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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Joanna Pertz.

From “A Resilient Renewal” in the January 2021 issue by Alex Ulam, about how Joanna Pertz Landscape Architecture reimagined a New York City hospital’s courtyard as flood resilience infrastructure that also connects patients and staff to the healing properties of the outdoors.

“Alumni courtyard at dusk.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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INTERVIEW BY TIMOTHY A. SCHULER

Greg Kochanowski documented the loss of his own home in the 2018 Woolsey Fire, which destroyed 110 of 217 houses in Seminole Springs, California. Photo by GK.

 

The Los Angeles-based designer Greg Kochanowski researches wildfire mitigation close to home.

 

Earth is a water planet. It is also, as Stephen J. Pyne has written, a fire planet. The Earth “has held fires as long as plants have lived on land,” Pyne recently wrote in Yale Environment 360. To remove fire from landscapes that have coevolved with it “can be as ruinous as putting fire into landscapes that have no history of it. The fires we don’t see—the fires that should be there and aren’t—are an index of ecological loss, like imposing a drought on a normally lush landscape.”

Greg Kochanowski knows well the losses that fires and their absence bring. As the studio director of the multidisciplinary design firm RIOS, Kochanowski had been investigating the effects of urbanization on the fire-adapted landscapes of Southern California for more than three years when the 2018 Woolsey Fire destroyed his home in Seminole Springs, California.

Now, Kochanowski has collected his research, as well as his experience of the Woolsey Fire, in The Wild, published last fall as part of the Los Angeles Forum for Architecture and Urban Design’s pamphlet series. The book explores the urban periphery of Los Angeles and the economic, cultural, and political pressures that have resulted in the city’s persistent peri-urban expansion and, consequently, the inevitability of ever larger, ever more deadly wildfires. Landscape Architecture Magazine spoke to Kochanowski shortly after the book’s release. His reVISION ASLA 2020 panel, “Fire Across the Pacific: Australia, California, and the Climate Crisis,” is available online.

LAM: What gave birth to the line of inquiry you’re tracing in the book?

Kochanowski: It was really the Rising Currents book that came out of the MoMA exhibition [Rising Currents: Projects for New York’s Waterfront, 2011]. That was the first time that I had seen the global design community using their expertise to solve much broader problems. I was really inspired by it, but I was living in Los Angeles. Los Angeles has issues with sea-level rise, of course, but there was a lack of theorizing about the West. It was a very East Coast discussion. In the West, I was experiencing fires, and then it would rain and you would have floods, and then landslides, and it happened every single year. It was just this cycle. After a few years, I thought, no one’s talking about this. So, I began to look at the fire cycle, and had a session at the ASLA conference in 2018 on some of that initial research. And then my house burned down. Then I got really interested in fire. (more…)

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BY TIMOTHY A. SCHULER

On a cramped site, Superjacent conjures a forest and one of L.A.’s first shared streets.

FROM THE JANUARY 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

If all goes according to plan, over the next year a forest will spring up in South Central Los Angeles on what today looks more like a desolate traffic island than a buildable city lot. The woodland is a vital part of Isla Intersections, a 54-unit supportive housing development designed by Lorcan O’Herlihy Architects with the landscape architecture firm Superjacent. The dense plantings are intended as a “living lung,” strategically designed to reduce air and noise pollution by 25 and 40 percent, respectively.

“Because we’re dealing with a site that’s super urban and a freeway that is elevated, the design strategy is really to create kind of an umbrella over that site, a dome of green that will catch particulate matter before it goes into homes and people’s lungs,” explains Claire Latané, ASLA, an assistant professor of landscape architecture at California State Polytechnic University, Pomona, who consulted on the project while at Studio-MLA. (more…)

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FOREGROUND       

A Resilient Renewal (Maintenance)
After Hurricane Sandy upended a planned redesign, Joanna Pertz Landscape Architecture committed to the
upkeep of a flood-control landscape at NYU’s Langone Medical Center.

Ahead of the Curve (House Call)
An artful take on an underused suburban yard by Jennifer Horn Landscape Architecture
turns around a few key elements.

FEATURES    

Reveal the River
Though 100 protected miles of the Chattahoochee River flow through the Atlanta metro area, a lack of access
and a long history of segregation have kept locals away and distrustful.
SCAPE lays out a path, or three, forward.

Mixed Media
Landscape architects have been slow to adopt social media, but with the pandemic closing off
traditional marketing, social platforms are giving rise to new forms of connection
and collaboration.

The full table of contents for January can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting January articles as the month rolls out.

Credits: “Reveal the River,” SCAPE; “A Resilient Renewal,” Joanna Pertz; “Ahead of the Curve,” Jennifer Horn Landscape Architecture.

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BY ZACH MORTICE

Andrew Sargeant’s design for a stormwater retention park that’s part of Cleveland’s Rockefeller Park. Image courtesy Andrew Sargeant, ASLA.

Andrew Sargeant is the first Enterprise Rose Fellow from landscape architecture.

 

For the first time in its 20-year history, Enterprise Community Partners, the nonprofit housing and advocacy organization, has selected a fellow from landscape architecture for the prestigious Rose Fellowship. The fellowship pairs early career designers with nonprofits and community organizations to develop equitable housing and open space in cities and small towns across the country. Andrew Sargeant, ASLA, will work with Cleveland Neighborhood Progress (CNP) on urban design and landscape architecture projects that generate equitable, high-quality public space through 2022.

Sargeant has been very active since he graduated from Temple University in 2016. A former 2018–2019 Landscape Architecture Foundation (LAF) Fellow, Sargeant has worked at OLIN in Philadelphia and Lionheart Places in Austin, Texas. He will continue on as the vice president of the board of the Urban Studio, the nonprofit design collaborative he launched with LAF fellows Kendra Hyson, ASLA; Maisie Hughes; and Daví de la Cruz, Associate ASLA, that supports high school-age kids who are interested in design careers. (more…)

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BY JARED BREY

As the pandemic slows projects, Philadelphia has a chance to rethink a difficult public space.

FROM THE DECEMBER 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Most of Philadelphia was still asleep when city workers pulled the nine-foot-high statue of Frank Rizzo off the concrete steps of the Municipal Services Building across from City Hall, loaded it into a truck, and carted it off to an undisclosed storage locker. It was early June, and by then, the Rizzo statue, which depicted in monumental proportions the racist former mayor and bully cop, had been a target of protesters for years. They had tugged on it with ropes and chains, tried to set it on fire, yarn-bombed it with a pink bikini, and covered it in a white Ku Klux Klan hood. In late May it became a focal point of protests again. Long lines of police began standing guard in front of the statue daily. Officially, they were guarding the Municipal Services Building, but as the police presence grew, it began to seem like they were there to protect the statue or the very legacy of Rizzo himself.

Philadelphia Mayor Jim Kenney had previously said the statue would be removed as part of an eventual redesign of Thomas Paine Plaza, the elevated public podium that surrounds the Municipal Services Building. But in a statement that day, explaining the sudden overnight removal of the statue, he acknowledged that tying its removal to the long-term plans for a plaza makeover, rather than the immediate and repeated demands of protesters, was “a mistake.”

“The statue is a deplorable monument to racism, bigotry, and police brutality for members of the Black community, the LGBTQ community, and many others,” Kenney said.

Still, for days after the statue was removed, police officers and military service members remained stationed at Paine Plaza as if they were occupying a hill, looking down on the surrounding sidewalks from the high corners of its concrete walls. Pennsylvania National Guardsmen holding rifles and dressed in fatigues blocked access from the street. “Why are the cops being paid to watch this?” someone wrote in chalk on the west wall. Long after the military left town and the police force on site dwindled—up until the time this story went to print—loose security fencing remained around the entire perimeter of the plaza, vaguely suggesting that passersby shouldn’t enter the space, even as city workers and skateboarders nonchalantly passed through the gaps in the fencing. With the provocation of the Rizzo statue gone, Thomas Paine Plaza was exposed: an overbuilt space with no apparent purpose, overpoliced for no discernible reason. What was it supposed to be? (more…)

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BY PATRICK SISSON

A new landscape architecture docuseries goes behind the scenery.

FROM THE DECEMBER 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

“It’s hard to tell the story of the L.A. River without flying through it,” says Michael Todoran, a landscape designer, lecturer, and podcast host. Along with his students at California State Polytechnic University, Pomona, in January Todoran began filming “Superfisky: The Allure of the Urban Wild,” the first episode of Larchitect, a docuseries devoted to landscape architecture. This in-progress episode focuses on Kat Superfisky, a landscape designer, ecologist, and educator working to restore the natural beauty and native plant life on the shores of the mostly concrete-lined waterway. When the landscape, specifically the Los Angeles River, is a supporting character in your story, visual exposition becomes critical. The best solution was a helicopter shot that showed the true breadth and boundless energy of this body of water. (more…)

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