Archive for the ‘MEMORIAL’ Category

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July’s LAM looks at the long-needed rehabilitation of Babi Yar Park, a memorial ground in Denver dedicated to the lives lost in Kiev, Ukraine, during the Holocaust, by Tina Bishop of Mundus Bishop; a rethinking of Chavis Park in Raleigh, North Carolina, by Skeo Solutions, which embraces the park’s African American heritage through public engagement; and the ground-to-crown planting of the One Central Park high-rise in Sydney, designed by Ateliers Jean Nouvel, with Aspect | Oculus and Jeppe Aagaard Andersen, where sprawling green balconies make what is said to be the tallest vertical garden in the world.

In this month’s departments, the Milan Expo 2015 centered on food sustainability seems to draw controversy from every angle; Molly Meyer is leading the charge for affordable, simpler, and greater biodiversity in green roofs; and nature reclaims lands once lost from the demolition of two dams on the Elwha River in Washington State. In The Back, an exhibit at the Smithsonian National Museum of Natural History immerses visitors in the beauty of Iceland through sight and sound. All this plus our regular Now, Species, Goods, and Books columns.

You can read the full table of contents for July 2015 or pick up a free digital issue of the July LAM here and share it with your clients, colleagues, and friends.As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating July articles as the month rolls out.

Credits: “The Global Cucumber,” Tim Waterman; “Green Roof Gold,” Michael Skiba; “A River Returns,” National Park Service; “Star Witness,” © Scott Dressel-Martin; “The Chavis Conversion,” Skeo Solutions; “Live It Up,” Simon Wood Photography; “Songs of Ice and Fire,” Feo Pitcairn Fine Art.

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Susan Harris at Garden Rant minces no words when she pays a visit to the new memorial dedicated to the American Veterans Disabled for Life located on an underused corner of land just south of the United States Botanic Garden in Washington, D.C. Though the site is quite tricky to get to, the design by Michael Vergason provides an experience that overcomes its harsh settings. Read on:




A new memorial opened last month in D.C., this one honoring Veterans Disabled for Life. I’ve watched its progress from the U.S. Botanic Gardens across the street, and seen it presented to a reviewing agency, so was excited to finally see it open.

Here’s a fun two-minute video of its construction and, finally, dedication, from an overhead camera.


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In the May issue, we  focus for the first time on lighting and landscape with the work of dynamic lighting designers in collaboration with landscape architects. We look at projects by M. Paul Friedberg with MCLA, Ken Smith and SHoP with Tillotson Design Associates, PWP and Michael Arad with Fisher Marantz Stone, WRT and L’Observatoire International, and OLIN with Tillett Lighting Design. There’s also a how-to on Morpholio Trace 2.0 in Workstation, and new research on sin-free lawn grasses. Marcel Wilson talks about his young practice, Bionic. And a graphic designer takes us through the vanishing world of urban typescapes. All this plus our regular features in Species, Books, and Goods. This month’s ASLA CES is on Soils for Landscape Architecture Projects.

You can read the full table of contents for May here. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university and independents, as well as at Barnes & Noble. You can also purchase single digital issues for only $5.25 at Zinio that can be read on your desktop or mobile device. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options. Keep an eye on the LAM blog, Facebook page, and Twitter feed (@landarchmag), as we’ll be ungating some May pieces as the month rolls out.

Credits: 9-11: Courtesy Fisher Marantz Stone; SteelStacks: Emile Dubuisson for l’Observatoire International; East River: John Muggenborg/www.johnmuggenborg.com; Syracuse: Steven Satori, Syracuse University; Yards Park: David Galen; Dam: MKSK; Morpholio Trace: Lohren Deeg, ASLA; Turf: Suzanne O’Connell; Owls: Courtesy travelwayoflife/wikimedia commons; 50K Trees: Sarah Moos, Associate ASLA.

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In case you missed this, the National September 11 Memorial & Museum in New York will cost around $60 million per year to operate, according to the foundation that manages it. The number was first reported by the Associated Press (AP) on Monday. The Foundation did not reply to a request to break down this number, but the AP reports that $12 million per year will be spent on security and $4.5 to $5 million per year will go toward operating the giant water features that mark the footprints of the Twin Towers.

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By Bradford McKee, Editor

Did Justin Shubow mean to mislead Congress about the Commemorative Works Act, or was his saying that the law requires classicism for designs on the National Mall just a prayerful error on his part? The occasion for his bold statement was a hearing held on June 1 by Rep. Rob Bishop (R-Utah), who chairs the House Subcommittee on National Parks, Forests, and Public Lands, in relation to what is currently the stalest of stalemates, the design that Frank Gehry has proposed for a memorial to Dwight D. Eisenhower just off the Mall in Washington. In the Eisenhower debate, you basically have a group of not very informed neoconservatives on one side, foaming in opposition to Gehry’s design and also to his revisions to the design, which were a vain attempt to sway the Eisenhower family, who all seem to dislike Gehry’s ideas intensely. And then you have everybody else, who either think the schemes are just fine or who see them and recall that worse things have happened.


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Gehry Partners, LLP / Eisenhower Memorial Commission

Among the many concerns being raised about Frank Gehry’s proposal for the Eisenhower Memorial is its price tag, currently estimated at $142 million. That’s not the most costly memorial ever built in Washington, D.C., but it may be the most expensive memorial per acre. The proposed memorial would be 4 acres in size, so that’s approximately $35.5 million per acre. Here’s a quick rundown of what it cost to build some of Washington’s most famous memorials. Cost per acre is only computed for memorials that are landscapes. (more…)

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There is a lot of criticism being leveled at Frank Gehry’s design for the Eisenhower Memorial. It’s been compared to a Nazi death camp, a missile silo, and Soviet tributes to Marx and Lenin. The biggest point of contention, though, seems to be the depiction of Eisenhower as a young man. “[T]he only representation of Eisenhower himself [is] a statue of him as a barefoot teenage boy in Abilene,” wrote Conrad Black for the National Review Online. “This is nonsense. The monument is not raised up to a farm boy, but to the Supreme Commander of the Allied armies that liberated Western Europe in 1944 and 1945 and to a two-term president of the United States.”

Black, who maintains a lively writing practice from his federal prison cell in Florida, is misinformed. As Witold Rybczynski noted in the New York Times, two giant stone reliefs show Eisenhower the general and Eisenhower the elder statesman. “In this context, the small statue will have the effect of a footnote,” Rybczynski writes. It is significantly smaller than either of the stone reliefs. Also, the statue will not depict Eisenhower barefoot, says the memorial commission that is overseeing the project, which has come out forcefully and unanimously in favor of Gehry. But to show Eisenhower barefoot would be a nice touch. Eisenhower was proud of his rise from simple roots.

I hated Gehry’s design when I first saw images of the physical model. (more…)

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