Jeff Lorenz stood under the mid-June sun at FDR Park, monitoring the final touches on his company’s exhibit for the Philadelphia Flower Show. The exhibit space, ordinarily an asphalt parking lot, had been covered in mulch and lined with displays, all in the final moments of construction. Continue reading Home Grown
Like many residents of southern Louisiana, the Indigenous residents of Grand Bayou Village, located among the southernmost reaches of Plaquemines Parish in the Mississippi River Delta and accessible only by boat, live with the varied effects of coastal land loss. Continue reading Made for the Marsh
Since 2009, a vacant lot turned community garden on the 4600 block of Winthrop Avenue in Chicago’s Uptown neighborhood has commemorated the Winthrop Avenue Family, the descendants of a group of Black families who for much of the 20th century were confined to this one block of the predominantly white neighborhood. “Everybody who lived on the block [was] not necessarily blood-related, but we were so close we felt like we were, and still do,” says Emilie Lockridge, whose mother was born there in 1925.
The restoration of the 87-acre grounds of the Edsel and Eleanor Ford House in Grosse Pointe Shores, Michigan, may be among the most historically faithful re-creations of the work of Jens Jensen and Albert Kahn to date. Pieced together from Jensen’s original drawings, detailed construction logs, archival photographs, and digitized film reels, the restored landscape just outside Detroit features a 185,000-gallon clamshell-shaped pool, a lagoon, a meadow, and a wagon-wheel-shaped rose garden.
ON THE COVER: Al Fay Park in Abu Dhabi, United Arab Emirates, by SLA. Photo by SLA/Phillip Handforth.
Featured Story: “Play It Cool,” by Jessica Bridger. A desert forest is a surprising sight in the booming heart of Abu Dhabi in the United Arab Emirates. For the popular Al Fay Park, Copenhagen-based SLA used local materials and resilient native plants in unexpected ways, creating engaging settings for play and rest.
The 2022 Serpentine Pavilion, titled Black Chapel and designed by the multihyphenate artist Theaster Gates, was conceived as a space offering contemplation, community, and joy to the public.
Installed next to the Serpentine South Gallery in London’s Kensington Gardens, the austere pavilion felt at once imposing, as it reached just beyond the treetops, and humbly compact and perfectly embedded within its context.
The backyard as a distinct space has not always been with us. It is, according to the cultural landscape historian Paul Groth, a relatively recent invention that was made possible by technological innovations in the 1930s and 1940s.
