Feeds:
Posts
Comments

Archive for the ‘BROWNFIELDS’ Category

This slideshow requires JavaScript.

We figured the cover to this year’s ASLA Awards issue would be timely, but not by a measure of days. We were thinking months and years. The project by Studio Outside of its Galveston Island State Park project, which won a 2017 ASLA Professional Award for Analysis and Planning, shows the gradual progress happening these days with the design of coastal sites given the realities of climate change. As the issue arrived in the mail the past week, Hurricane Harvey swamped Galveston and wasted a huge piece of the Texas Gulf Coast. (Zach Mortice talked to Studio Outside for LAM this weekend as the storm moved in and lingered.)

Along with Studio Outside in our September Awards issue are several dozen projects that heap brainpower on the urgent landscape priorities of today. Out of the 295 projects submitted to the Student Awards, 26 winners were chosen, and 38 Professional Awards were selected from the 465 submissions. In addition, the ASLA Honors highlight the many professional contributions recognized by the society, including the winner of this year’s Landscape Architecture Firm Award, Gustafson Guthrie Nichol.

As always, the digital edition of the September 2017 Awards issue is FREE,  and you can access the free digital issue of the September LAM here and share it with your clients, colleagues, and friends. You can also buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. Single digital issues are available for only $5.25 at Zinio or you can order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Credits: [Professional Award images only] Storm + Sand + Sea + Strand—Barrier Island Resiliency Planning for Galveston Island State Park, Studio Outside/Google Earth; Birmingham Residence, Marion Brenner, Affiliate ASLA; Digital Library of Landscape Architecture History, Benjamin George, ASLA; Klyde Warren Park, Marion Brenner, Affiliate ASLA; Fluid Territory: A Journey into Svalbard, Norway, Kathleen John-Alder, ASLA.

Read Full Post »

BY JANE MARGOLIES

Randall’s Island, situated at the center of New York City, has become the park and recreational mecca long dreamed about.

FROM THE AUGUST 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

It’s a sunny afternoon in May, and lacrosse games are in full swing on Randall’s Island, a 516-acre landmass surrounded by water and, beyond, the New York City boroughs of Manhattan, Queens, and the Bronx. Cyclists pedal on a path under the heroic arches of a 1917 railroad trestle. A middle school track team is warming up outside the stadium where Usain Bolt broke the world record in the men’s 100-meter dash in 2008.

The landscape architect Rick Parisi, FASLA, and I are not playing lacrosse or cycling or running. But we are roving around the island—which is bordered by the Harlem and East Rivers, the Bronx Kill, and a treacherous strait known as the Hell Gate. Parisi, the managing principal of MPFP, has helped with the transformation of the island over the past couple of decades, and I’ve asked for a tour of some of his firm’s accomplishments. Besides, I have a special request: (more…)

Read Full Post »

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Sahar Coston-Hardy.

From “Game On” by Jane Margolies in the August 2017 issue, about Randall’s Island’s long and winding road to becoming the sports field megavenue it is today.

“Shade break.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Read Full Post »

Martha Schwartz, FASLA, began her lecture last fall at the University of Southern California School of Architecture with a dire warning, and an invitation to play.

In “Beyond Practice” (her comments start at 13:08), she began by outlining the ecological imperative that climate change and carbon emissions place on landscape designers and the rest of the world: the exceptionally long tail of ocean warming, and methane bubbles released from melting permafrost that clog the atmosphere.

From there, it’s a quick exposition of Schwartz’s carefree straddling of the art and landscape architecture worlds. She recounts her 1979 Bagel Garden, when she designed the garden at her Boston home with only materials she could purchase on her block: bagels, purple flowers, and purple aquarium gravel. That act of strident whimsy prompted LAM editor Grady Clay to put this project on his magazine’s cover, bordered in neon pink and hand-drawn bagels. It was an early curation of “native” landscape materials combined with boundary-pushing art installations. “It’s a Dada piece. It’s Duchamp’s toilet,” she says. And it also made her name in landscape architecture.

A survey of Schwartz’s contemporary work (detailed further in this month’s cover story) demonstrates her continued emphasis on offering users quirky art objects to interact with, such as the train-cart seating at Manchester’s Exchange Square, and the gawking polygonal pavilions at Fengming Mountain Park in the Chinese city of Chongqing. This narrow slice of her work shows off a wild range of cultural conditions and aesthetic treatments. There are gritty, postindustral reuses, razor-sharp Libeskind-esque angles, and meditative contemplations of vernacular materials and forms.

Read Full Post »

BY ZACH MORTICE

AECOM’s plan turns the riverbed into an outdoor activities park. Image courtesy of the City of Los Angeles Bureau of Engineering and AECOM.

The big conundrum of the Los Angeles River—that it is so imposing yet so divorced from the city—shows in the visions for its future proposed in early June by seven architecture, engineering, and landscape architecture firms. The occasion was the Los Angeles River Downtown Design Dialogue, a pro bono charrette that took place on the 10th anniversary of the city’s original master plan for the river. The design firms showed ways that visitors could step down to its shallow waters, although the concrete-lined waterway runs so low at times it can seem more like a quasi-natural splash pad. But the most fascinating plans marginalized the typically modest amounts of water in the river almost entirely.

There are no immediate plans to execute any of the projects. Rather, Gary Lee Moore, the city engineer of Los Angeles, described the charrette as an opportunity to (more…)

Read Full Post »

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Simon Devitt.

From “The Wharf at Work” in the June 2017 issue by Gweneth Leigh, ASLA, about the North Wharf Promenade and Silo Park in Auckland, New Zealand, where industry and leisure carry on side by side.

“Gantry perch.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Read Full Post »

BY GWENETH LEIGH, ASLA

Wraight + Associates and Taylor Cullity Lethlean have domesticated a waterfront in Auckland, New Zealand (though you can still smell the fish).

FROM THE JUNE 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

For more than 30 years, shipping activity within historic ports has been in rapid decline. Facilities are often relocated to larger and more modernized harbors where the machinery is bigger, the roads are closer, and the waters are deeper. Left behind is a postindustrial waterfront that’s seen by the city as an opportunity for a glamorous maritime makeover. But in the effort to maximize development profits, these face-lifts often erase the industrial beauty marks that make these places unique. In their place, generic recipes are followed for creating comfortable waterfront living: one part cobblestone street, two parts pedestrian walkway, a healthy dose of waterside eateries, with a dash of history through a moored two-mast schooner. The experience may be clean and comfortable, but it’s also terribly bland.

The Wynyard Quarter waterfront in Auckland, New Zealand, is different. It’s a landscape that (more…)

Read Full Post »

Older Posts »