Along with the rest of the country this month, LAM is celebrating the centenary of the National Park Service. Our particular franchise on pride in the park service is that ASLA, which publishes LAM, can claim a good deal of paternity in its creation, as detailed in our April issue. A hundred years later, we travel to a couple of the most famous parks, Grand Canyon and Grand Teton, to look at the challenges that landscape architects encounter in keeping these treasured assets balanced between their wild popularity and fragile ecologies. We visit one of the newer national parks, the Paterson Great Falls National Historical Park in New Jersey, to look at how geological beauty and an industrial legacy fit together in an urbanized setting. Looking back at the Mission 66 design program of the mid-20th century, we discover the tensions the park service has in preserving a certain zeitgeist, in which some auto-centric features, in particular, are not universally loved.
There is a lot of other great stuff in this issue: Three landscape architecture firm principals share their approaches to requests for proposals or qualifications by clients, in Office. A report on a new vision for the beleaguered Westside, long an African American stronghold in Las Vegas, finds a mix of hope and anxiety for residents, in Planning. If you want to master a not-even-a-footprint ethos on public lands, ask the Burning Man festival organizers how it’s done. And this month’s book review is about Beyond the City: Resource Extraction Urbanism in South America, by Felipe Correa. And don’t miss our regular Now, Species, and Goods columns. The full table of contents for August can be found here.
As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.
Credits: “Surge Time,” National Park Service/Michael Quinn; “Industrial Evolution,” Sahar Coston-Hardy; “Hit Delete,” Hershberger Design; “Wild Rides,” National Park Service, Yosemite Research Library; “Mind Your RFPs and Qs,” Big Muddy Workshop; “Wary of Change,” Kirsten Clarke Photography; “Mission 66 Hits 50,” Google Earth; “Vanishing Act,” Andrew Miller.