The Twitterverse has been alive lately with pleas for votes in the #LA2050 competition, and a few projects have caught our attention for their wider reach and alignment with landscape architecture’s goals. The competition, now in its second year, receives support from the Goldhirsch Foundation and GOOD magazine, and will award grants in five categories: Play, Connect, Learn, Create, and Live. We were pleased to see projects based around the L.A. River (“A River to Live By,” June 4, 2014) make appearances in various categories, along with a project, Divining L.A.: Resilient City Design for the Next Hundred Years, from the Arid Lands Institute (“Drylands Design for L.A.,” January 14, 2014) with Mia Lehrer Associates and a pretty robust team of L.A. water-savvy agencies and firms. Awardees will be selected by a jury as well as the public vote, and the winners in each category can receive up to $100,000 for their project from either public voting or jury selection. That’s a total of $1 million on the table for community projects. Anyone can vote, once registered, and residence in Los Angeles is not required. Voting closes Tuesday, September 16, 2014, at noon (PDT), so read up on the projects and cast your vote. Have a landscape architecture project in the mix for LA2050? Tell us about it in the comments.
Archive for the ‘WATER’ Category
Posted in HABITAT, LAM MAGAZINE, NOW, OCEANS, PLANNING, UNIVERSITY, WATER, tagged Alabama, Auburn University, Dauphin Island Peninsula, Marine Spatial Planning, Mobile on August 14, 2014 | Leave a Comment »
BY ADAM REGN ARVIDSON, FASLA
Charlene LeBleu, FASLA, is an associate professor in the College of Architecture, Design, and Construction at Auburn University. For several years, she has been following the emerging discipline of marine spatial planning, which applies planning principles and community engagement to the world’s oceans. Along with her students, LeBleu has been working on a marine spatial plan for Dauphin Island Peninsula in Mobile, Alabama, where much of the confluence of historic, ecological, and industrial land uses takes place at and beyond the shoreline.
How would you describe marine spatial planning and how it differs from land-use planning?
Typical land-based planning focuses on how different types of users can exist next to each other and what’s the boundary and edge between them. The neat thing about marine spatial planning is the seasonal fluctuation of use. It links multiuse zones and limited-use zones so that a tourist can engage the edge, but then we may cut them off at certain times of the year when certain fish and other sea creatures are spawning. Marine spatial planning has this dynamic-ness built into it, so that it can reach out at a certain time, protect something, and then pull back and let other uses in.
Posted in BOOKS, CITIES, EDUCATION, ENVIRONMENT, FOOD, GREEN ROOFS, LAM MAGAZINE, PARKS, PEOPLE, PRACTICE, REUSE, WATER, tagged AECOM, ASLA Annual Meeting, Denver, Dredge, Dredge Research Collaborative, Dredgefest, EDAW, Joe Brown, Lee Weintraub, Mole, Newark, Riverfront Park, Street Design on August 5, 2014 | Leave a Comment »
For the cover story of LAM’s August issue, Jennifer Reut, an associate editor at the magazine, goes on safari in Louisiana with the Dredge Research Collaborative, a loosely joined group of designers and one journalist spellbound by the huge, hidden power of dredging waterways for shipping or flood control, and all of its odd side effects. It began as almost a science fiction-type pursuit, though one member of the collaborative, Tim Maly, explains, “As we began to research the present of dredge, our wild ideas were routinely falling short of reality.” Also in this month’s features, Jonathan Lerner surveys the outsized ambitions of Joe Brown, FASLA, who just retired from AECOM, the multinational design firm to which he welded the fortunes of the beloved landscape architecture firm EDAW in an acquisition nine years ago—to applause that was scarcely universal. And on the riverfront of Newark, Jane Margolies explores the degrading past and the brighter future of an old industrial site turned into Riverfront Park, with a boardwalk done in sizzling orange, by Lee Weintraub, FASLA.
In Foreground, we have the refashioning of certain large green roofs into farms; the balancing of goodness and financial prudence required to make social-impact design viable; and the layered dynamics of marine spatial planning as practiced by Charlene LeBleu, FASLA, at Auburn University. In Species, Constance Casey writes about the respectable labors of the mole—even if it can be a gardener’s scourge. In the Back, landscape architects in Denver suggest their personal favorite spots to visit during the ASLA Annual Meeting and EXPO in November. And of course, there’s more in our regular Books and Goods columns.
You can read the full table of contents for August here. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.
Posted in ART, CITIES, LAM BLOG, PEOPLE, PHOTOGRAPHY, STREETS, WATER, tagged Cultural Geography, Joseph K. Lee and Benedikt Groß, LA Forum, Lane Barden, Linear City, Los Angeles, The Big Atlas of LA Pools, Urban Cartography, WUHO Gallery on July 31, 2014 | Leave a Comment »
BY MELISSA RAGAIN
Los Angeles is fascinated with the improbability of its own existence in an otherwise depleted landscape. As a behemoth system, it has had an almost Faustian capacity to sustain itself by diverting resources away from smaller, less powerful systems. This summer, the Los Angeles Forum produced a show, now on view at the WUHO gallery, with the work of Lane Barden, whose 50-foot-long series of aerial images follows the flow of cars, water, and shipping containers through the city. It’s paired with Joseph K. Lee and Benedikt Groß’s The Big Atlas of L.A. Pools, which delivers exactly what it promises: a catalog of all 43,123 swimming pools in the city of Los Angeles. These projects together address the more subtle flows and stoppages of L.A.’s common-pool resources, using water as a metaphor for global movement and the uneven distribution of capital.
Barden’s piece, Linear City, focuses on the city’s arterial flows. Barden, a professional architectural photographer, has produced an aerial homage to the deadpan aesthetics of Ed Ruscha’s Twenty-Six Gasoline Stations from 1963, but without the humor. It’s a cumulative panorama of the Alameda Corridor railroad, Wilshire Boulevard, and the glorified ditch that is the current Los Angeles River.
A monthly roundup of the news, dispatches, and marginalia that caught our eye.
This month’s issue of the Queue lauds the re-emergence of smart print magazines for landscape architecture, admires a new restorative space behind bars, questions how friendly “bee-friendly” plants really are, and considers a trip to Reno…again.
CATCHING UP WITH…
- Landscape architecture students at Iowa State University, who designed and built three outdoor classrooms for inmates at the Iowa Correctional Institute for Women (“A Garden Behind Bars,” LAM, November 2013), have designed a new restorative space for the prison staff.
- It worked! +POOL, a floating pool designed to filter New York’s grubby East River for recreation (“Open Water,” LAM, July 2013), reached its Kickstarter goal this month. The innovative filtration system seems to be cleaning the water as anticipated.
- Toronto’s gritlab (“The Toronto Trials,” LAM, February 2014) has started phase II by installing 40 solar panels above green roof beds to measure the possible coexistence of green energy and green roofs.
- Magazines are the new black! First there was Reframe, and now there’s LA+, a new print publication from PennDesign that wants to bridge the gap between trade magazines and academic journals. The aim of the publication is to provide content that is more than just “designers talking to other designers.”
- Friend or frenemy? A new study shows 51 percent of “bee-friendly” plants sold through major retail chains nationwide tested positive for pesticides shown to harm and kill bees.
- Entertainment mecca Pleasure Beach, Connecticut, had a century of very good times under its belt before a fire cut off access in the 1990s. Salon reports on the new plan to bring back the good times, and the habitat, for the tiny peninsula town and the nearby city of Bridgeport.
- Navigating the (policy) waters: Two recent reports from the Natural Resources Defense Council offer road maps for cities to “integrate comprehensive urban water efficiency strategies into state revolving funds and Clean Water Act compliance.”
OUT AND ABOUT
- The boundary-shattering Art + Environment Conference at the Nevada Museum of Art will be held October 9–11, 2014, and will take on themes such as Posthumanism and Geoaesthetics.
- We recently lost the iconic Glasgow School of Art building to fire, but surviving works of Charles Rennie Mackintosh will be on display in Mackintosh Architecture: Context, Making, and Meaning at the University of Glasgow from July 18, 2014, to January 4, 2015.
DISTRACT ME FROM MY DEADLINE DEPT.
- Fresh fish in the food court! You have to catch it yourself. With your hands.
- Quiz time! We got “Medium Chill Pragmatist.” What’d you get?
- Nat Geo does a little tactical urbanism. And it’s pretty good.
Beneath many older cities across the globe are mysterious worlds hidden from sight since the Industrial Revolution. Rivers, once lifelines to wealth, were exiled underground as they became breeding grounds for disease. Burying rivers solved the sanitation issues of the times, but the aging infrastructure today falls short of modern needs and cuts off humans from nature. Caroline Bâcle, the writer and director of the new film Lost Rivers, which follows the stories of these forgotten waterways, spins an intriguing narrative of the rivers themselves but also of how people might connect with them. I spoke with Bâcle, who is based in London, about her experiences during the project and what Lost Rivers could mean to cities today.
How did you get the idea to make a film about these “lost rivers”?
My producer Katarina [Soukup, founder of Catbird Productions] and I—I think she stumbled upon it first, on the website of Andrew Emond. The film kind of opens with him. He’s a photographer who was living in Montreal but is in Toronto now, and he basically went into the underground of Montreal and took photos of its lost waterways. We were just fascinated by his website and thought, “Oh, my gosh, there are rivers under Montreal, my hometown. How incredible.” We thought it was a unique thing to Montreal, that it was only our city, and we had this amazing, incredible, mysterious history. And so originally we thought, “Oh, we have to make a film, or do something important about Andrew and his work or about the history of Montreal,” and we just developed the idea, and the minute we started doing any kind of remote research on “lost rivers,” we found that it was a part of urban history around the world. So the subject kind of opened up to something much bigger.
BY JONATHAN LERNER
Low dikes separate pastures on the Florida cattle ranch Jimmy Wohl’s father bought in 1962, when Jimmy was 12. Jimmy runs the 5,200-acre spread now, driving his pickup along the dikes with a rifle ready on the dashboard. “I’m not a killer of everything, but if we see wild hogs I’m going to shoot them,” he says, pointing to a berm the feral animals have torn up while rooting for grubs. “That’s where all the exotic weeds will start growing,” he explains. “This really galls me. I’ve worked hard to keep these slopes grassy so when it rains it doesn’t cause all kinds of ruts.”
Rain and dikes—and invasive species, too—are often on Wohl’s mind. His ranch is about 100 miles south of Orlando in the peninsula’s sparsely populated middle. It’s an area nowadays referred to as the North Everglades, though in its primeval state the terrain was not a “river of grass” like the true Everglades, but pine flatwoods and palmetto scrub skeined with marshy creeks. It absorbed the seasonally heavy tropical rains and then trickled the water south into vast Lake Okeechobee and beyond into the Everglades proper. But over the past century, to dry out acreage for ranches, citrus groves, sugarcane fields, and other industrial-scale farming, landowners and government entities patched together a labyrinth of ditches and dikes, pumps and canals that thoroughly disrupted the region’s natural hydrology. In a climate this wet, “it is the agriculturalists’ mantra to get rid of water,” Wohl says. “We were taking what was considered wasteland and making it an economic driver, the salad bowl of the United States throughout the winter. Everybody kept throwing dollars down here, saying, ‘Drain more land, cut more canals.’”