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Archive for the ‘CLOSE-UP’ Category

BY KEVAN WILLIAMS

Maura Rockcastle, ASLA, of TEN x TEN Landscape Architecture in Minneapolis. Credit: Brandon Stengel/www.farmkidstudios.com.

FROM THE MARCH 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE. 

What does it really take to launch your own design firm? Writer Kevan Williams spent a long time answering this question for “Start Your Engines”—about a year and half all told. With so much reporting, what got left out was nearly as interesting as what made it in. We sent out questionnaires to about two dozen firms and got some very provocative (and moving) responses back. Though we could only use an extract in the print version, there’s always room for more online.

Deb Myers, ASLA, Principal

Deborah Myers Landscape Architecture, Boston
Est. 2015
Urban Development, Mixed Use, Institutional, and Public Parks

Deborah Myers, ASLA. Photo by Jake Michener.

How long had you been working professionally when you decided to launch your firm?

I had been working for 18 years at both small and large multidisciplinary firms.

What was the deciding factor?

What drove me to start my firm was a strong belief that I could create a business that allows people to grow professionally, meet the needs of clients, and execute projects to the highest standards.

Finding a healthy life–work balance was a strong underlying goal.

DMLA’s culture is rooted in the understanding that people are able to do their best work when they have the time and (more…)

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The artist Josh Begley’s Best of Luck with the Wall video turns the 1,954-mile continent-spanning journey across the United States–Mexico border into a seven-minute tone poem. The border mostly exists in our lives as a contested political abstraction. But it’s an actual place, and even as the video races across the landscape (stitched together from 200,000 satellite images), viewers can see towns nestled up against the demarcation, agricultural fields in neat rows and wide circles, and hundreds of miles of the Rio Grande River, all set to a spare, jangling score. The politics of the day has brought the border into everyone’s living room, but a concise portrait of what the border actually is will still remain a cursory and ephemeral thing.

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A new film focuses on Jens Jensen.

From the April 2015 issue of Landscape Architecture Magazine.

Jens Jensen didn’t care much for the White City. According to the new documentary Jens Jensen: The Living Green, he, along with the architects Frank Lloyd Wright and Louis Sullivan, rejected the European influence of the 1893 World’s Columbian Exposition in Chicago and embraced the prairie and its ecology as the American landscape idiom. Today, many of his pioneering ideas about the use of native plants and landscape conservation have new currency. Jensen, who was born in Denmark but is closely associated with Chicago’s urban parks and midwestern landscape preservation, will be the subject of an Earth Day observance at the New York Botanical Garden. A screening of the documentary will be followed by a panel discussion with Darrel Morrison, FASLA; Robert Grese, ASLA; the filmmaker Carey Lundin; and Jensen’s great-granddaughter, Jensen Wheeler Wolfe.

Jens Jensen: The Living Green Film Screening and Panel Discussion at the National Building Museum, April 14, 2016, 7:00–8:30 p.m.

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Bedit_LAMJan16Office

Three firms talk about who they’ll hire next and why.

From the January 2016 issue of Landscape Architecture Magazine.

A recent uptick in hiring has new grads and emerging professionals looking ahead. We asked principals of three different firms who are hiring what they’re looking for in a candidate.

Rhodeside & Harwell (Alexandria, Virginia)

What kind of role are you hiring for? What level of experience are you seeking?

Elliot Rhodeside, FASLA: Since we have a mature office with strong leaders who will lead the firm after the founders retire, we have been focusing on hiring (more…)

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BY FRED A. BERNSTEIN

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Daniel Biederman sweats all the details in a crusade to make parks that work.

From the December 2015 issue of Landscape Architecture Magazine.

Daniel Biederman’s desire to improve America’s parks has him patrolling green spaces from Santa Monica to Boston, issuing complaints about everything from a messy bicycle rack weld (“it looks like Play-Doh”) to the quantity of caution tape around an out-of-order bathroom (“people will think it’s a crime scene”). When he is in Manhattan, in his office overlooking Bryant Park, he tries to speak with each of his employees daily—he describes it as essential to their professional development. (“I have to build them up so they can interact with clients.”) But, as in the business of renovating parks, building up often involves tearing down. During a weekly meeting of his business improvement district minions, Biederman browbeat one employee over how he approached newspaper circulation executives (who, he explained, “are former truck drivers, with IQs of 97”); corrected the grammar of another; and ordered his social media team never to tell him a mention of one of his parks had “gone viral,” which he dismissed as a cliché. Instead, he told the team, “Give me real data.”

Asked about his tough leadership style, Biederman later said, “I can’t have kindergarten.”

He also can’t achieve (more…)

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BY ADAM REGN ARVIDSON, FASLA

Diane Jones Allen works to put public spaces and neighborhoods back together in post-Katrina New Orleans.

Diane Jones Allen works to put public spaces and neighborhoods back together in post-Katrina New Orleans.

From the November 2015 issue of Landscape Architecture Magazine.

In the Lower Ninth Ward of New Orleans, at a community garden baking in the March sun, some herbs struggle up out of cinder block planters, and irrigation lines snake through the beds, which are awaiting springtime seeds. On the side of a toolshed is a big chalkboard announcing an evening movie screening and other community events. In the shade of a wooden arbor, Diane Jones Allen, ASLA, is meeting with Jenga Mwendo, the director of the Backyard Gardeners Network, which runs the garden. They are discussing not this place, the Guerrilla Garden, but the vacant city block across the street. Mwendo wants to claim it as community space, and Jones Allen is helping her envision what that might look like.

Jones Allen starts up her laptop on the wooden picnic table and presents a few sketches: plastic crates repurposed as small gardens, movable tables on a gravel bed, a pile of tires as a play area. That last idea intrigues Mwendo. “I just came across a pile of tires,” she says. “I’m just trying to remember where I saw that. There are lots of tires in this neighborhood.” She says she could probably make that happen right away, and it would offer some more options for Kids’ Club, an after-school program at the Guerrilla Garden. As Jones Allen presents her ideas, (more…)

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As part of the Cultural Landscape Foundation’s Pioneers of American Landscape Design oral history series, the landscape architect Nicholas Quennell recounts his early influences and the work that shaped him into the architect, artist, and landscape architect he became. The interview is broken up into 13 one- to three-minute videos from his early years to his professional working career. This is the 12th installment of the oral history series; the others can be found here.

 

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