Archive for the ‘ECOLOGY’ Category

REVIEWED BY SARAH COWLES

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Street trees occupy a shifting and contested dimension of cities. Whereas trees in parks and private gardens in cities are afforded a measure of stability and protection, street trees are literally on the front lines of urbanism, absorbing the impacts of changes in policy on errant cars. Street trees are surrounded: hemmed in by architecture, tree grates, cages, with leaking gas conduits at their roots and power lines teasing their crowns, soaked by deicing salt on one side and dog urine on the other.

Although there are field guides to street trees and technical manuals for planting and soil specifications, there is no comprehensive look at the culture and politics of the urban forest. Seeing Trees by Sonja Dümpelmann fills this void and unearths a detailed and complex vein of urban history that (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image by Mithun.

 

From “Giant Steps” in the March 2019 issue by Jonathan Lerner, about Mithun’s subtle and restorative reframing of Yosemite’s land-titan sequoias.

“Sketch of the entrance plaza at Mariposa Grove.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY TIMOTHY A. SCHULER

Public food forests grow as cities look for new ways to feed their people.

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

It was the stand of pecan trees that first drew Mario Cambardella to the seven-acre property along Browns Mill Road in Atlanta. Looking up at the four giant pecan trees, Atlanta’s urban agriculture director decided that this was the place to test out the concept of a municipal food forest. “Then,” he says, “I dug deeper into the site and found another pecan orchard. There were tons of black walnut. There was mulberry.” Cambardella realized that the site already was a food forest. Instead of having to plant one, a team could sculpt what was already there. (more…)

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FOREGROUND

Sugar Substitutes (Preservation)
Reed Hilderbrand rethinks Storm King Art Center’s venerable Maple Allée.

Free Markets (Food)
Atlanta’s Browns Mill Food Forest will be a place for the community to gather,
as well as gather food.

FEATURES

Giant Steps
Mithun has made Yosemite’s Mariposa Grove a better experience for visitors as well as for its spectacular sequoias.

Taking the Wind Out of Wildfire
Ashland, Oregon’s new wildfire mitigation project could serve as a model for communities throughout the West.

Tree Line
In Ypres, Belgium, trees grow as living memorials to World War I dead.

All this plus the regular Now and Goods columns. The full table of contents for March can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting March articles as the month rolls out.

Credits: “Taking the Wind Out of Wildfire,” City of Ashland; “Giant Steps,” Christian Runge, ASLA; “Tree Line,” The National Archives, Kew, Ordnance Survey/Wikimedia Commons; “Free Markets,” Office of Resilience, City of Atlanta; “Sugar Substitutes,” © Courtesy Storm King Art Center/Photograph by Jerry L. Thompson.

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LIVE AND LEARN

BY MIMI ZEIGER

Algorithms are bringing new kinds of evidence and predictive powers to the shaping of landscapes.

FROM THE FEBRUARY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Tree. Person. Bike. Person. Person. Tree. Anya Domlesky, ASLA, an associate at SWA in Sausalito, California, rattles off how she and the firm’s innovation lab team train a computer to recognize the flora and fauna in an urban plaza.

The effort is part of the firm’s mission to apply emergent technologies to landscape architecture. In pursuing the applied use of artificial intelligence (AI) and machine learning, the research and innovation lab XL: Experiments in Landscape and Urbanism follows a small but growing number of researchers and practitioners interested in the ways the enigmatic yet ubiquitous culture of algorithms might be deployed in the field.

Examples of AI and machine learning are all around us, from the voice recognition software in your iPhone to the predictive software that drives recommendations for Netflix binges. While the financial and health care industries have quickly adopted AI, and use in construction and agriculture is steadily growing, conversations within landscape architecture as to how such tools translate to the design, management, and conservation of landscapes are still on the periphery for the field. This marginality may be because despite their everyday use, mainstream understandings of AI are clouded by clichés—think self-actualized computers or anthropomorphic robots. In a recent essay on Medium, Molly Wright Steenson, the author of Architectural Intelligence: How Designers and Architects Created the Digital Landscape (The MIT Press, 2017), argued that we need new clichés. “Our pop culture visions of AI are not helping us. In fact, they’re hurting us. They’re decades out of date,” she writes. “[W]e keep using the old clichés in order to talk about emerging technologies today. They make it harder for us to understand AI—what it is, what it isn’t, and what impact it will have on our lives.”

So then, what is a new vision—a vision of AI for landscape? (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Gabriella Marks.

From “The Huntress” in the February 2019 issue by Timothy A. Schuler, about Christie Green, ASLA, a landscape designer with a penchant for bow hunting and restorative ecologies.

“Elk’s jaw in detail.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY TIMOTHY A. SCHULER / PHOTOGRAPHY BY GABRIELLA MARKS

With her one-woman practice, Radicle, Christie Green works to repair our relationship with nature—including the animals and plants we eat.

FROM THE FEBRUARY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The stars were still out when Christie Green, ASLA, parked her Tundra and turned off the engine. We were somewhere near Glorieta Mesa, Game Management Unit 45, about 30 minutes southeast of Santa Fe, New Mexico. In the moonlight, I could make out the bristle-brush tops of ponderosa and piñon pine. I grabbed the camouflage gear Green had lent me and got out of the truck. The April air was just a few degrees above freezing, and the only sounds were the howls of coyotes and the quiet murmurs of cattle somewhere in the valley. As the chill began to seep in, I tugged on my gloves and cowl. I had no idea how long we were going to be out there.

Green, who for the past five years has run a one-woman landscape design practice in Santa Fe called Radicle, had agreed to take me turkey hunting. Almost all of her projects, (more…)

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