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Archive for the ‘BROWNFIELDS’ Category

BY ZACH MORTICE

Minbo Zhao’s “Better Trail, Better Life.” Image courtesy the University of Illinois at Urbana–Champaign.

For her study of the landscape dimensions of the opioid crisis, Aneesha Dharwadker, a designer in residence at the University of Illinois at Urbana-Champaign, taught an undergraduate and graduate studio grounded in the endlessly complex set of cultural, economic, and environmental factors that contribute to addiction. Called “Landscapes of Dependence,” the landscape architecture studio synthesized research into a diagram called “The Labyrinth of Addiction.”

The diagram portrays addiction not as a cycle or individual pathology, but as an intricate maze, an array of orbits connecting the pharmaceutical industry, poppy cultivation, the environmental conditions of users, health care resources, and local institutions—punitive and otherwise. As explained by the accompanying website and manifesto “The Declaration of Dependence,” there’s no single entry point to the labyrinth, no clear linear progression, and only one dead end: fatality after an overdose. Everything else is an endless feedback loop. Invited by Dharwadker onto campus for reviews in April, I was confronted by the intimidating vortex her students were tasked to defy. (more…)

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It’s the first, which means June’s issue of LAM is here! You’ll find these stories inside:

FOREGROUND

Sudden Impact (Office)
Principals from three firms discuss how internships can offer a learning experience
for everyone involved.

The Better Underbelly (Transit)
Bowen Place Crossing by Spackman Mossop Michaels is more than just a shady underpass.

Processing Through Play (Play)
A study gives credence to intuitive ideas about designing playgrounds for kids
who have sensory processing disorder.

FEATURES

Knock It Off
Design professionals are saying #MeToo, too. Do sexual harassment policies
in the workplace go far enough?

Copenhagen Cool
The firm COBE gives two public spaces in the Danish capital a new look and renewed
purpose as transportation infrastructure.

The Dream Seller
Mexico City is a place with significant water challenges. Mario Schjetnan, FASLA, designs
places to meet them.

The Major Scale
Oehme, van Sweden’s design for the wide open spaces of Tippet Rise prove that Montana
is a great place for art.

All this plus the regular Now and Goods columns. The full table of contents for June can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting June articles as the month rolls out.

Credits: “The Major Scale,” Beartooth Portal by Ensamble Studio, photo by Iwan Baan; “Copenhagen Cool,” Rasmus Hjortshøj; “The Dream Seller,” Adam Wiseman; “Sudden Impact,” C&I Studios; “Processing Through Play,” Courtesy STAR Institute for Sensory Processing Disorder; “The Better Underbelly,” Ian Marshall.

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BY STEPHEN ZACKS

An expansive park at the foot of the Kremlin helped drive a series of revolutionary improvements to the Russian capital.

FROM THE APRIL 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE. 

At Zaryadye Park in central Moscow, a procession of Eurasian birch trees, grasses, and shrubs winds downhill from a glass-encrusted outdoor amphitheater that tops the new Philharmonic Hall, framing photogenic views of the candy-colored cupolas of Saint Basil’s Cathedral. The park’s verdant terrain folds onto the rooftops of five scalloped pavilions that shelter a botanical display, an educational center, a food court, and a screening room that plays an immersive 3-D film on Russian history. The park, which covers 32 acres, stretches to the edge of Red Square, and even adds 11 square feet to the square that was uncovered during excavation. The pavilions, with their vegetated roofs, and most of the park’s terrain sit atop a 430-car underground parking garage. To keep the whole landscape in place, a geocell soil-stabilization system rests on top, anchoring granite pavers on pedestrian pathways that stretch onto an arching, boomerang-shaped overlook that cantilevers and hovers over the Moskva River. Here visitors of all ages and groups compulsively photograph themselves against the backdrop of the Kremlin and the Kotelnicheskaya Embankment Building, one of the Stalinist high-rises that define Moscow’s skyline.

Zaryadye Park is an entertaining landscape intended as a spectacular place, a special attraction, and a free public space—a term that Russian architects agree had almost no precedent in the language before a series of convergences brought the park into being. (more…)

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BY ZACH MORTICE

The Michael Van Valkenburgh Associates plan uses a series of intensely programmed pavilions at the park’s urban edge. Image courtesy Michael Van Valkenburgh Associates.

Update 4/10/2018: The Detroit Riverfront Conservancy has chosen Michael Van Valkenburgh Associates’ plan as the competition winner. 

At 22 acres on a prime Detroit River site southwest of downtown, the future West Riverfront Park could become the city’s new civic front yard.

A design competition hosted by the Detroit Riverfront Conservancy has collected a short list of plans to fill this need, with work by GGN, James Corner Field Operations, Michael Van Valkenburgh Associates (MVVA), and Hood Studio making the cut. The winner will be determined by jury later this month. Several of these plans deal with the site’s relative surrounding vacancy and lack of connection to active, urban uses by building up dense layers of programming, but differ on whether the park is to be a regional centerpiece or one notable amenity along the Detroit RiverWalk’s miles-long string of them.

West Riverfront Park is part of the Detroit Riverfront Conservancy’s larger plan to rejuvenate 5.5 miles of the Detroit Riverfront. East of downtown Detroit, 3.5 miles of the RiverWalk is already complete, featuring entertainment and event spaces, sculpture gardens, cultural venues, parks, and hotels. At the confluence of downtown, Corktown, and Mexicantown, the West Riverfront Park sits near some of the city’s most dramatically resurgent (and stable) neighborhoods. But the park site has been largely barren for decades. Previously, a hulking warehouse for the Detroit Free Press dominated the site. It was privately owned and closed off to the public for about (more…)

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It’s the beginning of April, which mean’s LAM’s World Landscape Architecture Month issue is here! You’ll find these stories inside:

FOREGROUND

Maintenance Matters (Office)
Maintenance is all about relationships. And money.


Slope Style (Materials)

Pointers and pitfalls for planting trees on steep grades.

Royal Treatment (Gardens)

The art of bonsai is easier to see in Rhodeside & Harwell’s new pavilion at the
National Bonsai & Penjing Museum.

FEATURES

Ethic and Aesthetic
The acequia—a centuries-old irrigation technology—is ideal for stormwater management
at a New Mexico house.

Scale Factor
SWA combines beauty and security at Mexico’s University of Monterrey.

Parisian Accents
Three new parks anchor regeneration projects near the city’s periphery.

Out of Time
The past and the present merge in a new language for commemorating slavery at
Valongo Wharf, the largest slave port in the Americas.

THE BACK

Soft Power in Moscow
Public spaces devoid of politics are a new idea in Moscow. You could even call them revolutionary.

All this plus the regular Now and Goods columns. The full table of contents for April can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting April articles as the month rolls out.

Credits: “Parisian Accents,” Atelier Jacqueline Osty & Associés; “Out of Time,” Sara Zewde; “Ethic and Aesthetic,” Kate Russell; “Scale Factor,” SWA Group/Jonnu Singleton; “Maintenance Matters,” Josef Gutierrez, ASLA; “Slope Style,” SiteWorks; “Royal Treatment,” Allen Russ Photographer; “Soft Power in Moscow,” Iwan Baan, courtesy Diller Scofidio + Renfro.

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Los Angeles is an intriguing place for 2017’s ASLA Annual Meeting and EXPO. It’s a car-centric metropolis in the throes of a rebirth in public transportation, a drought-parched region with a remarkably complex water infrastructure, and an image-conscious city with a deceptively robust urban foundation. The October issue celebrates the ASLA Annual Meeting with a look at Los Angeles’s, and California’s, big designs on the future.

Christopher Hawthorne’s Third L.A. Project brings to the forefront issues, including density and equity, that Los Angeles—and Angelenos—face with the reinvention of the sprawling, single-family-home-dominated city. Waving away the clouds of optimism around marijuana legalization and production, Mimi Zeiger investigates the costs and benefits to the landscape. And in a city where entertainment is king, Studio-MLA goes big with three sports stadium projects in the Los Angeles area.

Up the coast, a public housing project on San Francisco’s Potrero Hill gets connected to the city by GLS Landscape | Architecture, while trying to stave off gentrification that could follow. And AECOM’s work on the South San Francisco Bay restores ecosystems once battered by the salt industry back to their natural habitat.

Glen Dake, ASLA, talks about his firm’s commitment to resiliency and “meeting people in their language,” in Interview. Two gardens at the storied Garden Museum in London get a redesign by Dan Pearson and Christopher Bradley-Hole in Plants. A remediation plan by Fred Phillips for an Indonesian tin mining site includes providing an alternative livelihood for artisanal miners, in Planning. And in Palette, subtle layers compose the designed landscapes of Pamela Burton & Company Landscape Architecture. All this plus our regular Books, Now, and Goods columns. The full table of contents for October can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting October articles as the month rolls out.

Credits: “Salt Ponds to Pickleweed,” © AECOM/David Lloyd; “Third Way L.A.,” Marc Campos/Occidental College; “The Final Hill,” Kyle Jeffers; “Altered State,” © 2017 Grace & Co., Inc.; “Fan Favorite,” Tom Lamb; “Growing Obsession,” Garden Museum; “All Landscape Is Local,” Stephanie Garcia/Brian Kuhlmann Pictures; “Play It as It Layers,” Marion Brenner, Affiliate ASLA; “Smartphone Landscape,” Telapak.

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We figured the cover to this year’s ASLA Awards issue would be timely, but not by a measure of days. We were thinking months and years. The project by Studio Outside of its Galveston Island State Park project, which won a 2017 ASLA Professional Award for Analysis and Planning, shows the gradual progress happening these days with the design of coastal sites given the realities of climate change. As the issue arrived in the mail the past week, Hurricane Harvey swamped Galveston and wasted a huge piece of the Texas Gulf Coast. (Zach Mortice talked to Studio Outside for LAM this weekend as the storm moved in and lingered.)

Along with Studio Outside in our September Awards issue are several dozen projects that heap brainpower on the urgent landscape priorities of today. Out of the 295 projects submitted to the Student Awards, 26 winners were chosen, and 38 Professional Awards were selected from the 465 submissions. In addition, the ASLA Honors highlight the many professional contributions recognized by the society, including the winner of this year’s Landscape Architecture Firm Award, Gustafson Guthrie Nichol.

As always, the digital edition of the September 2017 Awards issue is FREE,  and you can access the free digital issue of the September LAM here and share it with your clients, colleagues, and friends. You can also buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. Single digital issues are available for only $5.25 at Zinio or you can order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Credits: [Professional Award images only] Storm + Sand + Sea + Strand—Barrier Island Resiliency Planning for Galveston Island State Park, Studio Outside/Google Earth; Birmingham Residence, Marion Brenner, Affiliate ASLA; Digital Library of Landscape Architecture History, Benjamin George, ASLA; Klyde Warren Park, Marion Brenner, Affiliate ASLA; Fluid Territory: A Journey into Svalbard, Norway, Kathleen John-Alder, ASLA.

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