international cohort of designers.

This third iteration of DredgeFest should be the best yet, with the now-signature mix of intense investigations and industrial monumentality with the speculative edge that has marked previous DredgeFests.

Landscape Architecture Magazine is a cosponsor of DFGL this year. We’re looking forward to inhaling the fascinating new research and meeting folks in Minnesota this August. Registration for one or all parts of DFGL is open now.

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ReDe Boston 2100, designed by Architerra, imagines an accessible waterfront that allows for tidal submersion.

All this talk of sea-level rise and 100-year floods…. If you’re a Bostonian, you can talk in terms of 30-day floods.

That’s the interval between astronomical high tides—the so-called wicked high tides (no one bothers with quotation marks around “wicked” anymore) that regularly flood parts of the city. Locals have been industriously filling in tidelands and marshes for a few centuries now, increasing the city’s land area by more than half. But in just the past century, sea level has risen by almost a foot, with a projected additional five- to six-foot increase by 2100 that will flood most of that filled land, leaving dry zones that almost match the footprint of the original 17th-century Boston.

Bostonians have got the message: The sea is calling, and it wants its stuff back.

The most recent effort to negotiate palatable terms of surrender is Boston Living with Water, an open, international, two-stage competition that attracted 50 entries representing more than 340 individuals. Winning submissions were announced on June 8 by Boston’s mayor, Martin J. Walsh, at a standing-room-only event that attracted more than 150 attendees, including designers, civic and business leaders, community members, students, and even Miss Earth Massachusetts (Olea Nickitina, resplendent in a sash and suitably green frock).

Selected from a field of nine semifinalists, the winners were: (more…)

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