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Archive for the ‘HABITAT’ Category

BY BRADFORD MCKEE

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Image courtesy of iLoveMountains.org [CC BY 2.0], via Wikimedia Commons.

FROM THE UPCOMING MARCH 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE

Among the very early priorities of the new Republican-controlled Congress was to give the greenest of lights to any corporation—corporations being people—that wants to blow off the top of a gorgeous Appalachian mountain for coal, throw the spoils into the nearest headwaters, ruin the stream, ruin much downstream, and destroy a spectrum of wildlife, not to mention human life, in the process.

The instrument was a joint resolution of the House and Senate that pulled back the Stream Protection Rule, a long-sought goal of the Obama administration to prevent mountaintop removal for mining, which took effect on January 19, Obama’s last day as president. Its reversal by Congress was presented to President Trump on February 6. The resolution kills the Obama rule, which (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM. 

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Image courtesy of NUVIS Landscape Architecture.

From “White Water on Dry Land,” by Timothy Schuler in the February 2017 issue, on a drained lake’s second life as an eerily austere but powerful sculpture garden.

“Waves on still water.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

 

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In Sic Erat Scriptum, landscape architect and filmmaker Evan Mather argues that the Interstate Highway System that has reshaped the nation through epochal public works is not the project of technocratic 20th century humanist ambition, but something far more ancient and out of our control. Through fictionalized Grand Junction Bible College landscape urbanism instructor Melvin McNally (portrayed by Mather), his short film makes the pop-science case that the interstate is really the result of “biomigratory ecology rooted in ancient habitats and dominions.” That is, these roads follow dinosaur trails.

The video’s grainy film quality gives it an air of archival mystique that contrasts with sharp overlay maps of transit corridors throughout the millennia. Accelerated footage of miles of highway whirring past give way to fictionalized newspaper pages filled with dummy text in Latin telling of “Devil Lizards” unearthed during road construction.

There’s the interstate, which was preceded by the early 20th century highway system, which followed railroad lines. These lined up with pioneer wagon trails, themselves mapped to Native American trails, whose only purpose was to follow large mammal migratory patterns.  And concentrations of fossils found in clusters along these paths indicate these creatures were lured by “ancient dinosaur watering holes,” McNally says. It sounds like the prologue to a dusty paperback science fiction novel from the late 1950s. But broken down step by step, it seems reasonable. Foregrounded in acknowledgment of the Anthropocene age (the period of history where human activity is the strongest force affecting planetary ecosystems and geology), it questions whether we’re really writing our own novel, or instead cribbing notes from a story told long, long ago.

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BY KATARINA KATSMA, ASLA

An obsession with epiphytes leads to an ASLA Student Award.

An obsession with epiphytes leads to an ASLA Student Award.

From the December 2016 issue of Landscape Architecture Magazine.

Brandon Cornejo, Student ASLA, wants to use epiphytes—plants that grow on other plants or materials and derive their nutrients from the air—to green the world. His project, “Feasibility Study of the Integration of Epiphytes in Designed Landscapes,” won the Award of Excellence in Research in the 2016 ASLA Student Awards. It measured whether rabbit’s foot fern (Davallia fejeensis), a type of epiphyte, could grow on building materials typical to the urban environment. With just a few cuttings, (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image courtesy of California American Water.

Image courtesy of California American Water.

From “River Reroute” by Lisa Owens Viani in the November 2016 issue; a look at Rana Creek Design’s plans to swap a riverbed for a parallel-running creek so that sediment can be removed from a dam nearing the end of its useful life.

“Busy beavers. . .”

–Chris McGee, LAM Art Director

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM. 

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Photo by Forbes Lipschitz, ASLA

From “Catch of the Day” by Brett Anderson, in the October 2016 issue, featuring Forbes Lipschitz’s deep dive into catfish farms and Mississippi Delta foodstuffs.

“Drone’s-eye view.”

–Chris McGee, LAM Art Director

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY BRETT ANDERSON

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Forbes Lipschitz finds poetry in the catfish pond landscapes of the Mississippi Delta.

From the October 2016 issue of Landscape Architecture Magazine 

When Forbes Lipschitz, ASLA, was a senior at Pomona College, in Claremont, California, she created a series of larger-than-life portraits. The subjects were genetically modified animals. One portrays a sheep that, rendered bald by an injection, resembles a shar-pei. Another captures a goat bred to produce spider silk protein. “I was basically just interested in the moral ambiguity of biotechnology,” Lipschitz explains. “I was using the portrait as a means to reveal that complexity.”

The portraits constituted Lipschitz’s senior thesis at Pomona, where she studied environmental studies and art, a combo major she designed herself. The animal portraits are precociously accomplished feats of realism notably lacking in judgment. The fluoro-pig, for example, (more…)

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