Archive for the ‘ECOLOGY’ Category

Sunset Triangle Plaza in Los Angeles, by Rios Clementi Hale Studios. Photo by Jim Simmons.

Welcome to spring! For World Landscape Architecture Month, the April issue of LAM is FREE! We’ve taken this month to go back a decade and mark the start of a movement, the Pop-Up Decade, which, who knows, could become the pop-up century. Remember 2009? Everyone was blue. There was no work—or money. But designers and their clients picked up something potent begun by the firm Rebar (now Gehl) in San Francisco with the creation of Park(ing) Day: quick, cheap, usually temporary projects to wet the public’s feet with ideas about civic spaces, try them out, see how they respond. Many of those projects went away; many more turned into something lasting. It was an idea that suited the bad old days of the early teens, but it also has continued to translate well to more prosperous times, as our feature stories show you here.

In the Back is a piece every person in the profession should read, a conversation among four successful women designers on why they left powerful jobs in high-profile firms to chart their own ways ahead. It covers what is often a lot of unspoken ground—unspoken because many women don’t dare air their concerns at work, and because men in the workplace can be rather obtuse at times.

Please share the issue far and wide with colleagues, clients, and friends.

FOREGROUND

A Floodplain Forest (Water)
This setback levee project will give a river room to meander and help protect Hamilton City, California, from flooding.

Open Book (Planning)
A new stormwater management manual for multifamily residences aids resilience in
Lexington, Kentucky.

FEATURES

Get It Done
The Great Recession helped launch a wave of quick, low-cost projects to suit budgets
of the era. It’s still going strong.

Make It Pop
Some popped up and popped back down. Some stuck around or led to bigger things.
An album from a decade of pop-up.

Power Play
The nonprofit KaBOOM! has perfected a seemingly guerrilla approach to making playgrounds where kids lack them.

THE BACK

The Big Time. The Bigger Time.
A conversation among the women behind the Women’s Landscape Equality (re)Solution.

An Antidote to Excess (Books)
A review of Doing Almost Nothing: The Landscapes of Georges Descombes, by Marc Treib.

A Planetary Proposal (Backstory)
A sprawling corridor park could connect Earth’s most biodiverse places.

All this plus the regular Now and Goods columns. The full table of contents for April can be found here.

The digital edition of the April LAM is FREE, and you can access it here and share it with your clients, colleagues, and friends. You can also buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. Single digital issues are available for only $5.25 at Zinio or you can order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), for more updates on #WLAM and the April issue.

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BY MICHAEL DUMIAK

Trees in the landscape around Ypres, in Belgium, mark stubborn boundaries of the first World War.

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Off the Menin Road in Flanders, Belgium, there is a lane leading to a working farm and a stand of trees. This copse is called Railway Wood.

On a raw day in early spring, the wind runs through the wood over the adjoining field, rustling the leaves of a slight elm sapling at the side of the lane. The elm is protected by a steel frame, and it is marked with a red-trimmed sign. The tree stands in a spot that looked very different once upon a time, from June 1915 to July 1917. At that point there were no trees, none with leaves, or branches, or tops, anyway, and this place was called the Idiot Trench. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

BY JONATHAN LERNER

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

If you visit one of our national parks nowadays to commune with nature, you may find yourself having instead an experience of mass tourism. Many parks are huge. You’d expect plenty of elbow room. But much of any wilderness park is inaccessible to the public. Besides, people generally head for a few famous spots—you probably want to see those too—which quickly become overwhelmed. Attendance is up over the past few years. Infrastructure typically went in over decades, usually piecemeal, not by comprehensive plan, and for smaller crowds, so both visitor experiences and the places themselves become degraded. And the National Park Service has money problems. By 2017, the bill for deferred maintenance—apart from any new capacity—was $11.6 billion (see “Roads to Ruin,” LAM, February 2016).

Still, where it can, often with help from citizen conservancies, the park service is commissioning landscape architecture interventions to redress the gridlock and throngs. Most people will still find themselves among multitudes of strangers, but these redesigns can provide more authentically natural, less contrived interactions with the environment. The Mariposa Grove of giant sequoias in Yosemite National Park was until recently a prime example of the problem. A project there, which opened to the public last summer, is a model response. Half of its $40 million cost was donated by the Yosemite Conservancy. It was designed by Seattle-based Mithun.

Mariposa Grove actually has two concentrations of the great trees, the lower grove and the upper grove. Before, when you reached the lower grove you were in a parking lot. Several giant sequoias were stranded there like islets in the sea of asphalt; you might not even have realized you’d arrived. This lot filled up early. Overflow traffic returned some seven miles on a winding, two-lane park road to Wawona, where there is a historic hotel, a convenience store, and a small Yosemite history museum. Visitors there caught a shuttle back to the grove. But Wawona had only “a makeshift drop-off for the shuttle and no parking infrastructure for the hundreds who would come through—quite a fiasco,” says Christian Runge, ASLA, a Mithun senior associate.

When you finally shuttled back to the lower grove, “there was a sense of confusion,” Runge says. “Wayfinding wasn’t clear. There were redundant loops of trails. They had to have rangers telling (more…)

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BY ZACH MORTICE

Detail, paving, and construction of cable car line on Broadway, 1891. Photograph by C. C. Langill and William Gray. (Photography Collection, Miriam and Ira D. Wallach Division of Art, Prints, and Photographs, The New York Public Library, Astor, Lenox and Tilden Foundations).

THE PRESTIGIOUS RESIDENTIAL FELLOWSHIP WELCOMES A NEW GROUP OF LANDSCAPE ARCHITECTURE PROFESSORS.

 

The MacDowell Colony, which grants artists across different disciplines residential fellowships to pursue their craft, is welcoming four landscape architecture educators into the program for its Spring 2019 residencies. The duo of Present Practice (Parker Sutton and Katherine Jenkins), who teach landscape architecture at the Ohio State University; the Harvard Graduate School of Design landscape architecture professor Robert Pietrusko; and Jane Hutton, a landscape architecture professor at the University of Waterloo in Ontario, will all spend up to eight weeks through May in Peterborough, New Hampshire, working in scholarly isolation. Now in its 112th year, MacDowell provides a private studio, as well as meals, accommodations, and some stipends.

This spring term’s fellows are architects and landscape architects, composers, filmmakers, interdisciplinary artists, theater artists, visual artists, poets, nonfiction writers, and fiction writers. Each crop of fellows is selected by a panel of subject matter experts. (more…)

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BY JONATHAN LERNER

An enchanting but failing maple allée gets a second life.

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

An allée can dignify an arrival, draw the eye to a focal point, even partition an open space. To do any of these effectively, it must appear linear, uniform, and repetitive. Of course, composed of living trees it can’t really be flawless; still, it ought to give the illusion of perfection. So there’s a problem if some of an allée’s constituent trees fail to thrive, leaving gaps and slumps in an assemblage meant to appear continuous and taut. That’s what was happening at Storm King.

The Storm King Art Center occupies 500 acres of rolling terrain about 50 miles north of Manhattan in the Hudson Highlands, a region of lushly vegetated, softly eroded low mountains. More than 100 monumental works by renowned artists are sited permanently throughout (more…)

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BY TIMOTHY A. SCHULER

A lei by PBR HAWAII references the island’s dark colonial past. Courtesy PBR HAWAII.

As the receptionist for the Honolulu office of Belt Collins, Dawn Higa is not typically involved in design discussions. Her tasks, while vital to the day-to-day operations of the global design firm, tend toward the administrative: answering phones, directing calls, taking messages. It’s a job Higa’s held since 1987, when as a single mother she was placed at the company, which today has offices in multiple countries, including China, Singapore, Thailand, and Vietnam, by a temp agency. “I don’t think I even knew what an engineer did for the first year,” Higa says.

But once every two years, Higa becomes an integral part of the team competing in Honolulu’s biennial RE-LEI competition, in which individuals and teams craft traditional Hawaiian lei—a garland typically made out of flowers, ferns, leaves, or nuts—out of 100 percent postconsumer waste. Registration for this year’s competition, which is open to anyone, not just those living in Hawaii, closes Saturday, March 23, 2019. The cost is $75 for individuals and $250 for teams, with discounted rates for students. RE-LEI was first organized by a group of landscape architects and planners in 2015; its proceeds support landscape architecture education and the recently created MLA program at the University of Hawaii at Manoa (UHM). (more…)

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REVIEWED BY SARAH COWLES

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Street trees occupy a shifting and contested dimension of cities. Whereas trees in parks and private gardens in cities are afforded a measure of stability and protection, street trees are literally on the front lines of urbanism, absorbing the impacts of changes in policy on errant cars. Street trees are surrounded: hemmed in by architecture, tree grates, cages, with leaking gas conduits at their roots and power lines teasing their crowns, soaked by deicing salt on one side and dog urine on the other.

Although there are field guides to street trees and technical manuals for planting and soil specifications, there is no comprehensive look at the culture and politics of the urban forest. Seeing Trees by Sonja Dümpelmann fills this void and unearths a detailed and complex vein of urban history that (more…)

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