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Archive for the ‘HEALING GARDENS’ Category

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FOREGROUND   

Who’s Around Underground? (Soils)
At Republic Square in Austin, Texas, the landscape architecture firm dwg. finds that new tools for monitoring soil health give an edge to park maintenance.

FEATURES

On Track
At Rutgers University, six landscape architecture students from community colleges reflect on
the spark that drew them in.

From the Outside In
A new affordable housing complex in San Francisco with a landscape design by Andrea Cochran Landscape Architecture aims to elevate public housing in one of the most
expensive cities in the world.

The full table of contents for February can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting February articles as the month rolls out.

Credits: “From the Outside In,” Marion Brenner, Affiliate ASLA; “On Track,” Ashley Stoop; “Who’s Around Underground?” Erika Rich, courtesy Downtown Austin Alliance.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Joanna Pertz.

From “A Resilient Renewal” in the January 2021 issue by Alex Ulam, about how Joanna Pertz Landscape Architecture reimagined a New York City hospital’s courtyard as flood resilience infrastructure that also connects patients and staff to the healing properties of the outdoors.

“Alumni courtyard at dusk.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY TIMOTHY A. SCHULER

On a cramped site, Superjacent conjures a forest and one of L.A.’s first shared streets.

FROM THE JANUARY 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

If all goes according to plan, over the next year a forest will spring up in South Central Los Angeles on what today looks more like a desolate traffic island than a buildable city lot. The woodland is a vital part of Isla Intersections, a 54-unit supportive housing development designed by Lorcan O’Herlihy Architects with the landscape architecture firm Superjacent. The dense plantings are intended as a “living lung,” strategically designed to reduce air and noise pollution by 25 and 40 percent, respectively.

“Because we’re dealing with a site that’s super urban and a freeway that is elevated, the design strategy is really to create kind of an umbrella over that site, a dome of green that will catch particulate matter before it goes into homes and people’s lungs,” explains Claire Latané, ASLA, an assistant professor of landscape architecture at California State Polytechnic University, Pomona, who consulted on the project while at Studio-MLA. (more…)

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FOREGROUND       

A Resilient Renewal (Maintenance)
After Hurricane Sandy upended a planned redesign, Joanna Pertz Landscape Architecture committed to the
upkeep of a flood-control landscape at NYU’s Langone Medical Center.

Ahead of the Curve (House Call)
An artful take on an underused suburban yard by Jennifer Horn Landscape Architecture
turns around a few key elements.

FEATURES    

Reveal the River
Though 100 protected miles of the Chattahoochee River flow through the Atlanta metro area, a lack of access
and a long history of segregation have kept locals away and distrustful.
SCAPE lays out a path, or three, forward.

Mixed Media
Landscape architects have been slow to adopt social media, but with the pandemic closing off
traditional marketing, social platforms are giving rise to new forms of connection
and collaboration.

The full table of contents for January can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting January articles as the month rolls out.

Credits: “Reveal the River,” SCAPE; “A Resilient Renewal,” Joanna Pertz; “Ahead of the Curve,” Jennifer Horn Landscape Architecture.

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BY ZACH MORTICE

Andrew Sargeant’s design for a stormwater retention park that’s part of Cleveland’s Rockefeller Park. Image courtesy Andrew Sargeant, ASLA.

Andrew Sargeant is the first Enterprise Rose Fellow from landscape architecture.

 

For the first time in its 20-year history, Enterprise Community Partners, the nonprofit housing and advocacy organization, has selected a fellow from landscape architecture for the prestigious Rose Fellowship. The fellowship pairs early career designers with nonprofits and community organizations to develop equitable housing and open space in cities and small towns across the country. Andrew Sargeant, ASLA, will work with Cleveland Neighborhood Progress (CNP) on urban design and landscape architecture projects that generate equitable, high-quality public space through 2022.

Sargeant has been very active since he graduated from Temple University in 2016. A former 2018–2019 Landscape Architecture Foundation (LAF) Fellow, Sargeant has worked at OLIN in Philadelphia and Lionheart Places in Austin, Texas. He will continue on as the vice president of the board of the Urban Studio, the nonprofit design collaborative he launched with LAF fellows Kendra Hyson, ASLA; Maisie Hughes; and Daví de la Cruz, Associate ASLA, that supports high school-age kids who are interested in design careers. (more…)

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BY ZACH MORTICE

Mount Auburn’s roads and paths were laid out to highlight the landscape’s natural contours. Photo courtesy Mount Auburn Cemetery.

A crowdsourced archive transcription project at one of the nation’s most historic cemeteries offers insight into 19th century landscape design.

 

Among the surprises Meg Winslow has found amid 100,000 pages of digitized 19th century records from Mount Auburn Cemetery’s long history are documents detailing “perpetual care of the soil,” she says. As part of lot purchase contracts, people were paying up front for the maintenance of healthy soil alongside care of the grass and plantings and upkeep of headstones. Winslow, Mount Auburn’s Curator of Historical Collections and Archives, found documents from the 1830s that detail soil type and quality, making clear that the experience of Mount Auburn was always focused on horticultural expression.

Established in 1831, Mount Auburn Cemetery in Cambridge, Massachusetts, was the nation’s first rural cemetery, the synthesis of pastoral and carefully planted landscapes dotted with memorials, gravestones, and sculpture. It was a persuasive vision of how the living should honor the dead, as opposed to the crowded warrens of graves in churchyards that had predominated. This landscape type spread across the nation within a few decades, influencing the conception of the public park as another sort of pastoral reprieve from the dirty, brutish city.

The long and complex history of this continually evolving landscape is becoming clearer. A $42,000 grant from the National Endowment for the Humanities is funding the transcription of these documents, which include letters, trustee minutes, and records from superintendents, sculptors, gardeners, and others. It’s a record that delves into historical funerary practices, landscape and memorial design, and environmental conservation at what is perhaps the most historic cemetery landscape in the nation. (more…)

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FOREGROUND

On Belonging and Becoming (Interview)
Julian Agyeman, a Tufts University planning professor, talks about his work in the realm of
environmental justice.

Perfume Genius (Materials)
SALT Landscape Architects relates the history of downtown Los Angeles through a series of olfactory encounters.

FEATURES

The Thin Green Line
The second phase of Hunter’s Point South in Queens, designed by the office of Thomas Balsley, FASLA, (now SWA/Balsley) with Weiss/Manfredi Architecture/Landscape/Urbanism, extends the park’s renowned toughness.

Tallgrass Rehab
A former U.S. Army arsenal in Illinois is now Midewin National Tallgrass Prairie, the only public land
of its kind, and one of the continent’s rarest biomes.

Have Van, Will Garden
The Winnipeg-based landscape architects Anna Thurmayr and Dietmar Straub, ASLA, have a simple
description of their work: humble and never complete.

All this plus the regular Now and Goods columns. The full table of contents for March can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting March articles as the month rolls out.

Credits: “The Thin Green Line,” Vecerka/Esto, courtesy SWA/Balsley and Weiss/Manfredi; “Have Van, Will Garden,” Brian Barth; “Tallgrass Rehab,” Michelle Wendling, “On Belonging and Becoming,” Alonso Nichols/Tufts University; “Perfume Genius,” Michael Wells. 

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