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Archive for the ‘CONSTRUCTION’ Category

REVIEWED BY JUSTIN PARSCHER 

FROM THE NOVEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In their continual search for respect, recognition, and equal pay, landscape architects find themselves in a quandary. On one hand, they understand that credit attaches itself to authors, masters with distinct visions and styles, and are forever writing letters to the editor to assert that the city didn’t do it—the landscape architect did. They celebrate acting as project leads, not only because it validates their way of working, but because the project lead can safely be given final credit. However, having toiled so long in subsidiary roles, landscape architects are also mindful of the networks of expertise that actually form ambitious designs, particularly in the public realm. A chain of public officials, architects, structural and civil engineers, ecologists, lighting designers, and community members all contribute to the shape of the place, which is naturally also conditioned by social and environmental realities on the ground.

The urban historian Alison Isenberg’s Designing San Francisco is, among its many other virtues, a vital text for helping landscape architects think through this dilemma. Isenberg’s book focuses on (more…)

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It’s the first of November, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

Lighting from the Inside Out (Lighting)
With the rising popularity of outdoor living comes a shining new crop of luminaires.

The Last Ash Standing (Plants)
The emerald ash borer beetle isn’t too fond of boring into the blue ash. If scientists can find out why, they may be able to save more trees.

Timing Is Everything (Construction)
Landscape installation should be driven by weather and nature, not financial models—but climate change is making best planting times unpredictable.

FEATURES

The River Beneath the River
After decades of neglect, the Anacostia River— Washington, D.C.’s lesser-known waterway—is poised at the edge of a hard-won environmental recovery. But where will it flow from there?

Upstream D.C.
Upland from Washington, D.C.’s two rivers, the city is planning major investments
in rain-soaking infrastructure.

Found in Translation
In Seattle, MIG | SvR and Turenscape’s Hing Hay Park provides a place to gather—with a
lively nod toward the Asian Pacific American experience.

All this plus the regular Now and Goods columns. The full table of contents for November can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting November articles as the month rolls out.

Credits: “Found in Translation,” Miranda Estes Photography; “The River Beneath the River,” Krista Schlyer; “Upstream DC,” Rhodeside & Harwell; “The Last Ash Standing,” Christopher Asaro, Virginia Department of Forestry, Bugwood.org; “Lighting from the Inside Out,” Courtesy Rondo; “Timing Is Everything,” Siteworks. 

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BY ZACH MORTICE

Alexander Robinson’s model is made from modeling clay, cardboard, melted wax, chipboard, and bronze. Image courtesy Alexander Robinson.

More than 2,000 years of built history along the Tiber River in Rome speeds by in Alexander Robinson’s landscape model “Feast of the Picturesque, Act X. Porto Ripetta, Tevere” and in videos Robinson made of the model, built in modeling clay, cardboard, melted wax, chipboard, and bronze.

Still photographs of the model as it advances through the ages combine to form the videos. Sometimes a tub of glue gets into a shot. And Robinson flits in and out of the making-of video like a wraith, cutting, gluing, and manipulating here and there. Robinson’s process makes clear that with 2,000 years of history on a site, a final, destined form is fiction. “Feast” revels in the continuous churn. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY BRIAN BARTH

FROM THE JUNE 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

The design industry’s #MeToo moment arrived in March, when the New York Times published allegations of sexual misconduct against the architect Richard Meier. A total of nine women have come forward to paint a picture of decades of lecherous behavior that was well known to senior members of Meier’s firm, who did little to intervene.

The uncomfortable spotlight on the culture of prominent architecture firms has created an opportunity to bring once-private conversations among women at design firms into a wider arena. “We all knew our industry was not immune,” says Megan Born, ASLA, a landscape architect and partner at PORT Urbanism in Philadelphia. “Not only are women typically the ones being harassed, they are often tasked with the responsibility of understanding the problem and finding solutions. I think everyone in the field needs to look at this together and decide it is an issue they want to take on.”

According to the U.S. Equal Employment Opportunity Commission (EEOC), surveys have found that up to 85 percent of women have experienced some form of sexual harassment at work. A recent survey of nearly 1,500 architects by the Architects’ Journal, a British publication, found that one in seven women at design firms had experienced sexual harassment in the previous year. In light of recent events, the Beverly Willis Architecture Foundation, which has long focused on highlighting the contributions of women in the design professions, is working with the American Institute of Architects (AIA) to develop new ethical guidelines aimed at curbing sexual misconduct and petitioning state licensing boards to mandate ongoing sexual harassment training as a requirement for maintaining licensure. There’s no data available to clarify the scope of the problem in landscape architecture, but among a half-dozen women in the profession interviewed for this article about their personal experiences, none said they’d never experienced uncomfortable behavior of a sexual or gendered nature in the workplace. None had experienced, or knew of, instances of Harvey Weinstein-level harassment. But as Evalynn Rosado, the director of business development and operations at DLANDstudio Architecture + Landscape Architecture in New York, put it, “People are very, very quiet about that once it has happened.” (more…)

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BY SARAH COWLES

Bay Area landscape studios team with local artisans to evolve CNC-fabricated site elements.

FROM THE AUGUST 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Alcatraz keeps disappearing, but not because of sea-level rise. “Alcatraz Island has been stolen, replaced, and stolen again,” says Nicholas Gotthardt, a senior associate at Surfacedesign in San Francisco. The irresistible Alcatraz is one element of a large topographic model of San Francisco’s Golden Gate headlands that anchors the visitor overlook at Fort Point National Historic Site, where Surfacedesign was part of a team that designed new site amenities completed in 2014.

The model, made of finely detailed precast concrete, is a literal touchstone at the overlook, which offers dramatic views to the Golden Gate Bridge and San Francisco Bay, as well as a rest stop for cyclists and hikers. Gotthardt recalls the impetus for creating the model: “We wanted to design an interpretive piece that wasn’t signage and words. We wanted something tactile—something people could touch.” Gotthardt had honed his digital modeling skills in the fabrication lab at the Ohio State University’s Master of Landscape Architecture program. With the Fort Point project, he found an opportunity to apply those skills, including fabrication using computer numerical control, or CNC, at the site scale. “The idea of a pancake topo model as the centerpiece of this small urban space came from the officewide comment that ‘We should build more models!’ There isn’t always the time or resources in practice to get into physical modeling the same way that you get to do in school.”

Today both undergraduate and graduate landscape programs provide training and facilities in CNC fabrication, including five-axis mills for sculpting wood and foam, 3-D printers, and laser cutters. Yet this new generation of graduates, facile with the work flow producing CNC models in the design studio, often finds it difficult to ply these skills once they reach (more…)

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BY ANDREW LAVALLEE, FASLA

Pavement and planting beds can play nicely—but it takes thought.

FROM THE JANUARY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

It is a classic landscape architecture problem: placing pavements next to lawn or planting bed areas. The commonplace nature of this situation belies its complexity, an adjacency that represents an interface between two systems with antithetical requirements. In this case, the edge between pavement and planting bed is an area where an engineered structural system abuts a living horticultural system. Successful design solutions frequently require landscape architects to reconcile competing interests, but it is not always easy, given the demands of a project. In SiteWorks’s practice, we see the pavement–planting edge as a challenge for both designers and contractors alike. The edge merits special attention with regard to how we design and document the condition, how it’s built, and how its thoughtful assembly can benefit long-term performance.

The Basics
Let’s start with what a successful pavement system needs. The structural support of a pavement relies on (more…)

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BY JANE MARGOLIES

Randall’s Island, situated at the center of New York City, has become the park and recreational mecca long dreamed about.

FROM THE AUGUST 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

It’s a sunny afternoon in May, and lacrosse games are in full swing on Randall’s Island, a 516-acre landmass surrounded by water and, beyond, the New York City boroughs of Manhattan, Queens, and the Bronx. Cyclists pedal on a path under the heroic arches of a 1917 railroad trestle. A middle school track team is warming up outside the stadium where Usain Bolt broke the world record in the men’s 100-meter dash in 2008.

The landscape architect Rick Parisi, FASLA, and I are not playing lacrosse or cycling or running. But we are roving around the island—which is bordered by the Harlem and East Rivers, the Bronx Kill, and a treacherous strait known as the Hell Gate. Parisi, the managing principal of MPFP, has helped with the transformation of the island over the past couple of decades, and I’ve asked for a tour of some of his firm’s accomplishments. Besides, I have a special request: (more…)

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