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Archive for the ‘BROWNFIELDS’ Category

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Billy Pope, Alabama Department of Conservation and Natural Resources.

From “Roll, Tide” by Jared Brey in the January 2022 issue, about Gulf State Park in Alabama, where compensation from the Deepwater Horizon oil spill is flowing into coastal remediation projects.

“A new dune view.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Gerhard Kassner.

 

From “Mine, Ours” by Michael Dumiak in the July 2021 issue, about how a region of eastern Germany is crafting a chain of lakes and recreation landscapes from the scars of surface coal mining.

“Night mine.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY ZACH MORTICE

The Morton Salt site will feature a riparian ecosystem grown in a synthetic medium. Image courtesy Lamar Johnson Collaborative.

In Chicago, a synthetic growing medium will provide a healthy buffer between contaminated soils and riparian plant life.

 

For nearly 100 years, the Morton Salt facility on the North Side of Chicago, with its massive rain slicker and umbrella sign, has been an iconic presence along the industrial corridor that traced the North Branch of the Chicago River. The warehousing and packaging facility closed in 2015, and within a few years, the company announced an ambitious adaptive reuse plan for the site, turning it into a mixed-use campus featuring a concert venue and office spaces. (The sign will stay.) It will also be home to Morton’s R&D facility, relocating from Chicago’s suburbs, where the company will research water softener salt, pool salt, deicing salt, and salt solutions for other industrial applications.

The project’s innovation will extend to the outdoors: The landscape of the campus will include a synthetic growing medium developed by Omni Ecosystems. According to the company, it’s the first site in Chicago that’s been approved for the use of special stormwater soils designed to mitigate runoff and stormwater from combined sewer overflows. Working with the Chicago Plan Commission and the Department of Buildings, Omni Ecosystems will use 60,000 cubic feet of Omni Infinity Media, largely composed of an ultra-light, kiln-dried mineral similar to volcanic rock. This medium will allow a rich wetland and riparian ecosystem to thrive on top of a degraded and polluted site that’s been capped with concrete and asphalt.

The Omni Infinity Media is mostly air—it has 78 percent void space, compared to standard topsoil, which has 25 percent. “It’s quite literally and physically a sponge,” says Michael Skowlund, ASLA, the director of landscape architecture at Omni Ecosystems. (more…)

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BY TIMOTHY A. SCHULER

On a cramped site, Superjacent conjures a forest and one of L.A.’s first shared streets.

FROM THE JANUARY 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

If all goes according to plan, over the next year a forest will spring up in South Central Los Angeles on what today looks more like a desolate traffic island than a buildable city lot. The woodland is a vital part of Isla Intersections, a 54-unit supportive housing development designed by Lorcan O’Herlihy Architects with the landscape architecture firm Superjacent. The dense plantings are intended as a “living lung,” strategically designed to reduce air and noise pollution by 25 and 40 percent, respectively.

“Because we’re dealing with a site that’s super urban and a freeway that is elevated, the design strategy is really to create kind of an umbrella over that site, a dome of green that will catch particulate matter before it goes into homes and people’s lungs,” explains Claire Latané, ASLA, an assistant professor of landscape architecture at California State Polytechnic University, Pomona, who consulted on the project while at Studio-MLA. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

BY UJIJJI DAVIS, ASLA

FROM THE OCTOBER 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

“Ideas don’t land—they emerge,” Julie Bargmann, ASLA, began.

On the corner of Grand River and Warren Avenues in Detroit’s Core City stands a cluster of renovated postindustrial buildings, rising starkly amid the remnants of a long-quieted commercial corridor. Within the cluster are the new Ochre Bakery, Magnet restaurant, and a web of small new offices and enterprises. Anchoring the cluster at the center is Core City Park.

In design and execution, Core City Park is an urban woodland. It formalizes Detroit’s naturalized typologies with a true sense of care and intentionality. The park expertly blurs the sense of boundaries through a grove of deciduous trees and an intermittent carpet of ferns and native violets. The site is furnished with found relics and leftover construction materials, all of which establish clearings and seating areas within the groves. An industrial rail line rumbles occasionally across the street.

In the traditional sense of landscape architecture, where there are outdoor rooms with specific programs, this space allows you to break away without leaving the park. Core City Park distributes lush green clusters that frame and link together a network of groves and clearings to characterize a wilderized landscape within a fixed urban typology. Grand River Avenue and the surrounding buildings create a permeable edge that helps Core City Park blur the binaries of public and private, open and intimate, wild and formal. The urban yet natural duality of this park speaks to an effective landscape marriage that fully invites the Detroit context (and discontext) to liven and expand a central green space. (more…)

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FOREGROUND

 Miami’s Next Wave (Water)
In Miami Beach, Savino & Miller wrangles with local regulations that are designed to protect natural
resources but often clash with the advancing sea.

American Gothic 2.0 (Food)
A start-up launches with a very tech vision for enormous, centralized greenhouses and resilient food
systems, even if some of the details haven’t been worked out yet.

 FEATURES

The Plus Side
Carbon calculators for architecture can miss landscape benefits, so Pamela Conrad, ASLA, turned a
spreadsheet into Pathfinder, an app with landscape at its heart.

To the Core
At a tiny semiderelict site in Detroit, Julie Bargmann, ASLA, found a collaborator and an
urban forest that was waiting to be unearthed.

The full table of contents for October can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting October articles as the month rolls out.

Credits: “The Plus Side,” City of Alameda, Recreation and Parks Department; “To the Core,” Chris Miele; “American Gothic 2.0,” AppHarvest; “Miami’s Next Wave,” www.shutterstock.com/imageMD; “A Way of Walking,” Katherine Jenkins.

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BY MADELINE BODIN

Work on the nation’s most toxic sites has slowed.

FROM THE JULY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The nation’s most complex and extensive toxic waste sites are designated Superfund sites and have their cleanup overseen by the Environmental Protection Agency (EPA). For landscape architects, Superfund sites are complex problems, says Julie Bargmann, ASLA, a professor at the University of Virginia and the principal of D.I.R.T. Studio, a landscape architecture firm with several Superfund site projects in its portfolio. The work takes years to complete, and local stakeholders often struggle with strong, conflicting emotions, she says.

If you hear less about Superfund sites these days, it may be because less work is being done. (more…)

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