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Archive for the ‘FEATURES’ Category

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It’s the beginning of December, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

 Crisis Actors (Outreach)
In San Francisco, teams in the Resilient by Design challenge found that agitprop—an old Soviet-style publicity technique—still works in the Instagram age.

Pairings with Wine (Plants)
The horticulturist Sean Hogan brings a palette of low-water, high-interest plants to Argyle Winery.

Practice Makes Permeable (Tech)
A research project takes advantage of rapid prototyping with 3-D printers.

FEATURES

Here Comes Everybody
Michael Van Valkenburgh Associates’ transformation of a postindustrial New York waterfront to the spectacular Brooklyn Bridge Park took two decades to realize. It was worth the wait.

Always Working
A constructed salt marsh at Pier 1 makes a beautiful defense.

How to Overstuff a Sterile Site
The plantings at Brooklyn Bridge Park follow a strategy of “exaggerated ecology.”

Softening the Sound
Noise reduction in the park takes the form of a mountain.

All this plus the regular Now and Goods columns. The full table of contents for December can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting December articles as the month rolls out.

Credits: “Here Comes Everybody,” Alex MacLean; “Always Working,” Lexi Van Valkenburgh; “Softening the Sound,” MVVA; “How to Overstuff a Sterile Site,” MVVA; “Pairings with Wine,” Doreenwynja.com Horticultural Photography; “Crisis Actors,” HASSELL+; “Practice Makes Permeable,” Matthew Arielly.

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THE RIVER BENEATH THE RIVER

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY JENNIFER REUT

FROM THE NOVEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

For a long time, the Anacostia River didn’t even have a name. It was just the Eastern Branch, the other, less promising section of Washington, D.C.’s better known and more distinguished river, the Potomac. But it was always known as a fortunate course to the Nacotchtank, the Native Americans who used it as a trading post, and later to the European colonists who relied on the river’s deep port at Bladensburg, Maryland, to carry tobacco, and to the generations of farmers, tradesmen, and laborers who never seemed to run out of fish, fowl, and game to hunt. For nearly nine miles, the Anacostia eased in and out with the tide, with no particular urgency, toward its confluence with the Potomac, tracing an unhurried flow through thousands of acres of tidal wetlands.

Of course, that was before the port and the shipping channels silted up in the 19th century from agricultural misuse; before the river was (more…)

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It’s the first of November, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

Lighting from the Inside Out (Lighting)
With the rising popularity of outdoor living comes a shining new crop of luminaires.

The Last Ash Standing (Plants)
The emerald ash borer beetle isn’t too fond of boring into the blue ash. If scientists can find out why, they may be able to save more trees.

Timing Is Everything (Construction)
Landscape installation should be driven by weather and nature, not financial models—but climate change is making best planting times unpredictable.

FEATURES

The River Beneath the River
After decades of neglect, the Anacostia River— Washington, D.C.’s lesser-known waterway—is poised at the edge of a hard-won environmental recovery. But where will it flow from there?

Upstream D.C.
Upland from Washington, D.C.’s two rivers, the city is planning major investments
in rain-soaking infrastructure.

Found in Translation
In Seattle, MIG | SvR and Turenscape’s Hing Hay Park provides a place to gather—with a
lively nod toward the Asian Pacific American experience.

All this plus the regular Now and Goods columns. The full table of contents for November can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting November articles as the month rolls out.

Credits: “Found in Translation,” Miranda Estes Photography; “The River Beneath the River,” Krista Schlyer; “Upstream DC,” Rhodeside & Harwell; “The Last Ash Standing,” Christopher Asaro, Virginia Department of Forestry, Bugwood.org; “Lighting from the Inside Out,” Courtesy Rondo; “Timing Is Everything,” Siteworks. 

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY BRIAN BARTH

FROM THE JUNE 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

The design industry’s #MeToo moment arrived in March, when the New York Times published allegations of sexual misconduct against the architect Richard Meier. A total of nine women have come forward to paint a picture of decades of lecherous behavior that was well known to senior members of Meier’s firm, who did little to intervene.

The uncomfortable spotlight on the culture of prominent architecture firms has created an opportunity to bring once-private conversations among women at design firms into a wider arena. “We all knew our industry was not immune,” says Megan Born, ASLA, a landscape architect and partner at PORT Urbanism in Philadelphia. “Not only are women typically the ones being harassed, they are often tasked with the responsibility of understanding the problem and finding solutions. I think everyone in the field needs to look at this together and decide it is an issue they want to take on.”

According to the U.S. Equal Employment Opportunity Commission (EEOC), surveys have found that up to 85 percent of women have experienced some form of sexual harassment at work. A recent survey of nearly 1,500 architects by the Architects’ Journal, a British publication, found that one in seven women at design firms had experienced sexual harassment in the previous year. In light of recent events, the Beverly Willis Architecture Foundation, which has long focused on highlighting the contributions of women in the design professions, is working with the American Institute of Architects (AIA) to develop new ethical guidelines aimed at curbing sexual misconduct and petitioning state licensing boards to mandate ongoing sexual harassment training as a requirement for maintaining licensure. There’s no data available to clarify the scope of the problem in landscape architecture, but among a half-dozen women in the profession interviewed for this article about their personal experiences, none said they’d never experienced uncomfortable behavior of a sexual or gendered nature in the workplace. None had experienced, or knew of, instances of Harvey Weinstein-level harassment. But as Evalynn Rosado, the director of business development and operations at DLANDstudio Architecture + Landscape Architecture in New York, put it, “People are very, very quiet about that once it has happened.” (more…)

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THE RISING TIDEWATER, REVISITED

BY BRETT ANDERSON / PHOTOGRAPHY BY SAHAR COSTON-HARDY, AFFILIATE ASLA

Disparate but urgent efforts to address sea-level rise in the Virginia Tidewater, one of the country’s most important strategic centers, are striving to keep up with visible realities.

Editor’s Note: Norfolk, Virginia, is both highly vulnerable to sea-level rise and a critical center of military and government infrastructure. As Hurricane Florence bears down on Virginia and the Carolinas, the risks associated with storm surge flooding are intensified by the region’s strategic importance. As Brett Anderson reported in the magazine’s December 2017 issue, this isn’t a new story, and landscape architects, academics, municipal officials, and residents are collaborating to find ways the region can respond to the inevitability of rising tides.

The first question that sprang to Ann C. Phillips’s mind soon after she moved to Norfolk, Virginia, in 2006 was, “Why, when it rains, does the whole place submerge?”

She wasn’t referring only to dramatic weather events, although Phillips, a retired rear admiral in the U.S. Navy, landed in Norfolk during a bumper crop of those: Norfolk saw more major coastal storms and hurricanes in the 2000s than in the four previous decades combined, according to the city government.

Harder to fathom were the floods caused by light rains and “blue sky floods” triggered by lunar tides. Tidal flooding affects low-lying areas of Norfolk nine times per year on average.

These more regular floods were unlike anything Phillips experienced growing up in Annapolis, Maryland. They’re an alarmingly routine part of life in Norfolk and the surrounding Hampton Roads area (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY JONATHAN LERNER

FROM THE AUGUST 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

From Amtrak’s Pacific Surfliner or Coast Starlight trains, unless you’re staring out to sea, you’d catch a view of the property; the tracks run right along its oceanfront bluff. Or you could walk onto the place, at water’s edge from the public beach next door, though you’d have to scramble up the cliff to escape an inrushing tide. In theory, you might work there as a ranch hand—it remains a cattle operation—or on the nature preserve staff. But you can number those opportunities on your fingers and toes. Eventually there will be access for researchers and educational programs. Still, hardly anyone will ever visit this magnificent 24,000-acre spread at Point Conception, some 50 miles west–northwest of Santa Barbara. And that’s a good thing.

“In Southern California, there’s a storied legacy of establishing coastal parks and access points. Typically, your first question would be, ‘How close can we get the parking lots to the beach? How easy can we make it for people to get there?’ The paradigm here is the opposite,” (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY TIMOTHY A. SCHULER

FROM THE JULY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

On a chilly Sunday afternoon in the spring of 2016, a group of designers and preservation professionals wandered through one of Newport, Rhode Island’s oldest neighborhoods, visualizing what it would look like underwater. It wasn’t hard to imagine water flowing down the narrow streets and into the basements of the quaint, colonial-era homes located just blocks from Newport Harbor and a mere four feet above sea level. Some had already seen it.

In 2012, Hurricane Sandy sent floodwaters into many of the Point neighborhood’s historic homes, including 74 Bridge Street, a red-painted, two-story house originally built in the late 1720s. The basement flooded up to the first-floor framing and the kitchen took on at least seven inches of water.

Two years later, the Newport Restoration Foundation (NRF), a nonprofit preservation group founded by Doris Duke in the 1960s, purchased the house at 74 Bridge Street. As the house of one of Newport’s most notable cabinetmakers, a Quaker named Christopher Townsend, it had sat for years at the top of the NRF’s list of most desirable historic Newport properties. It was an important acquisition for the NRF, which currently owns 78 properties throughout the city and helps fund their upkeep. But the organization also knew that 74 Bridge Street would flood again.

“It’s in the lowest point in the Point neighborhood—literally, the lowest topographical point,” says Shantia Anderheggen, NRF’s former director of preservation. With sea levels on the rise—and in Newport they already had risen 11 inches over the past century—it was a statistical certainty that what happened in 2012 would happen again. And it wasn’t just the Townsend residence. The entire Point neighborhood, which has one of the highest concentrations of colonial-era structures on the continent, was under siege from the sea. (more…)

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