Feeds:
Posts
Comments
BEDIT_Fore-Now_Joe-lalli-principal-1022

Joseph J. Lalli. Photo courtesy EDSA

Joseph J. Lalli, FASLA, the chairman and former president of the firm EDSA, died October 25 at his home in Fort Lauderdale, Florida, after a brief illness. He was 71.

Lalli joined EDSA in 1968 and became president of the firm in 1994, succeeding Edward Durell Stone Jr., who founded the firm in 1960. During Lalli’s tenure, he led a significant expansion of the firm, which is known particularly for its resort designs, to one that now has 120 employees in six offices. He had more than 500 projects to his credit in 40 countries. EDSA was among the first landscape architecture firms to work in China beginning in 2001. Among its numerous awards, EDSA received the ASLA Landscape Architecture Firm Award in 2010.

“He was a very accomplished artist and a design person, a creative thinker, and he was able to take that creative aspect and transfer it to the business side,” said Doug Smith, ASLA, the president of EDSA since 2012, who was hired by Lalli in 1987. “He was an unconventional thinker.” When EDSA first began working in China, Western firms faced a tight, bureaucratic process that required their forming a joint venture with a Chinese firm. “He orchestrated a lot of very complicated aspects of that,” Smith says. An early joint venture, EDSAOrient, remains active in Beijing, and an EDSA office opened in Shanghai in 2013. The firm won an Honor Award for General Design in 2010 for the Crosswaters Ecolodge in China’s Guangdong Province. The firm has also worked frequently in the Caribbean region.

Lalli’s global success was unaccompanied by bluster; his colleagues describe him as a persuasive leader, yet a modest and taciturn person—and a generous one. “You really had to listen to Joe and pull things out of him,” said Lucinda Sanders, FASLA, the chief executive officer of OLIN. “I saw him as a selfless person. He gave to anybody around him. He gave very quietly. He taught us so much about goodness and the suspension of ego.”

“He was a man of such few, elegant words,” said Joe Brown, FASLA, the retired chief innovation officer of AECOM. “He was such a remarkably nice man, a gentleman competitor.”

Lalli was born in Geneva, New York. He received his bachelor’s degree in landscape architecture at Cornell University and his master’s in landscape architecture at the University of Michigan. Aside from his ASLA fellowship, he was a past cochair of the CEO Roundtable and a former member of the board of the Landscape Architecture Foundation.

He is survived by his wife, Jeanne Dawson-Lalli, and two brothers, Vincent Lalli and Anthony Lalli.

WATER-WISER IN BOSTON

Bostonians like to think they are smart. Maybe they’re right—they are certainly smart enough to know when to ask other people for help. On October 29, the second anniversary of Hurricane Sandy, Boston’s mayor, Martin Walsh, announced a major international design competition called Boston Living with Water to address the threat of sea-level rise and coastal flooding. The competition, which is open and meant to be interdisciplinary, will unfold in two stages and focus on three sites representing three scales of challenge: Building (a condo structure in the North End), Neighborhood (100 acres in the Fort Point Channel District), and Infrastructure (Morrissey Boulevard, a multiuse transportation corridor). Phase 1 entries are due January 29, 2015, after which finalists will be selected to advance to the second stage. An award ceremony and exhibition will be held in June, including the award of $20,000 to the first-place team and $10,000 each to second- and third-place teams.

International competitions aren’t launched every day, but what was more unusual about the kickoff was its context—a new mayor, only 10 months into his first term, assuming regional leadership on climate change. The cities and towns of Greater Boston believe firmly that good fences make good neighbors; regional cooperation is pretty much nonexistent. But, as Walsh noted, “climate knows no municipal boundaries,” which makes his concurrent announcement of a regional climate initiative including 13 metropolitan area mayors seem downright historic. The mayor spoke at ABX, the annual building-industry convention hosted by the Boston Society of Architects, where he was surrounded by the city managers of Cambridge and Chelsea, as well as by the directors of seemingly every city and state agency in any way involved with climate, planning, or infrastructure. It was a scene that would have been unimaginable a year before Sandy. But then, even if Bostonians aren’t always quite as smart as they think, they are certainly quick studies.

Elizabeth S. Padjen is an architect and the former editor of ArchitectureBoston magazine.

NOVEMBER’S LAM: HUGE!

This slideshow requires JavaScript.

The 272-page November issue of Landscape Architecture Magazine is the biggest of the year, if not the past five. Why the extra muscle? Perhaps abundance is in the air: This year’s ASLA Annual Meeting and EXPO in Denver is looking to be one of our biggest ever.

This year, the ASLA Award of Excellence in General Design went to Gustafson Guthrie Nichol for the Bill and Melinda Gates Foundation headquarters in Seattle. Despite the difficulties the central Seattle site provides, the site’s landscape design echoes its past as a bog, and its present as a centrifuge of global and local ethics. In “Fire, Rain, Beetles, and Us,” Carol Becker looks at the interconnected catastrophes recently visited on the Front Range of the Rocky Mountains. “Fluid Boundaries” finds the Colorado River reflow (“A Spring Flush on the Colorado,” April 24, 2014) is just one of several transnational projects to kick-start the riparian wetland along the Colorado River. Jayson DeGeeter, ASLA, talks to Guy Sternberg, the oak guru, about the species and his calling at Starhill Forest Arboreteum. “Detroit from the Ground Up” finds that landscape architecture is playing a major role in Detroit’s revitalization. And the photographer Alex MacLean and the journalist Daniel Grossman investigate the beginning and the end of the transborder tar sands oil trade.

Departments deliver this month as well: NOW has Editor Brad McKee’s perspective on the Rosa Barba Prize, updates on Changing Course, and elementary ag in NYC; Interview talks to Reid Fellenbaum, winner of the ASLA 2014 Student Award of Excellence in Analysis and Planning about his spooky-brilliant project, “Meridian of Fertility”; House Call features residential design in Arcadia National Park by Matthew Cunningham Landscape Architecture; and the Back has a portfolio of The Cultural Landscape Foundation‘s annual Landslide campaign, this year directed at saving site-specific artworks. All this and the usual rich offerings in Species, Goods, and Books. The full table of contents for November can be read here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating November articles as the month rolls out.

Credits: Gates Foundation, Tim Hursley; Pine Beetle, Paul Milner; Hunters Hole, Fred Phillips, ASLA; Guy Sternberg, Noppadol Paothong; Detroit, Detroit Future City; Alberta Refinery, Alex MacLean; Arturo Toscanini School, WORKac; Microtopographic Section Model, Reid Fellenbaum, Student Affiliate ASLA; Opus 40, © Thomas Hahn, 2014, Courtesy The Cultural Landscape Foundation.

THE QUEUE, OCTOBER 2014

A monthly roundup of the news, dispatches, and marginalia that caught our eye.

In the October Queue, the LAM staff catches up with Canada, imagines Boston as the Venice of Massachusetts, finds Florida’s (new) secession threat alarming, reads the phrase “climate apartheid” for the first but probably not the last time, and orders some adult stickers.

CATCHING UP WITH…

Landscape Architecture Network explores the Canadian Museum of Civilization Plaza by Claude Cormier Associates (“How Sweet,” LAM, January 2013), whose graceful, undulating curves reflect the architecture as well as the Canadian environmental landscape.

Finalists were announced for the Van Alen Institute’s Future Ground competition for 30,000 vacant lots in New Orleans (“Take Aim At New Orleans’s Vacant Land”). Public presentations are scheduled for spring 2015.

SCAPE Landscape Architecture (“What Kate Orff Sees,” LAM, May 2012) was one of seven finalists for the 2014 Fuller Challenge aimed at creating holistic solutions from a multitude of disciplinary backgrounds to solve “humanity’s most pressing problems.”

Dredging and the energy manufacturing industry are at the heart of a recent New York Times Magazine cover story on lawsuits around Lousiana’s catastrophic land loss (“The Dredge Underground,” LAM, August 2014).

OUR WOBBLY WORLD

Future Lagos reports on a plan to protect Lagos, Nigeria, one of the world’s most populous (21 million) coastal cities, from the effects of climate change. Will a planned eight-kilometer “Great Wall of Lagos create an eco-urban utopia or “climate apartheid”?

A recent EU analysis says onshore wind is cheaper than other forms of energy when human health, the environment, and other “external” factors are added to the equation.

Several news outlets picked up on the release of ULI’s recent report on Boston, particularly the possibility of turning some of the city’s streets into Venice-like canals.

South Florida might become the 51st state in the union. Salon reports it could happen if Florida’s state government doesn’t start taking climate change seriously.

A new series of webinars on the National Disaster Resilience Competition (“Resilience by Design,” LAM, October 2013) and other resilience topics has been launched.

FIELD STUDIES

Are shared streets a great innovation for pedestrians, or a complete nuisance to motorists? Chicago will soon find out with its very first shared street to begin construction this winter.

Cascadian Farm, owned by General Mills, has launched a new “Bee Friendlier” campaign to promote the cultivation of wildflowers for our pollinator friends. But with Cascadian Farm making up only 3 percent of General Mills, some claim it’s not enough to offset the other 97 percent of bad bee practices.

How do you make a city center more pedestrian friendly? For Zurich, it limits how many cars can enter.

OUT AND ABOUT

On November 7, the New York Botanical Garden hosts a symposium on “The Changing Nature of Nature in Cities.”

Teresa Galí-Izard  (“Auckland Takes the Rosa Barba Prize”) is at the Isabella Stewart Gardner Museum in Boston on November 13, 2014, as part of its Landscape Lecture series to talk about her innovative works across Europe.

The public landscapes of Ralph Cornell are on view November 8 and 9 as part of The Cultural Landscape Foundation’s mini What’s Out There Weekend in Los Angeles.

Making LA is a one-day conference on November 7 to discuss “urgent issues that Los Angeles faces in the areas of water, transportation, density, and community.” Panelists include urbanist Mia Lehrer of Mia Lehrer + Associates, landscape architect Deborah Deets, of the City of Los Angeles’s Department of Public Works, and Hadley and Peter Arnold of the Drylands Institute, among many, many others. 

 Landscape photographer Mishka Henner will talk about “Looking Down, From Up Above” with Andrew Hammerand and Julian Roeder on Tuesday, November 4 at 5:00 p.m. at the Open Society Foundation in New York City. The talk is part of the Moving Walls 22 exhibition; Dutch Landscapes will be on view November 4, 2014–May 8, 2015.

DISTRACT ME FROM MY DEADLINE DEPT.

The all-too-familiar Archetypes of Studio. Which one are you?

These eco wall stickers help save the world one toilet flush at a time.

We hope you’re not still on this London bridge when it opens.

Even Darth Vader is conscious about his carbon footprint.

THE HALPRINS IN MOTION

BY ZACH MORTICE

“Driftwood Village—Community,” Sea Ranch, California. Experiments in Environment Workshop, July 6, 1968.

Put away your tracing paper and charcoal pencils. Shut your books. Stop thinking. Put on a blindfold and go for a walk in the woods. Make a structure out of yourselves, human bodies. Catalog everything that you see, hear, feel, and smell. Build a city out of beachside driftwood in complete silence. Take off your clothes. Now start thinking about design.

You could call these instructions those of a thought experiment. They came from Anna and Lawrence Halprin’s workshops, held in the San Francisco Bay Area in the 1960s and 1970s. But that was not the point. The Halprins held weeks-long events that took landscape architects, architects, artists, and dancers to redwood forests, expansive beaches, and into the city of San Francisco and asked them to shed all theory and dogma so they could explore and interpret their environment totally through sensory experience.

A new exhibition at Chicago’s Graham Foundation, up until Dec. 13, has assembled the Halprins’ extensive documentation of their Experiments in Environment workshops. The show is done in conjunction with the University of Pennsylvania, where Halprin’s archives are held. Put together in just months, Experiments in Environment: The Halprin Workshops, 1966–1971 is the first ever serious exhibition into the Halprin workshops.

Continue Reading »

HOMEPLACE

“We were ready to fly on our own,” Nancy Levinson said in August as she described the next phase of life for the beloved Places Journal, based in San Francisco, where she is the editor and executive director. In late June, Levinson and Josh Wallaert, the journal’s senior editor, posted the last piece in Places as part of the Design Observer Group’s platform of online design writing. In late September they relaunched Places as an independent site dedicated, as its tagline says, to “public scholarship in architecture, landscape, and urbanism.” The main support for Places comes from a group of 24 universities, each of which has a member on the journal’s board of directors. The site also receives foundation grants and individual donations.

Places was started in 1983 by faculty members of the Massachusetts Institute of Technology and the University of California, Berkeley (Donlyn Lyndon and William Porter were founding editors). It appeared as a print publication until it went online-only in 2009 as part of Design Observer. The decision earlier this year to end the partnership with Design Observer was a friendly one, Levinson said. “It was great to be partners, and it was a great way to move from being a print publication to being a web publication.” The new site, she said, clarifies the stand-alone status of Places as a nonprofit, dot-org rather than dot-com, that offers long-form public-interest journalism. The Design Observer site provides a link to the new home for Places.

SEXPLACE

Hammering out the new site’s design began in May. Levinson and Wallaert hired Kyle Larkin of Extra Small Design, in Phoenix, to create the site; Larkin had been the first web editor of Places in 2009. The new design gives the journal a cleaner look, bigger images, slide shows, and easy sharing on social media. Levinson’s goal was to create a more “immersive” format for Places’s roomy inquiries into design topics that range among media, politics, geography, economics, industry, energy, and sex. There are links from current pieces to those in the journal’s archive of about 1,800 articles published since 1983. At the bottom of a recently posted essay, “From Architecture to Landscape,” by Brian Davis and Thomas Oles, you reach links to other pieces relating to landscape. And you can find the entire Places print archive available in PDF. There is plenty to explore.

“People don’t necessarily go online to read journals,” Levinson said. “They go online to read articles, and as they read articles, they discover journals. Our big focus is our commitment to articles that are serious and substantial. The web has become a very fraught place, and we’re trying to maintain a strong signal amid the ever-increasing noise.”

For more information, visit https://placesjournal.org.

A TREE FOR A NEW WORLD

BY CONSTANCE CASEY

A little unkempt looking, the shagbark is one of the mightiest of North America's trees.

A little unkempt looking, the shagbark is one of the mightiest of North America’s trees.

From the October 2014 issue of Landscape Architecture Magazine.

 One of the grandest North American trees is the shagbark hickory. It’s dramatic and easy to identify, with its smoke-gray bark warping away from the trunk. Grand, of course, implies big, and that’s part of the reason why the shagbark is not often planted and you wouldn’t see it in a nursery. It spreads itself in the woods from Quebec to Minnesota, south to Georgia and Texas, typically topping out at 70 to 90 feet with an irregular oval crown. It can grow to more than 100 feet, given 350 years or so.

The copper beech, with satiny bark, is British or Continental—Old World. The shagbark, to the essayist Donald Culross Peattie, is New World. “To everyone with a feeling for things American, and for American history, the shagbark seems like a symbol of the pioneer age,” he writes, “with its hard sinewy limbs and rude, shaggy coat, like the pioneer himself in fringed deerskin hunting shirt.”

Continue Reading »

Follow

Get every new post delivered to your Inbox.

Join 2,040 other followers