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Archive for the ‘CITIES’ Category

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Gerhard Kassner.

 

From “Mine, Ours” by Michael Dumiak in the July 2021 issue, about how a region of eastern Germany is crafting a chain of lakes and recreation landscapes from the scars of surface coal mining.

“Night mine.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY LYDIA LEE

A new design for San Francisco’s Harvey Milk Plaza may succeed where others have fallen short.

FROM THE JULY 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In the 1970s, Harvey Milk turned San Francisco into a symbol of hope for LGBTQ+ people everywhere. One of the first openly gay politicians in the United States, Milk was assassinated in 1978. Since then, the city has been without a substantive memorial to one of its most iconic figures. After a four-year effort to redesign a tiny memorial plaza next to a transit stop failed to gain traction, the San Francisco office of SWA has restarted the process by surveying the community about the kind of memorial it wants. “We had to back up and ask these fundamental questions about how to memorialize Harvey,” says SWA’s Daniel Cunningham, the project manager and design lead. (more…)

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BY KIM O’CONNELL / PHOTOGRAPHY BY SAHAR COSTON-HARDY, AFFILIATE ASLA

Three new landscapes in Washington, D.C., honor the common soldier and fill gaps in the capital city’s memorial narrative.

FROM THE JUNE 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

On the National Mall, it’s unusual to feel as if you’ve stumbled upon a secret, sacred space. The nation’s history is an open book on this great expanse, a story told in granite and marble, if somewhat unevenly, through dozens of memorials to significant events and people. War is the dominant theme, with monuments that speak of large-scale sacrifice in places like the World War II Memorial, the Vietnam Veterans Memorial, and the Korean War Veterans Memorial. Other Washington, D.C., memorials revere larger-than-life figures such as Franklin D. Roosevelt, Martin Luther King Jr., and Dwight D. Eisenhower, the latter being the subject of a massive new Frank Gehry-designed memorial just south of the Mall, one of the most recent to undergo the multiyear, many-layered process of creating public space in the nation’s capital.

So it is somewhat surprising to come across one of D.C.’s newest memorials in a tree-lined grove set in a wetland—and that it is focused on a simple steel circle rising above the earth. Situated just beyond the famous cantilevered roof of the National Museum of the American Indian, this is the National Native American Veterans Memorial, which opened last fall to honor the long and underappreciated tradition of Indigenous military service. Although the memorial shares some traits with others in the capital city, where it’s not uncommon to see elemental shapes and enduring materials used as symbols, it’s part of a new wave of veterans’ memorials that seek to speak as much to the present and future as they do to the past.

Significantly, three recent memorials—the Native American memorial, the American Veterans Disabled for Life Memorial, and the just-opened national World War I Memorial—also have things to say about the role of landscape architecture in elevating the voices of often-forgotten groups of people. They each focus on the common soldier’s experiences while making important civic connections to their surroundings. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish.

BY NICHOLAS PEVZNER, YEKANG KO, AND KIRK DIMOND, ASLA

FROM THE JUNE 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Renewable energy is a central element in the Biden administration’s climate plans, a response to President Joe Biden’s campaign goal of a 100 percent clean grid by 2035 and the promise of 10 million well-paying green infrastructure jobs. Renewable energy and the power sector must play a central part in this plan if the United States is to meet Biden’s ambitious new national climate target. The goal, released on Earth Day as part of a virtual international climate gathering ahead of the COP26 Climate Change Conference, is to achieve a 50 percent reduction in climate emissions by 2030 measured against 2005 levels. And clean energy transmission, generation, and storage have a major presence in the American Jobs Plan, the Biden administration’s $2.3 trillion infrastructure proposal now making its way through Congress. All of this renewable energy would represent a major transformation of the landscape. What would it mean for landscape design, and what would the designer’s role be in such a major overhaul of the energy sector? (more…)

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FOREGROUND

Talking Points (Planning)
The WELL Community Standard is touted as the new sustainability checklist, but is it just landscape architecture in new clothes? Reed Hilderbrand tries it out at a Florida megaproject, Water Street Tampa.

Let the Graveyard Grow (Maintenance)
In Brooklyn, New York, Green-Wood Cemetery’s parklike setting and open lawns have become a pandemic destination. Behind the placid view, the horticultural staff races to stay ahead of climate change.

FEATURES

Soldier Stories
Three new veterans memorials break from the visual language of war to make a place for those who served and lived. Butzer Architects and Urbanism, Michael Vergason Landscape Architects, and DAVID RUBIN Land Collective each found an approach that ties the past to the present.

Back to Basics
When Waterfront Toronto announced that the Google offshoot Sidewalk Labs would be designing an urban techtopia on a prime 12-acre site, brows were raised. Now the project is canceled—a casualty of public resistance and pandemic funding—and the city looks to what’s next.

The full table of contents for June can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting June articles as the month rolls out.

Credits: “Soldier Stories,” Sahar Coston-Hardy, Affiliate ASLA; “Back to Basics,” Picture Plane for Heatherwick Studio for Sidewalk Labs; “Talking Points,” Reed Hilderbrand; “Let the Graveyard Grow,” Green-Wood/Art Presson.

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BY ZACH MORTICE

A collaboration between Jennifer Bonner and Martin Rickles Studio, Bonner’s “Lean-to-ADU” develops a new landscape type for accessory dwelling units. Renderings courtesy Jennifer Bonner / MALL.

Carley Rickles came to a realization that’s unfamiliar to most landscape architects when she was beginning the landscape plan for an accessory dwelling unit (ADU). There was, strictly speaking, no site. As part of Los Angeles’s ambitious program to alleviate its housing crisis by dropping ADUs across the city’s legendary single-family-home horizon, each structure would sit in a backyard that could contain different dimensions, constraints, and contexts.

Rickles’s landscape design would be paired with a crisp and angular garden shed-like unit designed by Jennifer Bonner’s MALL, a creative practice that stands for Mass Architectural Loopty Loops, Miniature Angles & Little Lines, or Maximum Arches with Limited Liability. “It felt like all we had to draw from was the architecture,” Rickles says.

(more…)

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