Courtesy Tim Cone/Environmental Film Festival.
This year’s urban-themed Environmental Film Festival has an interesting angle for landscape architects. The Washington, D.C.-based festival, now in its 22nd year, will be showing 200 films on a program titled Our Cities, Our Planet that focuses on sustainable cities and the impact of urbanism on our environments. The festival is primarily documentaries, but it also includes experimental films, shorts, children’s films, archival gems (some with live orchestral accompaniment), and works in progress. Many of the screenings during the weeklong festival, which runs March 18–30, 2014, are free, and include panel discussions with filmmakers and activists. Below is just a selection of the films that caught our eye (with the EFF program descriptions), and a full program and schedule can be seen here.
WATERMARK. From Jennifer Baichwal and Nick de Pencier, and the photographer Edward Burtynsky, who collaborated on the 2006 film, Manufactured Landscapes, Watermark transports us all over the world, revealing the extent to which humanity has shaped water and how it has shaped us.
THE HUMAN SCALE. For 40 years, the Danish architect Jan Gehl has studied human behavior in cities, starting with what he calls “Life Between Buildings.” Gehl has documented how modern cities repel human interaction and argues that we can build cities in a way that takes human needs for inclusion and intimacy into account. In Copenhagen, Gehl has inspired the creation of pedestrian streets and bike paths and the organization of parks, squares, and other public spaces throughout the city.
RIVERS AND TIDES: ANDY GOLDSWORTHY WORKING WITH TIME. Acclaimed around the world for his site-specific earthworks, beautiful and ephemeral sculptures in the open air made of ice, mud, leaves, driftwood, stones, and twigs, Andy Goldsworthy thinks incessantly about “the veins that connect things.”
THE HUMAN TOUCH (clips). Ten years after making Rivers and Tides, Riedelsheimer and Goldsworthy started a new collaboration, exploring more aspects of Goldsworthy’s work and how it has changed over the years.
SAND WARS. Sand seems quite insignificant, yet those grains of silica surround and affect our lives. Every house, skyscraper, and glass building, every bridge, airport, and sidewalk depends on sand.What are the consequences of intensive beach sand mining for the environment and the neighboring populations?
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