Feeds:
Posts
Comments

Archive for the ‘HABITAT’ Category

When the landscape architects at Mahan Rykiel Associates found themselves with uprooted trees they couldn’t fit back onto a newly designed and built mixed-use building site, they offered them to a local Baltimore middle school in the Locust Point neighborhood. But after talking with the principal of Francis Scott Key Middle School, they quickly realized that there was an opportunity for a much deeper collaboration than simply donating some foliage.  So the landscape architects began designing a school yard with four different types of learning environments, to aid what they call “STEM-based environmental education.” Project Birdland will be the first phase of a partnership between Mahan Rykiel Associates and Francis Scott Key Middle School. Students will work with a biologist and the fabricators at Gutierrez Studios to design and build birdhouses for endangered and threatened bird species. From the outset, the project gives students an introduction to the humancentric world of design and craft and also to the creation of habitats for their neighboring fauna.

Read Full Post »

BY BRADFORD McKEE

Credit: Richard Crossley [CC BY-SA 3.0], via Wikimedia Commons, left; Gage Skidmore [CC BY-SA 3.0], via Wikimedia Commons, right.

From the upcoming September 2017 issue of Landscape Architecture Magazine.

Susan Combs will be back for the golden-cheeked warbler. Combs is a former Texas state comptroller, agriculture commissioner, and state representative who has been nominated by President Trump to run the policy and budget section of the U.S. Department of Interior. The job will put her in charge of all things related to the Endangered Species Act, under which the golden-cheeked warbler (Setophaga chrysoparia) is listed as being at risk of extinction. She “has an aesthetic interest in the golden-cheeked warbler and seeks to conserve the warbler and its habitat within Texas,” according to a petition she signed in June 2015 to have the bird taken off the federal Endangered Species list. But “Combs believes that local and state conservation efforts would be of greater benefit to the warbler and that continued unwarranted regulation under the Endangered Species Act can impede voluntary and local conservation efforts.”

Combs seems fond of these voluntary and local conservation efforts, as opposed to statutory mandates, to protect species, perhaps because they have little if any force. In 2011, she masterminded an effort called the Texas Conservation Plan for the Dunes Sagebrush Lizard (Sceloporus arenicolus). The plan was less about conserving the lizard than keeping it off the Endangered Species list and out of the way of the Texas Oil & Gas Association and the Texas Farm Bureau, among other cosigners of the plan, with “a locally controlled and innovative approach.” Another cosigner was the U.S. Fish and Wildlife Service’s Southwest Region office. The problem, according to Gary G. Mowad, a former enforcement official and Texas administrator for the U.S. Fish and Wildlife Service, was that (more…)

Read Full Post »

BY ZACH MORTICE

The world’s protected areas. Currently around 15 percent of the earth’s terrestrial surface is protected. The United Nations target is to reach 17 percent by 2020. © 2017 Richard J. Weller, Claire Hoch, and Chieh Huang, Atlas for the End of the World.

Within the hundreds of maps Richard Weller, ASLA, assembled for his Atlas for the End of the World, there’s an implicit argument for something like a new mandate for landscape architecture: Instead of mostly planning the development of public outdoor spaces in developed and affluent cities, it’s time for landscape designers to mediate the battles between rapidly expanding developing-world cities and the irreplaceable biodiversity they’re consuming. It’s a task that increases landscape architects’ zones of influence from the scale of city blocks to hundreds of square miles.

 The online atlas, which launched on Earth Day 2017 and just passed its 50,000th click, has a bracingly apocalyptic name. But within the discipline of landscape architecture, it points to a new beginning.

“There’s a whole question for us about how we approach urban design and planning so that cities (more…)

Read Full Post »

BY RACHEL DOVEY

For Alaska’s Anan Wildlife Observatory, Suzanne Jackson designs around the attraction: bears.

FROM THE JUNE 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE. 

Suzanne Jackson spent nearly 30 years as a landscape architect at the Aspen, Colorado, office of Design Workshop, channeling her passion for backcountry hiking into habitat restoration and open space preservation. But it was when Jackson reconnected with her former colleague Barth Hamberg that things began to get, well, wild. Hamberg manages the landscape architecture program for Tongass National Forest in southeast Alaska, the largest national forest in the nation. In 2014, he offered Jackson a two-year post.

Jackson was charged with creating a master plan for the Anan Wildlife Observatory, which is located on a remote peninsula in Tongass’s Wrangell district and accessible only by boat or floatplane. It’s a steeply sloping temperate rain forest of spruce, hemlock, and huckleberries, and the pools and waterfalls of Anan Creek support one of the region’s largest pink salmon runs. That means a lot of hungry predators gathering to feast: black bears, grizzlies (called brown bears locally), (more…)

Read Full Post »

The artist and landscape designer Patricia Johanson sees her ecologically driven, site-specific artworks as a way to weave together two disciplines that seemed to have parted ways a long time ago: science and art. She imagines them to be “parallel explorations” that share the same goal (exploring and interpreting the world), gone about in different ways. “In a way, we’re like inchworms,” she says in an interview from 2010. “We’re out on a twig, feeling around, testing the air. Where do we go from here? What can we learn? And you begin to look at these things, and you begin to discover the world. I think that’s what scientists do, and I think that’s what artists do.”

Johanson grants herself the opportunity to try it both ways. Her Ellis Creek Water Recycling Facility in Petaluma, California, clocks in to perform all the progressive landscape-as-infrastructure functions asked of it. It’s a sewage treatment plant, and a park with three miles of trails whose wetlands help filter and clean Petaluma’s water. It’s also a wetland wildlife habitat where visitors set up easels and sketch the landscape, part of which playfully resembles a mouse (with two beady little eyes that are islands in a pond) from above.

Read Full Post »

BY ANNE RAVER

Studio Outside coaxes many landscapes from one neglected ranch.

FROM THE MAY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

There’s a journey-like feeling to this landscape, both in space and time, as the path curves through dense stands of red cedar and yaupon holly, then out to open savanna, dotted with live oaks and groves of post oaks.

“You can’t really understand these landscapes and the plants on the surface until you understand the underlying soil types and drainage patterns,” said Tary Arterburn, FASLA, a founding principal of Studio Outside, one sunny cool morning in early November.

“It’s sand, sand, and sand,” said Amy Bartell, a project manager at Studio Outside, who has spent countless hours on site here. She knows where the fine clayey sands of the Southern Blackland Prairie to the west finger into the coarser sands of the Northern Humid Gulf Coastal Prairie to the east.

The Dallas-based firm first walked the 132-acre property in 2015 to assess (more…)

Read Full Post »

BY ZACH MORTICE

São Paolo is a small aquaponics farming settlement where residents and visitors gather medicinal compounds from the surrounding jungle. 2100: A Dystopian Utopia—The City After Climate Change, by Vanessa Keith/StudioTEKA (New York: Urban Research, 2017). Courtesy of Terreform.

In the not-so-distant future, what remains of São Paulo is something like an ecoresort medical crop farm for ewoks. People from all over the world travel to its lush, frequently flooded rain forest and set up shop in ovular pods in the treetops connected by open-air skywalks. They farm fish, grow sugarcane, and harvest rare, medicinal compounds from the surrounding jungle. Crews deconstruct the old city, leaving more room for this life-saving flora to reassert itself.

A continent away, the city of Phoenix, Arizona, is also in the process of unbecoming. Residents of its single-family houses are cannibalizing their neighborhoods at the stern urging of statist security forces. (Let’s say something like United Nations troops, perhaps wearing black helmets instead of blue ones.) The nation’s sixth-largest city will be shrunk to a tiny fraction of its former size to make way for more massive solar energy farms that dominate the desert landscape. Former Arizonans are invited to move themselves along with the bricks and mortar of their communities to a burgeoning megacity in Vancouver. Some people don’t want to go, and are meeting in secret to talk about what to do if they’re forced.

Those companion (but tonally opposed) visions of the future begin with the same book, Vanessa Keith’s 2100: A Dystopian Utopia—The City After Climate Change, published by Terreform’s Urban Research, Michael Sorkin’s publishing imprint. It envisions a world where (more…)

Read Full Post »

Older Posts »