Feeds:
Posts
Comments

Archive for the ‘GREEN ROOFS’ Category

BY MARK HOUGH, FASLA

Boston's Rose Kennedy Greenway has finally gotten what it always needed—time.

Boston’s Rose Kennedy Greenway has finally gotten what it always needed—time.

From the July 2016 issue of Landscape Architecture Magazine.

Call it the Emptyway. That was the headline of a 2009 Boston Globe article lamenting the perceived failure of Boston’s Rose Fitzgerald Kennedy Greenway, which had opened a year earlier atop the city’s infamous “Big Dig.” For years, the Globe had expressed concern over the greenway—over its design and the process that created it. The paper was not alone. Others in Boston, including many in the media and the design community, shared a sense that what was built fell short of what had been possible. After decades of dealing with the project, which buried what had been an elevated freeway into a tunnel running beneath downtown, everyone had expected something special. What they got, however, to many people was at best mediocre. The New Republic, in an otherwise glowing 2010 treatise on contemporary urban parks, declared that the greenway “is not merely bad, it is dreadful.”

Hyperbole aside, there was some merit to the early criticism of the greenway. Attendance in the park was slow during its first few years, and there were times when it did appear fairly empty. A common complaint was that the designers had not provided enough for people to do. There were things to look at and paths to walk along, but not much more. People expected immediate gratification after years of headaches caused by the project, which was plausible but unrealistic.

What many critics of the greenway didn’t recognize is that (more…)

Read Full Post »

BY GARY HILDERBRAND, FASLA

Dan Kiley's South Garden at the Art Institute of Chicago has seasoned over nearly 50 years into a rugged, magical hawthorn canopy.

Dan Kiley’s South Garden at the Art Institute of Chicago has seasoned over nearly 50 years into a rugged, magical hawthorn canopy.

From the October 2015 issue of Landscape Architecture Magazine.

There is nothing quite like sitting beneath the almost fully connective canopy of 50-year-old cockspur hawthorns in Dan Kiley’s South Garden at the Art Institute of Chicago in early summer. The 32 trees at the center of the garden, set in a 20-foot grid, reached their natural maximum height long ago. Their wily trunks have thickened and twisted with age; their craggy, wandering branches continued to elongate, eventually overlapping and intertwining, creating a space that has a level of repose perhaps unequaled in a midcentury urban landscape space. Crataegus crus-galli has narrow, waxy, obovate leaves, which are naturally held upright at the tops of the branches, suggesting intolerance for shade; they filter a kaleidoscope of sunlight and shadow onto the warm brown crushed-stone paving below. Reflections from the water surface and gravel color the air. Though generally I find the modernist conceit of describing “rooms” in landscapes inadequate or ill-suited, this canopy explicitly creates a ceiling and produces a dazzling sense of interiority within the garden’s sunken court space. It’s hard to believe you are sitting within 150 feet of Chicago’s main drag.

Michigan Avenue, the historic eastern anchor of Chicago’s exalted grid, attracts hordes of traffic and tourists to its institutions, architectural sites, and parks. There are excellent urban landscapes to see here, including the Lurie Garden, Maggie Daley Park, Grant Park, and the grounds of the Field Museum. None is more tranquil than the South Garden. Peter Schaudt, one of Chicago’s most admired landscape architects, considered it Chicago’s best landscape space. This year, ASLA conferred its Landmark Award to the project, which recognizes works between 15 and 50 years old that retain their design integrity and benefit to the public realm. At about its 50-year mark, the South Garden more than (more…)

Read Full Post »

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

xxx. Credit: xxx.

There are 12 acres of green roofs and 13 acres of wet native gardens incorporated into the design of the U.S. Coast Guard headquarters. Credit: Taylor Lednum/GSA.

From “The Wetter, the Better” by Bradford McKee, in the August 2015 issue, featuring the new landscape by Andropogon and HOK at the U.S. Coast Guard headquarters.

“The explosion of yellow in the middle ground punctures the smoky gray tones of the building and sky beyond.”

—Chris McGee, LAM Art Director

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Read Full Post »

BY LAUREN MANDEL, ASLA

Molly Meyer is capitalizing on a surge in demand.

Molly Meyer is capitalizing on a surge in demand.

From the July 2015 issue of Landscape Architecture Magazine.

Molly Meyer, a Stanford University-trained biogeochemist and the CEO of Omni Ecosystems and Rooftop Green Works in Chicago, is part of the green roof industry’s emerging generation of innovators. Meyer’s approach to green roof design emphasizes affordability and simplicity, with the goal of maximizing biodiversity. Through her sister companies, Meyer sells and installs a specially designed green roof tray system that supports unusually diverse plant species in shallow growing medium, most notably in veneer meadows. Meyer recently cofounded a third company, the Roof Crop, which began cultivating its first rooftop farm in April.

You’re from Indianapolis, which is a fairly large city. What drew you into soil science?

I loved playing outdoors as a kid. By the time I got to college I was looking for opportunities to do schoolwork outdoors. There were a lot of classes and research opportunities [for which] I could work outside and travel for by doing (more…)

Read Full Post »

This slideshow requires JavaScript.

In August’s issue of LAM, Philip Walsh finds that landscape architects could work harder than they do to restore lost wetlands in the United States. Steven Litt, in Cleveland, reports on how Perk Park, an acre of oasis downtown, by Thomas Balsley Associates, is making the city look harder at the value of well-designed open space. And in Washington, D.C., Bradford McKee checks out the new national headquarters of the U.S. Coast Guard with two dozen acres of green roofs and gardens by Andropogon and HOK.

In the departments, the Harvard Graduate School of Design appoints Anita Berrizbeitia, ASLA, as the chair of landscape architecture and Diane Davis as the chair of urban planning; a look at the watchdogs who track down plant growers who infringe on someone else’s patents; and the winners of the Boston Living with Water Competition aimed at envisioning a resilient city come sea-level rise. All this plus our regular Now, Species, Goods, and Books columns. The full table of contents for August can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating August articles as the month rolls out.

Credits: “The Return of the Swamp,” Lisa Cowan, ASLA/StudioVerde; “Freeze, Thaw, Flourish,” © Scott Pease/Pease Photography, 2012; “The Wetter, the Better,” Judy Davis/Hoachlander Davis Photography; “New Chairs, Subtle Shifts,” Courtesy Harvard Graduate School of Design; “Plant Sheriff,” Courtesy Bailey Nurseries; “Boston from the Ground Floor,” Designed by Architerra; Courtesy Boston Living With Water.

Read Full Post »

BY TIM WATERMAN

The Milan Expo 2015 raises unsought emotions about food, cities, the world.

The Milan Expo 2015 raises unsought emotions about food, cities, the world.

From the July 2015 issue of Landscape Architecture Magazine.

A city like Milan reflects the strivings of generations. It has a rich quality of everyday life that includes a sophisticated food culture, which, as in so many Italian cities, is both distinctly local and, because of its history of trade, cosmopolitan. The evolution of the city’s form has intertwined with the tastes and appetites of the Milanese. The convivial quality of many of its spaces comes from enclosures such as its ubiquitous courtyard gardens, its cool semiprivate zones where neighbors come into contact, or its sidewalk cafés. Milan was once Mediolanum (meaning “in the midst of the plain”), the capital of the Western Roman Empire. It was enclosed by walls, but open to its countryside in the Po River Valley, where alluvial soils raised abundant grain and grapes, and roads brought influence from all over Europe.

Milan’s economy has suffered, as has all of Italy’s, from the crash in 2008, and recession and unemployment are tenaciously rooted. While its economy continues to be underpinned by industry and agriculture, notably by small, family-owned farms, government policy has looked to urban and infrastructural development for solutions to the crisis. Italy’s new, post-Berlusconi government is trying to show evidence of its ability to deliver, and Milan, the financial center of Italy, has become a showcase of contemporary neoliberal development. In particular, two developments have shown great international visibility: the Milan Expo 2015 and the business district at Porta Nuova, best known for the Bosco Verticale (vertical forest), the heavily vegetated and much-published twin luxury apartment towers by the architect Stefano Boeri.

Boeri has courted controversy at both sites, attracting antigentrification protests both from the working-class neighborhood the towers protrude from, as well as accusations of deploying expensive greenwash that would never be possible in a lower-cost development. Much the same objections have been raised against the plans for this year’s expo in Milan, which he master planned with Jacques Herzog, William McDonough, and Ricky Burdett. “Feeding the Planet, Energy for Life” is the expo’s motto, meant, as it was, to embody a sustainable ethic, but it clashed with the presence of food giants such as McDonald’s and Coca-Cola among the nations represented. Lavish spending on the project further excited anger, as many people questioned the concentration of municipal spending on one site instead of many, and the inevitable siphoning away of funds that such concentration engenders. On May Day in Milan, cars blazed in the streets, windows were smashed, and ‘No Expo’ graffiti proliferated.

(more…)

Read Full Post »

This slideshow requires JavaScript.

July’s LAM looks at the long-needed rehabilitation of Babi Yar Park, a memorial ground in Denver dedicated to the lives lost in Kiev, Ukraine, during the Holocaust, by Tina Bishop of Mundus Bishop; a rethinking of Chavis Park in Raleigh, North Carolina, by Skeo Solutions, which embraces the park’s African American heritage through public engagement; and the ground-to-crown planting of the One Central Park high-rise in Sydney, designed by Ateliers Jean Nouvel, with Aspect | Oculus and Jeppe Aagaard Andersen, where sprawling green balconies make what is said to be the tallest vertical garden in the world.

In this month’s departments, the Milan Expo 2015 centered on food sustainability seems to draw controversy from every angle; Molly Meyer is leading the charge for affordable, simpler, and greater biodiversity in green roofs; and nature reclaims lands once lost from the demolition of two dams on the Elwha River in Washington State. In The Back, an exhibit at the Smithsonian National Museum of Natural History immerses visitors in the beauty of Iceland through sight and sound. All this plus our regular Now, Species, Goods, and Books columns.

You can read the full table of contents for July 2015 or pick up a free digital issue of the July LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating July articles as the month rolls out.

Credits: “The Global Cucumber,” Tim Waterman; “Green Roof Gold,” Michael Skiba; “A River Returns,” National Park Service; “Star Witness,” © Scott Dressel-Martin; “The Chavis Conversion,” Skeo Solutions; “Live It Up,” Simon Wood Photography; “Songs of Ice and Fire,” Feo Pitcairn Fine Art.

Read Full Post »

Older Posts »

Follow

Get every new post delivered to your Inbox.

Join 9,589 other followers