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Archive for the ‘ENVIRONMENT’ Category

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Courtesy Glenstone Museum.

From “Worlds Away” by Glenn Dixon in the September 2021 issue, about PWP Landscape Architecture’s Glenstone museum outside Washington, D.C., where landscapes that shift through the seasons complement monumental sculpture.

“Inside out pond garden.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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INTERVIEW BY BRADFORD MCKEE

In his new book, Doug Tallamy looks at oaks as a life force.

FROM THE SEPTEMBER 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In two influential books, the entomologist Douglas W. Tallamy has spread a message of people-powered biodiversity, to say that if humans have crowded out nature across the world, they can also invite it back in at close range. Tallamy, who is 70 and lives in southeastern Pennsylvania, is a professor in the Department of Entomology and Wildlife Ecology at the University of Delaware, where he joined the faculty in 1981 and has led or coauthored 104 published research studies on the behavior and chemistry of insects. In 2007, his book Bringing Nature Home: How You Can Sustain Wildlife with Native Plants hatched a mission to persuade home gardeners to think big about the buffets they can create for animals just outside any door as bulwarks against ecological decline. He expanded that project in 2020 with Nature’s Best Hope: A New Approach to Conservation That Starts in Your Yard, which became a New York Times best seller.

Tallamy’s latest book, The Nature of Oaks: The Rich Ecology of Our Most Essential Native Trees (published, like the others, by Timber Press), puts his message through a different prism, that of the genus Quercus, which includes 435 species of oaks around the world, 91 of them in North America, where they are superlative among trees as sources of food and shelter in their environments. He details the oak’s life cycle through the 12 months of the year. “Unfortunately, the diverse web of life that is associated with oaks goes unnoticed and thus unappreciated by most homeowners,” Tallamy writes. Many homeowners, indeed, are ready to cut down oaks to avoid raking leaves, though he explains that raking is not only unnecessary but to be strongly discouraged, given the high value of oak leaf litter as microhabitat. Once again his gift to readers, in plainspoken prose, is to help them see the familiar in nature and find the unseen.

This interview has been edited and condensed.

Bradford McKee: In The Nature of Oaks, as in your earlier books, you’re bringing science and natural history to the household conversation—

Doug Tallamy: That’s the goal!

BM: —though scientists who do academic research and also do public advocacy so regularly are exceptions in most fields. What’s driving your mission? (more…)

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This slideshow requires JavaScript.

FOREGROUND

Big Tree, Small World (Interview)
The author and entomologist Doug Tallamy’s new book, The Nature of Oaks: The Rich Ecology of Our Most Essential Native Trees, advocates for the environmental workhorse of trees.

One Big Picture (Water)
A comprehensive new map of the Colorado River Basin connects the watershed and the people.

FEATURES        

Licensure on the Line
After years of political attacks, the design professions are uniting to protect
against threats to professional licensure.

Worlds Away
Hidden in the leafy Washington, D.C., suburbs, Glenstone has been an insider’s destination for years. For a new expansion and outreach, PWP Landscape Architecture designed a landscape
for the confluence of big art and small moments.

The full table of contents for September can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting September articles as the month rolls out.

Credits: “Worlds Away,” Glenstone; “Licensure on the Line,” LAM; “One Big Picture,” Pete McBride; “Big Tree, Small World,” Rob Cardillo Photography.

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BY ZACH MORTICE

Jennifer Mok’s Star Wars: Galaxy’s Edge theme park, set on the planet of Batuu. Image courtesy Disney 2021 Marvel.

 

Dream Big with Design meets kids where they are to help them find their place in landscape architecture.

 

Jennifer Mok doesn’t have a job like most landscape architects. “We build worlds,” she says. Mok, a landscape architecture studio executive at Walt Disney Imagineering, designs theme parks and resorts. “Our designs have to be complete; it has to be immersive. It’s putting the magic into that experience [for] the guest.”

The newest example of this design philosophy is her team’s designs for the Star Wars: Galaxy’s Edge theme park. Set on the planet of Batuu, on the far rim of the galaxy, Black Spire Outpost is a dusty haven for villainy. There are seedy bazaars, parked space freighters, and spire-like petrified trees that meld into domed structures: unmistakably alien, but also of a piece with one of the most richly realized sci-fi universes ever made.

What Mok and her team of a dozen-plus landscape designers do is both a continuation of the legacy of Ruth Shellhorn, one of Disney’s first landscape architects, and also a wild extrapolation from it. As acts of sheer invention, where the singular purpose is amazement, these places are landscape architecture at a scale that’s unforgettable, and that makes Mok an ideal participant for “Dream Big with Design: A Showcase of Landscape Architecture and Pre-K–12 Design Learning,” ASLA’s two-day session of design introduction and education for primary and secondary school students. Mok and her team at Disney will present their work as landscape design Imagineers, along with landscape designers from the Environmental Protection Agency, the Legoland theme parks, and Minecraft-related programming, on September 23rd and 24th. “If it excites students to see what landscape architecture does with Imagineering, but opens up for them a world of, ‘This is what you could do as a designer, and apply that anywhere,’ that’s what we’re hoping to do,” Mok says. (more…)

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BY KATHARINE LOGAN

FROM THE AUGUST 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Across the Yukon River from Dawson City, up around 64 degrees latitude, the Top of the World Highway wends its way over 65 miles of unglaciated landscape to the border with Alaska. Unlike the Yukon Territory’s typical highways, which track the river valleys, Top of the World runs along a ridgeline. For hundreds of miles in all directions, travelers look out over forested valleys, subalpine meadows, distant mountain ranges, and spectacular vistas that comprise the traditional lands of the Tr’ondëk Hwëch’in people.

Long before Top of the World was graded and graveled and designated a territorial highway, Tr’ondëk Hwëch’in walked this path on seasonal journeys between the river and the mountains—hunting caribou, harvesting berries and wild rhubarb, gathering for celebrations, telling stories. When gold prospectors began arriving in the late 1890s, the leader of Tr’ondëk Hwëch’in, Chief Isaac, growing concerned for the heritage of his people, entrusted their songs, dances, and gänhäk (dancing stick, a symbol of their culture) to a related branch of the larger Hän nation. Top of the World is the route along which this treasure was taken into the mountains for safekeeping.

More than 3,400 miles to the southeast, the traditional lands of the Saugeen First Nation form part of Ontario’s Mixedwood Plains Ecozone, once temperate deciduous forest, and now the most populous and commercially and industrially productive region in Canada. A three-hour drive from Toronto, at the base of the Bruce Peninsula (where a popular national park protects the region’s last unbroken stand of forest), the Saugeen River flows into the eastern edge of Lake Huron. Upstream of the river mouth, in a 100-acre park on Saugeen First Nation’s reserve, a stone amphitheater and 20 acres of terraced gardens overlook the wide river valley. Built in the 1970s with nearly a million tons of locally quarried limestone, the project, known as the Creator’s Garden, was created as a place to foster understanding between Indigenous and non-Indigenous communities. As a setting for gatherings, ceremonies, music, and theater, the site welcomes thousands of visitors a year. But over the decades, it has fallen into disrepair.

These two landscape interventions—Top of the World and the Creator’s Garden—at different scales and in different bioregions, are each the subject of recent, landscape architect–guided master plans. Through both their substance and processes, these plans illustrate the potential for the profession to help heal the injustice and strife that stem from the colonial history of North America. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo courtesy Brook McIlroy.

From “Paths Forward” by Katharine Logan in the August 2021 issue, about how landscape architects are working closely with First Nations communities in Canada to reconcile its ruthless history of colonization.

“Indigenous medicinal plants on display.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image courtesy Cameron Gillie Photography.

From “Piece by Piece” by Dawn Reiss in the August 2021 issue, about the Ice Age National Scenic Trail’s glacial formation across Wisconsin.

“Woodland boardwalk in the Plover River segment of the Ice Age Trail.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Read Full Post »

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