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Archive for the ‘HABITAT’ Category

BY ZACH MORTICE

“Altitudes” reorients formerly disused ecologies for the production of local cash crops, organized vertically in the Selva Central region of Peru. Image courtesy Openfabric.

The coffee production industry is a “global economy with a local ecology,” says Francesco Garofalo of the landscape architecture studio Openfabric. The studio has a plan for a coffee-producing region of Peru that would align local cultivation practices with global distribution networks. Openfabric’s “Altitudes” plan steps back from coffee plantation monocultures to spread cash crop risk by encouraging production of a range of foodstuffs. The goal is to create more sustainable cycles of cultivation, production, and distribution.

The plan focuses on the Selva Central region of Peru, east of Lima, which straddles both the Andes and the Amazon River Basin. The local economy is intensely reliant on coffee production, but it’s a fragile and volatile market. Prices surge and plummet on a whim, vulnerable to small climatic shifts that can greatly affect yield. That makes life for the region’s coffee producers precarious.

And lately, temperatures in Selva Central have been rising because of climate change, causing (more…)

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It’s the beginning of July, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

 Urban Scanner (Interview)
Shannon Mattern’s book, Code and Clay, Data and Dirt: Five Thousand Years of Urban Media, uncovers the way information has shaped our cities.

The Hole Story (Parks)
Hornsby Quarry in New South Wales was thought too big to fill and too unsafe to leave open.
Now it could be a park.

Palms Out (Plants)
Palm trees may be iconic of Miami or Los Angeles, but they can
thrive in more—and colder—places than you may think.

FEATURES

The Old and the Neutral
In New Orleans, Hargreaves Associates weaves the hopeful future into
the industrial past in Crescent Park.

Two London Squares and a Theory of the Beige Hole
Sleek, tidy, generic: a critique of Fitzroy Place and Rathbone Square, two privately owned
public spaces in London’s West End.

Balancing Act 
In a wetter world, how do we weigh the need to adapt to the future
against the imperative to preserve the past?

All this plus the regular Now and Goods columns. The full table of contents for July can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting July articles as the month rolls out.

Credits: “Two London Squares and a Theory of the Beige Hole,” londonsurvival/JOEHOOVER (londonsurvival.wordpress.com); “The Old and the Neutral,” Timothy Hursley; “Balancing Act,” Newport Restoration Foundation/Ashley Braquet; “Palms Out,” Botanics Wholesale; “The Hole Story,” Hornsby Shire Council; “Urban Scanner,” Michael K. Chen and Justin Snider, Michael K. Chen Architecture.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Jaymi Heimbuch.

From “Closer Quarters” by Jeff Link in the May 2018 issue, about researchers’ attempts to study how wild urban canines such as foxes and coyotes adjust to city life.

“Field test and tag.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY JEFF LINK

A two-year study of coyotes and red foxes reveals the impact of urban environments.

FROM THE MAY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Over the past half century, coyotes have expanded their range across the continental United States and live in many North American cities—literally, in some cases, in people’s backyards. Their increased presence, says Katie Coyne, a senior associate planner and ecologist at Asakura Robinson in Austin, Texas, is one reason for landscape architects, planners, and wildlife managers to reexamine the design implications of large natural areas beyond their role as habitat for migratory birds and pollinators. Think of these areas as preferred foraging zones, she says, functional landscapes that accommodate coyotes and limit potential conflict with people and other species.

A recently published two-year study of urban canids in and around Madison, Wisconsin, sheds light on the issue. Researchers used radio collars and statistical analysis to assess the movement and home ranges of coyotes and foxes through a mosaic of residential, commercial, and public natural areas, including tallgrass prairie and oak savanna located within the University of Wisconsin–Madison Lakeshore Nature Preserve.

Breaking from established behavioral patterns in rural areas, where coyotes will typically displace or kill red foxes to eliminate competition for resources, the two species were observed foraging within a hundred yards of one another for extended periods of time. On a weekly basis for a month, a pair of coyotes visited (more…)

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BY KATARINA KATSMA, ASLA

Practicality resides at the core of every Virginia Burt design.

FROM THE MARCH 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

“I want to create gardens that really are truly meaningful and touch people,” says Virginia Burt, FASLA, the founder and principal of Virginia Burt Designs in Burlington, Ontario, Canada, and Cleveland, Ohio. She’d been practicing nine years by the time she was invited to start on a partner track at JSW+ Associates in Richmond Hill, Ontario, but said she was looking for more in her own work. “My personal life was deeper and more meaningful than the kind of work that I was doing, and I said, ‘You know what? I wanted to be more.’”

Burt could have easily gone down a number of paths. She is an avid skier and author, and thought at one point she would go into veterinary medicine. But since high school she had known exactly what she wanted to do. “My brother brought home a woman for Thanksgiving who was in landscape architecture, and I was like, ‘I love drawing. I like being outside. I love nature. Oh, my God, you get paid to do stuff like that?’” She was so sure of her path that during an entrance interview for the landscape architecture program at the University of Guelph, she remembers fielding the question, “What’s your plan if you’re not accepted?” with an immediate: “There is no plan; I’m getting in.” (more…)

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It’s the first, which means March’s issue of LAM is here! You’ll find these stories inside:

FOREGROUND

The Tiny Menace (Ecology)
The shot hole borer is having a deadly impact on California’s trees.

Raleigh Finds Its Inner Self (Planning)
New plans for downtown in Raleigh, North Carolina, could help move the
sprawling city beyond its complicated past.

Mind, Soul, Design (Palette)
The landscapes of Virginia Burt, FASLA, are grounded in practicality.

FEATURES: GGN PORTFOLIO

Drawn Together
The pursuit of excellence is embedded in the culture of GGN.

The Streets Are Back
CityCenterDC restores a historic downtown grid that had vanished for years
beneath a convention center.

Promised Land
GGN’s landscape for the National Museum of African American History and Culture
is both leveling and welcoming.

 Extended View
For the University of Washington’s Lower Rainier Vista,
GGN finishes a job that John Charles Olmsted started.

All this plus the regular Now and Goods columns. The full table of contents for March can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting March articles as the month rolls out.

Credits: “The Streets Are Back,” Catherine Tighe; “Promised Land,” Alan Karchmer/NMAAHC; “Extended View,” GGN; “Drawn Together,” GGN; “The Tiny Menace,” Courtesy the Huntington Library, Art Collections, and Botanical Gardens/Maxx Echt; “Mind, Soul, Design,” Richard Mandelkorn; “Raleigh Finds Its Inner Self,” City of Raleigh.

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text with English text available below.

BY JONATHAN LERNER

FROM THE FEBRUARY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Atlanta’s Fernbank Museum of Natural History occupies a formidable 1992 postmodernist structure by Graham Gund Architects. Visitors enter through a lobby that looks down into an octagonal atrium dominated by enormous dinosaur skeletons posed as if on the brink of carnage. Beyond the atrium’s glazed rear facade is a narrow concrete terrace. Then the ground behind the building pitches steeply down 45 feet to a creek. So from inside, there’s a horizontal view straight out into the tree canopy, a promise of respite from the vaguely daunting scale and sense of menace inside.

This wooded ravine, which is sort of the reason the museum exists, was neglected and inaccessible until a recent intervention by Sylvatica Studio. Now, beginning right at the atrium’s back doors and set into the terrace’s pavement, the wooden planking of an elevated walkway leads into the trees. Not far along the walkway, just visible where it turns, a 26-foot-high, latticelike but curvilinear “tree pod” beckons from the midst of branches and leaves. Its shape and color mimic the blossom of the tulip tree, a common tree in these woods. The pod is a place to stop, or sit, gently protected by its rounded tracery. But it also offers a sweeping panorama down to the creek and streamside meadow. “It’s 35 feet off the ground. We wanted people to feel slightly—not afraid—but thrilled. ‘What is this experience I’m having?’” explains Sylvatica’s founder, Susan Stainback, ASLA. (more…)

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