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Archive for the ‘NOW’ Category

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First, here’s the news that Michael van Gessel, the Dutch landscape architect, took his time and a fair bit of teasing indirection to get out last Friday night in Barcelona: The winner of the 2014 Rosa Barba International Landscape Prize is the North Wharf Promenade and Silo Park on the waterfront of Auckland, New Zealand. It was designed by Taylor Cullity Lethlean of Melbourne with Wraight + Associates of Wellington and completed in 2011.

The big announcement came late in the day, near 9:00 p.m. Van Gessel, who served as the president of the six-person Rosa Barba prize jury, sat with his feet propped casually atop a chair on a stage of the astonishing Palau de la Música Catalana—though in the handsome contemporary auditorium belowground, not the 1908 modernista marvel upstairs, designed by Lluis Domènech i Montaner, which at that hour was filling for a dance performance of the Gran Gala Flamenco. In front of van Gessel were several hundred people gathered for the prize announcement as part of the 8th International Biennial of Landscape Architecture, which ran from September 25 to 27. The audience included the designers of the 11 finalist projects for the prize; they each had presented their entry the previous day. There was also a large turnout of landscape architects, academics, and students from Europe and elsewhere.

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BY JONATHAN LERNER

Now viewed across the lawn and meadow, the houses evoke the settlement's rural character.

Now viewed across the lawn and meadow, the houses evoke the settlement’s rural character.

From the September 2014 issue of Landscape Architecture Magazine.

Nearly 50 years ago, a cluster of old houses, set slightly askew, was “discovered” in Brooklyn’s Crown Heights neighborhood. They had been surrounded and concealed by newer structures aligned to the modern street grid. These modest cottages were the last physical trace of Weeksville, a self-sufficient farming settlement founded by freed African Americans after slavery was outlawed in New York in 1827.

An organization soon coalesced to document the history and preserve the structures. These years later, the newly completed Weeksville Heritage Center has wider ambitions: both to celebrate the area’s black history and to foster its present-day cultural vitality. The historic houses have been restored and are joined by a dazzling new building with exhibition, performance, research, and classroom spaces. Between them is an outdoor area meant for active programming and historical interpretation. Elizabeth J. Kennedy, ASLA, the designer, says, “One challenge was to make the historic land use patterns apparent.” Another was to reveal the idiosyncratic route of long-erased Hunterfly Road, originally a Native American footpath, which the old houses had fronted.

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Drought is said to be too many nice days in a row. Well, in California, three years of nice days has curdled into sheer dread. In the Features section of our September issue, Bill Marken, a frequent LAM contributor and a former editor of Sunset, takes a road trip through California to witness the effects of the drought, which is crippling in certain places and seemingly not such a big deal in others, and to comment on the efforts, or lack thereof, to help soften the drought’s blows. In Mexico, a memorial to victims of the drug war struggles to honor the local impact of this complex, global tragedy. When the ever-encroaching tides threatened an iconic Norman Jaffe house in the Hamptons, LaGuardia Design Landscape Architects pulled it back from the brink and garnered an ASLA Award of Excellence in Residential Design. The landscape historian Thaisa Way takes Michael Van Valkenburgh’s words to heart when she looks at Chicago’s Lurie Garden, by Gustafson Guthrie Nichol with Piet Oudolf, 10 years after it opened beside Lake Michigan.

Also in this issue: The new landscape design for the Weeksville Heritage Center unearths the site’s past as a freedmen’s settlement; the ongoing efforts to contain sudden oak death’s spread (efforts which, it turns out, may be helped by the California drought); ecologists on the cutting edge of assisted migration who argue that it’s the only way to save the trees; and a brief history of pushback on Rails to Trails conversions. All this plus the regular goodies in Species, Goods, Books, and Now. The full table of contents for September can be read here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating some September pieces as the month rolls out.

Credits: The Lurie Garden, The Lurie Garden; Assisted Migration, Torreya Guardians; Weeksville Heritage Center, Nic Lehoux Architectural Photography for Caples Jefferson Architects; Sudden Oak Death, Yana Valachovic, UC Cooperative Extension; Memorial to the Victims of Violence in Mexico, Sandra Pereznieto; LaGuardia Associates Perlbinder House, Erika Shank; San Luis Reservoir, Peter Bennett/Green Stock Photos. 

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BY ADAM REGN ARVIDSON, FASLA

LeBleu's work in Mobile is seeking to balance industrial uses with natural and recreational uses at the ocean's edge.

LeBleu’s work in Mobile is seeking to balance industrial uses with natural and recreational uses at the ocean’s edge.

From the August 2014 issue of Landscape Architecture Magazine.

Charlene LeBleu, FASLA, is an associate professor in the College of Architecture, Design, and Construction at Auburn University. For several years, she has been following the emerging discipline of marine spatial planning, which applies planning principles and community engagement to the world’s oceans. Along with her students, LeBleu has been working on a marine spatial plan for Dauphin Island Peninsula in Mobile, Alabama, where much of the confluence of historic, ecological, and industrial land uses takes place at and beyond the shoreline.

How would you describe marine spatial planning and how it differs from land-use planning?
Typical land-based planning focuses on how different types of users can exist next to each other and what’s the boundary and edge between them. The neat thing about marine spatial planning is the seasonal fluctuation of use. It links multiuse zones and limited-use zones so that a tourist can engage the edge, but then we may cut them off at certain times of the year when certain fish and other sea creatures are spawning. Marine spatial planning has this dynamic-ness built into it, so that it can reach out at a certain time, protect something, and then pull back and let other uses in.

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A monthly roundup of the news, dispatches, and marginalia that caught our eye.

This month’s issue of the Queue lauds the re-emergence of smart print magazines for landscape architecture,  admires a new restorative space behind bars, questions how friendly “bee-friendly” plants really are, and considers a trip to Reno…again.

 

CATCHING UP WITH…

 

FIELD STUDIES

    • Magazines are the new black! First there was Reframe, and now there’s LA+, a new print publication from PennDesign that wants to bridge the gap between trade magazines and academic journals. The aim of the publication is to provide content that is more than just “designers talking to other designers.”
    • Navigating the (policy) waters: Two recent reports from the Natural Resources Defense Council offer road maps for cities to “integrate comprehensive urban water efficiency strategies into state revolving funds and Clean Water Act compliance.”

 

OUT AND ABOUT

 

 

DISTRACT ME FROM MY DEADLINE DEPT.

 

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BY KATHARINE LOGAN

sea wall _blog

New design for Seattle’s Elliott Bay Seawall will include habitat for young salmon and a glass-floored promenade to allow light into the ocean.

From the July 2014 issue of Landscape Architecture Magazine.

Before Seattle grew up on its shores, Elliott Bay was a bluff-backed beach, with intertidal marshes and mudflats providing a complex and varied habitat for birds, fish, and marine invertebrates. Its sloping beaches offered salmon a safe passage through shallow waters, with plenty to eat along the way.

The growth of Seattle changed that. The developing city filled and leveled its waterfront behind a seawall built on densely spaced and creosote-blackened pilings. Deep, dark, and toxic, the urban shoreline repels migrating salmon out into the bay on a difficult journey where they become easy prey for other fish and marine mammals.

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Cool relief from dull summer reading is here! The mid-summer issue of LAM focuses on the surprising history and ongoing threat posed to the storied town of Zoar, Ohio, by a 1930s levee; the public spirit of Máximapark designed by West 8, near Utrecht in the Netherlands; and Cliff Garten’s artistic take on civic infrastructure. Elsewhere, we look at city policies on urban farming; the planting designs of Richard Shaw in the harsh, arid highlands of Colorado; the strange relationship between the western fence lizard and the pesky black-legged tick; and a design by James Corner Field Operations on the Seattle waterfront meant to aid in the protection of the Pacific salmon. Kim Sorvig takes on Owning the Earth: The Transforming History of Land Ownership, by Andro Linklater, in Books, and Rachel Sussman shares a portfolio of her work from the instant cult favorite, The Oldest Living Things on Earth, in the Back. And of course, there’s more in our regular Books, Species, and Goods columns. Best of all, the July issue is FREE and easy (see below) for you this season.

You can read the full table of contents for July 2014 or pick up a free digital issue of the July LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating some July pieces as the month rolls out.

Credits: Redesign of Santo Domingo Riverside Neighborhood: INCONSERCA and Ana Báez Sarita; Planting Palette: D. A. Horchner; Ribbons: Jeremy Green; Seattle Seawall Detail: James Corner Field Operations; Zoar Levee: Ed Massery; Research Map: Jong Lee, Student ASLA; Bicyclists in Máximapark: Courtesy Johan De Boer—Vrienden Van Máximapark; Western Fence Lizard: Cary Bass/Wikimedia Commons.

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