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Archive for the ‘HISTORIC LANDSCAPES’ Category

BY ZACH MORTICE

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31st Street Harbor in Chicago, by Site Design Group and AECOM. Image courtesy of Rose Yuen Photography.

The Obama Foundation on January 30 announced the selection of three landscape architecture firms to work on the Obama Presidential Center on the South Side of Chicago—a nationally renowned firm, a regional Chicago powerhouse headed by a native South Sider, and a lesser-known firm that has worked on previous presidential library landscapes.

The New York-based Michael Van Valkenburgh Associates, the 2016 ASLA Landscape Architecture Firm Award recipient and designer of the landscape of the George W. Bush Presidential Library and Museum, will lead the group. Chicago’s Site Design Group joins the team, offering extensive experience with the Chicago Park District, which, controversially, turned over the presidential library’s site to the city so that it could be transferred to the Obama Foundation. Finally, Living Habitats, also based in Chicago, rounds out the team, having designed the green roof landscape of the William J. Clinton Presidential Center in Arkansas. These three firms will work with Tod Williams Billie Tsien Architects and Interactive Design Architects on a narrow slice of land at the western edge of Frederick Law Olmsted and Calvert Vaux’s Jackson Park, the site of the 1893 World’s Fair, next to Lake Michigan. Site Design Group is a (more…)

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BY ZACH MORTICE

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The abandoned Michigan Central Station in Detroit. Image courtesy of Zach Mortice.

In a city beset by a nearly incomparable foreclosure crisis and 20 square miles of vacant land, there’s been a growing understanding that landscape architecture and Detroit are perfect for each other. But in 2017, the city will unveil a handful of new proposals on how the discipline can grow back healthy urbanism in the Motor City.

Detroit announced early this month that, after an RFP process, it is awarding a total of $1.6 million across four project teams to plan landscape and streetscape improvements including green stormwater management and infrastructure upgrades. Each team will focus on a group of neighborhoods, (more…)

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This month’s LAM is like no other, as we focus all our attention in the feature section to one spectacular project: Barangaroo Reserve in Sydney, designed by PWP Landscape Architecture with Johnson Pilton Walker of Sydney. The 14-acre headland park, which fans out before Sydney’s central business district, is part of a 54-acre urban project within the lines of what had been a colossal shipping terminal. It involves practically everything that is so risky, wonderful, and artful in landscape architecture today—not least the shaping of a new stepped stone foreshore, built from gigantic slabs of sandstone hewn right from the site. It includes lush gardens along sinuous paths that trace along a dramatic slope up from the water. And the new parkland connects intimately with central Sydney. Even for a dean of the profession like Peter Walker, the chief designer, it is a once-in-a-career project.

Don’t miss all the other great stuff in this issue! There are pieces on designing with decomposed granite at Kenyon College; a rather radical adventure by the military to try therapeutic landscape as an answer to post-traumatic stress disorder among returning battle veterans; a quest to uncover the history of “trail marker” trees on onetime Native American lands; and a review of a wonderful new book on the California designer Ruth Shellhorn. The full table of contents for November can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating November articles as the month rolls out.

Credits: “Peter Walker’s Point,” Hamilton Lund/Barangaroo Delivery Authority; “Keeping Up Jones,” Rendering by Studio RHLA; “The Road to Evidence,” Lisa Helfert; “Searching for a Sign,” Courtesy Lakes Region Historical Society; “The Right Path,” Neil Budzinski; “Her California,” Photograph by Ruth Shellhorn, Courtesy Kelly Comras

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By Zach Mortice

The 2008 flooding in eastern Iowa saw the Cedar River crest at 31 feet, inundating much of downtown Cedar Rapids. Image courtesy of Sasaki.

On the morning of Jun 12, 2008, the landscape architects Gina Ford, ASLA, and Jason Hellendrung, ASLA, of Sasaki woke up in their hotel rooms by the riverside in downtown Cedar Rapids, Iowa, to stifling heat and eerie silence. They were in town to pitch their riverfront master plan to the city council. They knew the Cedar River was expected to flood (and had stocked up on water, granola bars, and bananas just in case) but neither expected any sort of ordeal stemming from the river, which they had come hoping to reimagine as a lively and gregarious urban greenway. The power, air-conditioning, and phones were out. The hallways were empty and pitch black, and a ferocious rainstorm had darkened the skies and pushed the encroaching floodwaters. Reaching each other via cell phone, they discussed their options. In the distance, the Quaker Oats cereal mill plant’s red neon sign was still lit. “It can’t be that bad,” said Hellendrung. “They still have electricity.”

“As I said that, there was a bolt of thunder and lightning, and the sign went out. Then I was like, ‘Maybe the police will get here soon?’”

Police did dispatch rescuers, who led Ford and Hellendrung out of the hotel. A second-floor connection to the convention center (more…)

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BY TOM STOELKER

At Paterson Great Falls, one of the newer national parks, Americans made many things, including history.

At Paterson Great Falls, one of the newer national parks, Americans made many things, including history.

From the August 2016 issue of Landscape Architecture Magazine.

Paterson, New Jersey, is a tough town. Gang violence is prevalent, teachers are being laid off, and about 30 percent of the city’s residents live in poverty. But the city’s got soul. On Market Street, the lively main thoroughfare, bachata music spills from 99-cent stores, and the scent of Peruvian food wafts through the air. Paterson has been a magnet for immigration since the 19th century, and the reason why is found nearby. Twenty minutes from the center of town is the Great Falls, now part of Paterson Great Falls National Historical Park, where the Passaic River makes a majestic drop of 77 feet off basalt rock cliffs before it continues its twisted path. These are the falls that made Paterson.

In 1778, Alexander Hamilton, General George Washington’s aide-de-camp, recognized the river’s potential to harness power for both manufacturing and geopolitics. Hamilton understood the young nation needed to grow its industry to be independent of Europe. Through a group he helped form in 1791, the Society for Establishing Useful Manufactures (SUM), Hamilton chose Paterson as the site of the nation’s first planned manufacturing development.

Gianfranco Archimede, who today directs Paterson’s Historic Preservation Commission, said: “At the end of the war, the king essentially said, (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Credit: Sahar Coston-Hardy.

Credit: Sahar Coston-Hardy.

From “Industrial Evolution” by Tom Stoelker, in the August 2016 issue, featuring the National Park Service’s management plan to unite industrial history with natural beauty at the Paterson Great Falls National Historical Park in Paterson, New Jersey.

“A view above and below.”

—Chris McGee, LAM Art Director

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY JONATHAN LERNER

When everyone wants a piece of the same postcard.

When everyone wants a piece of the same postcard.

From the August 2016 issue of Landscape Architecture Magazine.

Mather Point, a limestone fin that juts into Grand Canyon National Park, is the first overlook from which many, possibly most, visitors to the storied national park get a glimpse into that astonishing other world. In the middle of a short flight of steps down from the rim to the overlook sits a pair of large boulders. There’s often an informal queue at that spot. Every day hundreds, maybe thousands, of people wait to clamber up and have their pictures taken. Shot from below and elevated by the rock above the crowd, people appear to float before the geological fever dream of the canyon. Invariably, they spread their arms wide, like wings. These portraits make an allusion to flight—and an illusion of solitude.

A redesign of the access to Mather Point for cars and pedestrians, and of the park’s nearby main visitor center, was completed in 2012. It more than doubled the parking capacity. But attendance at national parks has soared since then, and already these new facilities are frequently overwhelmed. For the National Park Service system as a whole, between 2012 and 2015, recreational visits were up nearly 9 percent. For national parks in the Intermountain Region, attendance rose (more…)

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