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Archive for the ‘WATER’ Category

Today’s LAMCast features the Aqueduct Futures program at Cal Poly Pomona, which  investigates the prospects for the Los Angeles Aqueduct and its slowly recovering ground source, the Owens Valley. Work from Aqueduct Futures is among the projects featured in After the Aqueduct, a new exhibition up at Los Angeles Contemporary Exhibitions. The exhibition looks at the Los Angeles Aqueduct and its impacts on the landscape of California. The participants include Barry Lehrman, ASLA, and Alexander Robinson, as well as Nicole Antebi, Lauren Bon (of Metabolic Studio), Chad Ress, Peter Bo Rappmund, Jon Christensen, Alan Bacock, and Kim Stringfellow, who curated the exhibition and accompanying public programs. After the Aqueduct will be on display at Los Angeles Contemporary Exhibitions in Hollywood, March 4–April 12, 2015.

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A program by the Trust for Public Land lets kids design their own schoolyards.

From the March 2015 issue of Landscape Architecture Magazine.

“There is poop going into the East River,” the teacher says, sprinkling black specks onto a cutaway model consisting of buildings, streets, and sewer pipes. It is week three of design class at P.S. 15, the Roberto Clemente School, on Manhattan’s Lower East Side, and a group of third graders is participating in the New York City Playgrounds Program, which, led by the Trust for Public Land (TPL), transforms asphalt inner-city schoolyards into community parks.

The teacher, Maddalena Polletta, who is TPL’s participatory design educator, is describing how storms can overwhelm New York City’s combined stormwater–sewer system and cause it to overflow. Seated around Polletta in a semicircle, the children are wide-eyed. “Your playground is impervious, which means that nothing can get through,” Polletta explains, using the model to demonstrate how the school’s asphalt yard contributes to the stormwater runoff, which is one of New York City’s biggest environmental problems.

After the Sewer in a Suitcase lesson (so called because the model is designed to fit into a suitcase for transportation to different schools), the children discuss a list of potential amenities and design features for the new park they are helping to design. The list includes a basketball court, a butterfly garden, a trampoline, and even a Jacuzzi—an amenity that to date has not been installed in a TPL park. The students talk about replacing part of the asphalt schoolyard with a different hardtop surface. “What if we fall and hit our face?” asks a boy dressed in a gray hooded sweatshirt. “What if we fall and scrape our knees?” asks a girl who stands up to address the class. “Okay, so this is a grass class,” Polletta says, summarizing the students’ sentiments.

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March’s issue of LAM looks at the cultural and environmental consequences of sand mining in Wisconsin to supply the fracking industry; Lola Sheppard and Mason White’s influential research-driven practice, Lateral Office, in Toronto; and three new play spaces in Oregon designed by GreenWorks and Mayer/Reed that embrace nature-based play.

In this month’s departments, Chatham University in Pittsburgh closes its landscape architecture programSiteWorks has kids help turn New York City schoolyards into community parks; the winners of a 2014 ASLA Student Award of Excellence balance landscape and architecture in a home for a wounded veteran; Joni L. Janecki, ASLA, creates a drought-tough landscape for the Packard Foundation’s new headquarters near Palo Alto, California; Jane Wolff’s illustrated flashcards make the San Francisco Bay legible in Bay Lexicon; and we have numbers, however small, on landscape design’s growing impact on the economy. All this plus our regular Now, Species, Goods, and Books columns. The full table of contents for March can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating March articles as the month rolls out.

Credits: “Many Sand Counties,” Lonniewishart.com; “Eyes Northward,” Ashley Capp; “Go Wild, Oregon Child,” Courtesy GreenWorks, PC; “Chatham Shuts the Door,” © Chatham University 2015; “DIY, Kiddo,” The Trust for Public Land; “The Drought Will Tell,” Jeremy Bittermann; “Team Effort,” Thomas J. Manuccia; “Bay Q&A,” Jane Wolff.

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February’s issue of LAM minces no words, starting with Fred A. Bernstein, who talks with female landscape architects whose firms listed as women business enterprises, or WBE’s, can sometimes attract jobs that make them feel as if they’re on board only to fill a quota; Jerry van Eyck, ASLA, a Dutch landscape architect who transplanted himself to New York, is making his mark in North America with !melk, his firm of four years that has public space and park business projects as lively as his character; and the Pérez Art Museum Miami’s grand new building by Herzog & de Meuron and ethereal hanging gardens by Patrick Blanc become backdrops to the small yet thoughtful designs of ArquitectonicaGEO, which repurpose the neglected Miami waterfront with native plantings and innovative flood control.

In Now, Camden, New Jersey, proves that park renovations don’t always have to be expensive. In Water, Anne Raver follows up our earlier coverage of Owens Lake in California, where an official decision has now been reached on how to tamp down the toxic dust blowing off the dried lake bed. Planning takes a look at the wave of the future in ecodistricts; House Call visits a picturesque vineyard by Scott Lewis Landscape Architecture, which won a 2014 ASLA Honor Award in Residential Design; and in The Back, the long forgotten Älvsjö Flatbed, produced by James Corner a generation ago, reveals a design language ahead of its time. All this plus our regular Species, Goods, and Books columns. The full table of contents for February can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating February articles as the month rolls out.

Credits: “A Hand Up, A Hand Down,” Greeen/Shutterstock.com; “!melk Man, Jerry van Eyck,” Patrick Pantano; “Soft Landing,” Robin Hill/Courtesy ArquitectonicaGEO; “For A Song,” Sikora Wells Appel and Group Melvin Design; “The Dust Settlement,” Nuvis Landscape Architecture and Planning; “What Ecodistricts Need,” GBD Architects; “Among the Vines,” Matthew Millman Photography; “Everything on the Table,” Pierre Bélanger, ASLA.

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The new Nature Gardens at the Natural History Museum of Los Angeles County by Mia Lehrer + Associates provides habitat for the city’s surprisingly diverse wildlife and brings the museum’s research outside; Gweneth Leigh, ASLA, compares the dull and outdated playgrounds of the past to two challenging, yet exciting, Australian playgrounds by Taylor Cullity Lethlean and James Mather Delaney Design; and Lauren Mandel, Associate ASLA, looks at how research at the Chicago Botanic Garden roof gardens by  Oehme, van Sweden Landscape Architecture are designed to provide hard data on suitable plants and soil depths.

In our departments, Now highlights Louisiana’s wildlife management areas, Dirk Sijmons’s studies of energy and landscape, and a new program that puts chief resilience officers in cities; Water takes a look at the Miami Conservancy District in Ohio; Practice features an unusual partnership between a salt merchant and the firm Landing Studio; and in The Back Jonathan Lerner wonders if MOMA’s exhibit, Urban Growth: Tactical Urbanisms for Expanding Megacities, is as tactically urban as it aims to be. All this plus our regular Species, Goods, and Books columns. The full table of contents for January can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating  January articles as the month rolls out.

Credits: “So Cal,” Luke Gibson Photography, Courtesy Mia Lehrer + Associates; “No, No, You Go First,” Brett Boardman; “This Is a Test,” Robin Carlson/Courtesy Oehme, Van Sweden; “A Plan to Plan?” Louisiana Department of Wildlife and Fisheries/The Conservation Fund; “Dry on a Good Day,” Courtesy Miami Conservancy District; “Strange Companions,” Courtesy Landing Studio; “Growing Pains,” Courtesy NLÉ and Zoohaus/Inteligencias Colectivas.

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Bostonians like to think they are smart. Maybe they’re right—they are certainly smart enough to know when to ask other people for help. On October 29, the second anniversary of Hurricane Sandy, Boston’s mayor, Martin Walsh, announced a major international design competition called Boston Living with Water to address the threat of sea-level rise and coastal flooding. The competition, which is open and meant to be interdisciplinary, will unfold in two stages and focus on three sites representing three scales of challenge: Building (a condo structure in the North End), Neighborhood (100 acres in the Fort Point Channel District), and Infrastructure (Morrissey Boulevard, a multiuse transportation corridor). Phase 1 entries are due January 29, 2015, after which finalists will be selected to advance to the second stage. An award ceremony and exhibition will be held in June, including the award of $20,000 to the first-place team and $10,000 each to second- and third-place teams.

International competitions aren’t launched every day, but what was more unusual about the kickoff was its context—a new mayor, only 10 months into his first term, assuming regional leadership on climate change. The cities and towns of Greater Boston believe firmly that good fences make good neighbors; regional cooperation is pretty much nonexistent. But, as Walsh noted, “climate knows no municipal boundaries,” which makes his concurrent announcement of a regional climate initiative including 13 metropolitan area mayors seem downright historic. The mayor spoke at ABX, the annual building-industry convention hosted by the Boston Society of Architects, where he was surrounded by the city managers of Cambridge and Chelsea, as well as by the directors of seemingly every city and state agency in any way involved with climate, planning, or infrastructure. It was a scene that would have been unimaginable a year before Sandy. But then, even if Bostonians aren’t always quite as smart as they think, they are certainly quick studies.

Elizabeth S. Padjen is an architect and the former editor of ArchitectureBoston magazine.

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A monthly roundup of the news, dispatches, and marginalia that caught our eye.

In the October Queue, the LAM staff catches up with Canada, imagines Boston as the Venice of Massachusetts, finds Florida’s (new) secession threat alarming, reads the phrase “climate apartheid” for the first but probably not the last time, and orders some adult stickers.

CATCHING UP WITH…

Landscape Architecture Network explores the Canadian Museum of Civilization Plaza by Claude Cormier Associates (“How Sweet,” LAM, January 2013), whose graceful, undulating curves reflect the architecture as well as the Canadian environmental landscape.

Finalists were announced for the Van Alen Institute’s Future Ground competition for 30,000 vacant lots in New Orleans (“Take Aim At New Orleans’s Vacant Land”). Public presentations are scheduled for spring 2015.

SCAPE Landscape Architecture (“What Kate Orff Sees,” LAM, May 2012) was one of seven finalists for the 2014 Fuller Challenge aimed at creating holistic solutions from a multitude of disciplinary backgrounds to solve “humanity’s most pressing problems.”

Dredging and the energy manufacturing industry are at the heart of a recent New York Times Magazine cover story on lawsuits around Lousiana’s catastrophic land loss (“The Dredge Underground,” LAM, August 2014).

OUR WOBBLY WORLD

Future Lagos reports on a plan to protect Lagos, Nigeria, one of the world’s most populous (21 million) coastal cities, from the effects of climate change. Will a planned eight-kilometer “Great Wall of Lagos create an eco-urban utopia or “climate apartheid”?

A recent EU analysis says onshore wind is cheaper than other forms of energy when human health, the environment, and other “external” factors are added to the equation.

Several news outlets picked up on the release of ULI’s recent report on Boston, particularly the possibility of turning some of the city’s streets into Venice-like canals.

South Florida might become the 51st state in the union. Salon reports it could happen if Florida’s state government doesn’t start taking climate change seriously.

A new series of webinars on the National Disaster Resilience Competition (“Resilience by Design,” LAM, October 2013) and other resilience topics has been launched.

FIELD STUDIES

Are shared streets a great innovation for pedestrians, or a complete nuisance to motorists? Chicago will soon find out with its very first shared street to begin construction this winter.

Cascadian Farm, owned by General Mills, has launched a new “Bee Friendlier” campaign to promote the cultivation of wildflowers for our pollinator friends. But with Cascadian Farm making up only 3 percent of General Mills, some claim it’s not enough to offset the other 97 percent of bad bee practices.

How do you make a city center more pedestrian friendly? For Zurich, it limits how many cars can enter.

OUT AND ABOUT

On November 7, the New York Botanical Garden hosts a symposium on “The Changing Nature of Nature in Cities.”

Teresa Galí-Izard  (“Auckland Takes the Rosa Barba Prize”) is at the Isabella Stewart Gardner Museum in Boston on November 13, 2014, as part of its Landscape Lecture series to talk about her innovative works across Europe.

The public landscapes of Ralph Cornell are on view November 8 and 9 as part of The Cultural Landscape Foundation’s mini What’s Out There Weekend in Los Angeles.

Making LA is a one-day conference on November 7 to discuss “urgent issues that Los Angeles faces in the areas of water, transportation, density, and community.” Panelists include urbanist Mia Lehrer of Mia Lehrer + Associates, landscape architect Deborah Deets, of the City of Los Angeles’s Department of Public Works, and Hadley and Peter Arnold of the Drylands Institute, among many, many others. 

 Landscape photographer Mishka Henner will talk about “Looking Down, From Up Above” with Andrew Hammerand and Julian Roeder on Tuesday, November 4 at 5:00 p.m. at the Open Society Foundation in New York City. The talk is part of the Moving Walls 22 exhibition; Dutch Landscapes will be on view November 4, 2014–May 8, 2015.

DISTRACT ME FROM MY DEADLINE DEPT.

The all-too-familiar Archetypes of Studio. Which one are you?

These eco wall stickers help save the world one toilet flush at a time.

We hope you’re not still on this London bridge when it opens.

Even Darth Vader is conscious about his carbon footprint.

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