Crows—although they share a predilection for scavenging human food waste alongside other urban avian “pests” such as pigeons—carry a more mischievous reputation. The National Audubon Society cites their incredible intelligence and documented cases of the birds using tools, holding grudges, and performing funerals. Continue reading For Crows, By Humans→
A new gorilla conservation campus by MASS Design Group and TEN x TEN is a laboratory for reforestation.
By Timothy A. Schuler
The plan was ambitious, even by MASS Design Group standards. For the headquarters of the Dian Fossey Gorilla Fund, the world’s foremost mountain gorilla conservation organization, the designers envisioned a series of lily pad-like buildings nestled into a landscape made up of plant communities drawn almost exclusively from the gorillas’ native habitat in Rwanda’s Volcanoes National Park.
Falon Mihalic’s sculpture charts the atmospheric forces that bind us.
By Zach Mortice
Windbloom, a 12-foot-high sculpture and pavilion under construction near Houston by the artist and landscape architect Falon Mihalic, will give physical form to ephemeral weather processes—specifically, which way the wind blows. The site-specific piece will map the direction of local wind, and its biomorphic qualities will reflect the vitality and energy of the Gulf Coast skies it surveys. Continue reading Windbloom Maps the Breeze→
A review of Natura Urbana: Ecological Constellations in Urban Space by Matthew Gandy.
By Anjulie Rao
There are more than 30,000 vacant lots in the city of Chicago—remnants of urban renewal’s disastrous execution and disinvestment. Where buildings once stood, acres of new life have emerged. Many of those empty lots have become overgrown—small prairies where remnants of building foundations peek out from plots of seeding grasses; thick, tender lamb’s-quarter; and purple flowering chicory. The lots are home to rats, skunks, raccoons, and the occasional possum. Chicago, like many postindustrial cities, grapples with how to develop these spaces, calling them wastelands. Continue reading Book Review: Gone Feral→
Cheryl Barton winds down after decades as CEO, and her office becomes part of SCAPE.
By Bradford McKee
If there were good, recent books on passing a design firm’s ownership from founders to successors (there aren’t), it sounds as if Cheryl Barton, FASLA, and Kate Orff, FASLA, would have had little use for them. In March, the San Francisco-based Office of Cheryl Barton, Barton’s firm since 1995, became the West Coast office of SCAPE Landscape Architecture, the firm Orff founded in New York in 2004. Continue reading Designed Transition→
The beat goes on at the Bethel Woods Center for the Arts in Upstate New York, the site of the legendary 1969 Woodstock music festival.
By Jane Margolies
The Bethel Woods Center for the Arts, which occupies more than 1,600 rolling acres in the Upstate New York town of Bethel, was abuzz on a recent afternoon. The comedian Bill Burr was scheduled to perform in two days’ time, and white party tents for the sale of cocktails were set up around the open-air amphitheater where he would be entertaining the crowd. Mowers roved over lawns bordered by blue spruce trees. Tickets were on sale for up to $359 for the best seats. Continue reading Back to the Garden→
An unexpected amount of rain fell on the Presidio Tunnel Tops construction site this past October. The rain was a mixed blessing; though welcomed by parched San Francisco Bay Area residents, it had damaged parts of the job site. Kerry Huang, ASLA, a senior associate at James Corner Field Operations (JCFO), the project’s design partner and landscape architect, said that layers of soil and plants were torn out of one of the embankments, despite the recent installation of erosion control blankets. Huang is a construction manager for Tunnel Tops, one of an unusual number of women who are project managers on this high-profile project. Continue reading The Team on Tops→
The Magazine of the American Society of Landscape Architects