Archive for the ‘HEALTHY COMMUNITIES’ Category

BY TIMOTHY A. SCHULER

Public food forests grow as cities look for new ways to feed their people.

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

It was the stand of pecan trees that first drew Mario Cambardella to the seven-acre property along Browns Mill Road in Atlanta. Looking up at the four giant pecan trees, Atlanta’s urban agriculture director decided that this was the place to test out the concept of a municipal food forest. “Then,” he says, “I dug deeper into the site and found another pecan orchard. There were tons of black walnut. There was mulberry.” Cambardella realized that the site already was a food forest. Instead of having to plant one, a team could sculpt what was already there. (more…)

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FOREGROUND

Sugar Substitutes (Preservation)
Reed Hilderbrand rethinks Storm King Art Center’s venerable Maple Allée.

Free Markets (Food)
Atlanta’s Browns Mill Food Forest will be a place for the community to gather,
as well as gather food.

FEATURES

Giant Steps
Mithun has made Yosemite’s Mariposa Grove a better experience for visitors as well as for its spectacular sequoias.

Taking the Wind Out of Wildfire
Ashland, Oregon’s new wildfire mitigation project could serve as a model for communities throughout the West.

Tree Line
In Ypres, Belgium, trees grow as living memorials to World War I dead.

All this plus the regular Now and Goods columns. The full table of contents for March can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting March articles as the month rolls out.

Credits: “Taking the Wind Out of Wildfire,” City of Ashland; “Giant Steps,” Christian Runge, ASLA; “Tree Line,” The National Archives, Kew, Ordnance Survey/Wikimedia Commons; “Free Markets,” Office of Resilience, City of Atlanta; “Sugar Substitutes,” © Courtesy Storm King Art Center/Photograph by Jerry L. Thompson.

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HERE COMES EVERYBODY

BY ANNE RAVER

The final pier has opened. Brooklyn Bridge Park is all but complete.

FROM THE DECEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

It was raining, so we crouched, rather than sat, in the grassy bowl that Michael Van Valkenburgh, FASLA, had envisioned as the centerpiece of the newly completed green space and playground on Pier 3, which, like most of the other piers in Brooklyn Bridge Park, sprawls over five acres, into the East River.

“I’m lucky to know what it’s like to imagine and hope for something like this for 20 years and finally see it, have it realized,” said Van Valkenburgh, whose firm drew its first plan for this park in 1999. “Look at that sky.” (more…)

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BY SARAH COWLES

Designers find new ways to tell communities about climate change.

FROM THE DECEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In the early 1920s, leaders of the Soviet Union had a communication problem: how to relay the abstract and complex communist ideology and economy to their scattered constituents across several nations, languages, and varying literacy levels. Enter the agit-train, a multimedia spectacle covered with constructivist supergraphics that drew crowds at every stop. The agit-trains carried agitprop (agitation propaganda) acting troupes, movie theaters, printing presses, pamphlets, and posters.

Today, leaders of coastal cities are facing an urgent communication issue: how to draw public attention to the looming threats of climate change and sea-level rise. Last winter, 10 teams in the San Francisco Bay area were selected to participate in the Resilient by Design Bay Area Challenge, “a yearlong collaborative design challenge bringing together local residents, public officials, and local, national, and international experts to develop innovative, community-based solutions that will strengthen our region’s resilience to sea-level rise, severe storms, flooding, and earthquakes.” Resilient by Design, funded by the Rockefeller Foundation, built on the success of the Rebuild by Design initiative, which focused on the post-Hurricane Sandy landscape of New York and New Jersey. Each team was assigned to a swath of bay lands, where a confection of urbanization, predevelopment remnants, and infrastructure collide. A significant component of the initiative was public outreach, to address the issues germane to the most vulnerable communities that are already facing pressure from gentrification.

A significant, and perhaps unexpected, outcome within the Resilient by Design process was a revolution in public outreach, one that echoes Soviet agitprop methods. Three teams, Field Operations, Bionic, and HASSELL+, designed new physical devices, events, or spaces that kick-started public participation in the design process and informed residents on methods of climate change adaptation. Bionic and Field Operations wrapped vehicles with supergraphics to create a striking visual presence at community events, while the HASSELL+ team repurposed a former bank as an info shop. Their agitprop works were especially suited to the constraints of Instagram. The supergraphics make striking backgrounds for selfies, and all teams made liberal use of hashtags. These bold environments prompted action in real and virtual communities.

The Field Operations concept for urban resilience is simple: (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Scott Shigley.

From “Here Comes Everybody” in the December 2018 issue by Anne Raver, about Michael Van Valkenburgh Associates’ massive Brooklyn Bridge Park, which may well define Brooklyn’s relationship to its waterfront for generations.

“Dawn at Brooklyn Bridge Park.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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It’s the beginning of December, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

 Crisis Actors (Outreach)
In San Francisco, teams in the Resilient by Design challenge found that agitprop—an old Soviet-style publicity technique—still works in the Instagram age.

Pairings with Wine (Plants)
The horticulturist Sean Hogan brings a palette of low-water, high-interest plants to Argyle Winery.

Practice Makes Permeable (Tech)
A research project takes advantage of rapid prototyping with 3-D printers.

FEATURES

Here Comes Everybody
Michael Van Valkenburgh Associates’ transformation of a postindustrial New York waterfront to the spectacular Brooklyn Bridge Park took two decades to realize. It was worth the wait.

Always Working
A constructed salt marsh at Pier 1 makes a beautiful defense.

How to Overstuff a Sterile Site
The plantings at Brooklyn Bridge Park follow a strategy of “exaggerated ecology.”

Softening the Sound
Noise reduction in the park takes the form of a mountain.

All this plus the regular Now and Goods columns. The full table of contents for December can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting December articles as the month rolls out.

Credits: “Here Comes Everybody,” Alex MacLean; “Always Working,” Lexi Van Valkenburgh; “Softening the Sound,” MVVA; “How to Overstuff a Sterile Site,” MVVA; “Pairings with Wine,” Doreenwynja.com Horticultural Photography; “Crisis Actors,” HASSELL+; “Practice Makes Permeable,” Matthew Arielly.

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THE RIVER BENEATH THE RIVER

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY JENNIFER REUT

FROM THE NOVEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

For a long time, the Anacostia River didn’t even have a name. It was just the Eastern Branch, the other, less promising section of Washington, D.C.’s better known and more distinguished river, the Potomac. But it was always known as a fortunate course to the Nacotchtank, the Native Americans who used it as a trading post, and later to the European colonists who relied on the river’s deep port at Bladensburg, Maryland, to carry tobacco, and to the generations of farmers, tradesmen, and laborers who never seemed to run out of fish, fowl, and game to hunt. For nearly nine miles, the Anacostia eased in and out with the tide, with no particular urgency, toward its confluence with the Potomac, tracing an unhurried flow through thousands of acres of tidal wetlands.

Of course, that was before the port and the shipping channels silted up in the 19th century from agricultural misuse; before the river was (more…)

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