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Archive for the ‘HEALING GARDENS’ Category

BY TIMOTHY A. SCHULER

Researchers explore the role of design in aiding a global refugee crisis.

FROM THE SEPTEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

As a young girl, Elizabeth Brabec,  ASLA, knew her mother’s garden was different. Where the neighbors grew lettuce and carrots and cucumbers in neat rows, her family’s garden featured mounded beds of currants, gooseberries, and celeriac interspersed with fruit and nut-bearing trees. Everything was mixed together. Brabec didn’t understand the reason for the difference until she visited the Czech Republic decades later. Every garden looked like her mother’s.

That was the first time that Brabec, now a professor of landscape architecture at the University of Massachusetts Amherst, realized that gardens could function as an expression of a person’s heritage, a way for immigrants to create continuity between the old world and the new. Brabec’s parents fled Czechoslovakia in the 1940s to escape the ethnic cleansing that took place after World War II. When they arrived in Montreal, one of the first things her mother did was plant a garden, Brabec says, a garden modeled on the one her own mother had grown back in Prague.

For the past five years, Brabec has been studying this phenomenon, visiting refugee gardens around the world to document (more…)

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Sandra Albro’s Vacant to Vibrant initiative (detailed in “Lots of Opportunity”) converts vacant lots in struggling Great Lakes cities into rain gardens and bioswales. At an average cost of $18,000 each, they’re a fine-grained and tactical solution for reversing blight and helping beleaguered combined sewer systems from polluting the Great Lakes. As Albro, of Holden Forests & Gardens, observes, these neighborhoods were gradually disinvested from and abandoned, and have limited access to comprehensive public infrastructure improvements. As such, an equally piecemeal and gradual approach allows them to stabilize properties with desirable urban green spaces that can be wrapped into broader redevelopment efforts. An alternative to massive, centralized sewer upgrades that cost billions, this dispersed model of stormwater filtration turns an economic drain into an ecological engine.

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BY JEFF LINK

A pilot study suggests playground equipment can provide social and emotional benefits for children with sensory disorders.

FROM THE JUNE 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Lucy Miller lost her sight when she was 16 and, in 1970, underwent one of the nation’s first corneal transplants. A procession of specialists flitted in and out of her recovery room—doctors, nurses, residents, fellows—but she recalls thinking that only the occupational therapist was interested in her as a person.

Shortly after her release from the hospital, she abandoned her plans to go to law school and headed to graduate school at Boston University to study occupational therapy. It wasn’t only the care and attention of her former occupational therapist who had led her to this decision. In the hospital, over several months when her eyes were surgically detached from her skull, she noticed her other senses had grown sharper. She wondered why, neurologically, this had happened, and was determined to find out. So, in her early twenties, still in graduate school, she embarked on a summer mentorship at the Torrance, California, clinic of Jean Ayers, the originator of a then-emerging field exploring the relationship between the sensory processing dysfunction and the behavior of children with disabilities.

Nearly half a century later, Miller, who is the clinical director of the STAR Institute for Sensory Processing Disorder just south of Denver, has become one of the nation’s preeminent scholars on sensory processing disorder (SPD). This term is used to describe difficulty with “one or more of the sensory processes that occur along the neurological pathway, from detecting stimulation to regulating the input and output, to interpreting the sensations correctly, to responding accurately, and finally, to turning the sensory input into meaningful responses,” as she explained in her 2014 book, (more…)

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BY ZACH MORTICE

Minbo Zhao’s “Better Trail, Better Life.” Image courtesy the University of Illinois at Urbana–Champaign.

For her study of the landscape dimensions of the opioid crisis, Aneesha Dharwadker, a designer in residence at the University of Illinois at Urbana-Champaign, taught an undergraduate and graduate studio grounded in the endlessly complex set of cultural, economic, and environmental factors that contribute to addiction. Called “Landscapes of Dependence,” the landscape architecture studio synthesized research into a diagram called “The Labyrinth of Addiction.”

The diagram portrays addiction not as a cycle or individual pathology, but as an intricate maze, an array of orbits connecting the pharmaceutical industry, poppy cultivation, the environmental conditions of users, health care resources, and local institutions—punitive and otherwise. As explained by the accompanying website and manifesto “The Declaration of Dependence,” there’s no single entry point to the labyrinth, no clear linear progression, and only one dead end: fatality after an overdose. Everything else is an endless feedback loop. Invited by Dharwadker onto campus for reviews in April, I was confronted by the intimidating vortex her students were tasked to defy. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image courtesy Traction team members.

From “Where Least Matters Most” by Katarina Katsma, ASLA, in the May 2018 issue, an interview with Coco Alarcón, whose design collective Traction is forging new models of grassroots participatory design in the developing world.

“Floating garden framework.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY KATARINA KATSMA, ASLA

Traction believes landscape architecture is for the people, not just the elite.

FROM THE MAY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

In 2016, as a student at the University of Washington, Coco Alarcón won the ASLA Student Residential Design Award of Excellence for his project to improve public health by creating food gardens in a soggy, stressed neighborhood in Iquitos, Peru. He was also named a National Olmsted Scholar finalist that same year. Since then, Alarcón, who is Peruvian, has been working with a multidisciplinary collective he co-founded called Traction (formerly the Informal Urban Communities Initiative) to try to bring his ideas to fruition. Using research, community outreach, activism, and educational workshops, Traction works with people from communities where resources are scarce to create new social and physical infrastructure that promotes health, safety, and beauty for residents. LAM recently caught up with Alarcón to find out how his group’s work has progressed toward giving people, as he hopes, the motivation they need to transform their environments into equitable, healthy places.

This interview has been edited and condensed.

What are you working on now?
One of our projects is to design and construct a landscape architecture intervention in a slum community and measure the impacts on human, ecological, and environmental health. For example, we are documenting changes in human microbiome, water quality, mental health, and biodiversity of birds and amphibians—among other measurements—in the community to understand the effects of a productive community garden.

Another project focuses on the collection of literature, local experiences, and interviews with experts from different disciplines to understand the role that landscape architecture has on the pandemic of vector-borne diseases related to the Aedes aegypti mosquito, including Zika, dengue, and chikungunya. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in different languages. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text with English text available below.

BY JENNIFER REUT / IMAGES BY SARA ZEWDE

FROM THE APRIL 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

There are a number of arresting images in Sara Zewde’s proposal for a memorial at Valongo Wharf in Rio de Janeiro, but my favorite is the one with the water. In it, ghostly figures in white are faded back over a scrim of water overlaid on the sea. Above their heads is a diagram of points and lines that ricochet out from a dense cluster triangulating across the sky. The palette is one of muted blues and grays. It feels both transcendent and somber.

The diagram comes from one of the spatial analyses that Zewde did on samba, the distinctly Brazilian musical form with African roots that lives in the city’s streets and squares. It depicts the roda de samba, an informal dance circle of musicians and spectators who become musicians. The character of samba is both sad and happy, a shout of joy and a lamentation.

In July 2017, the Valongo Wharf Archaeological Site in Rio de Janeiro became a UNESCO World Heritage Site. Zewde helped write the nomination, and her ideas are threaded through the descriptions. Recognized for “Outstanding Universal Value,” for its material, spiritual, and cultural significance, the wharf was and is the central element in a landscape that profoundly shaped the history of the Western Hemisphere: the built environment of slavery. (more…)

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