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Archive for the ‘HISTORIC LANDSCAPES’ Category

BY ZACH MORTICE

The West Bottoms Flats site is bisected by a narrow street, scaled as an intimate alley with landscaping. Image courtesy BNIM.

In Kansas City, the private sector is helping pick up the tab for green infrastructure in a new residential development.

 

Since 2010, Kansas City, Missouri, has been subject to a federal consent decree, to begin properly capturing sewage and stormwater before it flows into rivers and streams. It’s a consequence of the city’s overwhelmed combined sewer system, which covers 58 square miles. From 2002 to 2010, the system produced 1,300 illegal overflows, putting approximately 6.4 billion gallons of untreated sewage into waterways annually.

Notably, this is the first time a municipal water federal consent decree has allowed the use of green infrastructure, according to Andy Shively, a special assistant to the City Manager Troy Schulte, who works on issues relating to the consent decree. And the developer-driven West Bottoms Flats mixed-use residential complex designed by Kansas City-based BNIM is shaping up to be an influential test case for ways the private sector can grapple with public sector failure toward water quality goals.

Landscape architects at BNIM have designed the flats’ green infrastructure capacity to absorb excess stormwater as a series of placemaking amenities “in order to prevent it from being [value-engineered] from the project,” says Cheryl Lough, the director of BNIM’s landscape architecture studio. (more…)

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BY ZACH MORTICE

Alexander Robinson’s model is made from modeling clay, cardboard, melted wax, chipboard, and bronze. Image courtesy Alexander Robinson.

More than 2,000 years of built history along the Tiber River in Rome speeds by in Alexander Robinson’s landscape model “Feast of the Picturesque, Act X. Porto Ripetta, Tevere” and in videos Robinson made of the model, built in modeling clay, cardboard, melted wax, chipboard, and bronze.

Still photographs of the model as it advances through the ages combine to form the videos. Sometimes a tub of glue gets into a shot. And Robinson flits in and out of the making-of video like a wraith, cutting, gluing, and manipulating here and there. Robinson’s process makes clear that with 2,000 years of history on a site, a final, destined form is fiction. “Feast” revels in the continuous churn. (more…)

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REVIEWED BY KOFI BOONE, ASLA

FROM THE OCTOBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

With more than 15 million views, the Nigerian novelist Chimamanda Adichie’s groundbreaking TED Talk “The Danger of a Single Story” is likely the most viewed treatise on the consequences of making one story the story of the African continent. With surgical precision, Adichie reveals the lasting consequences of perpetuating Africa and Africans as only victims suffering from famine and war, or only the exotic backdrop for experiencing “charismatic nature.” But in the end, her most devastating criticism of the single story is embodied in her quote of the Palestinian poet Mourid Barghouti, “If you want to dispossess a people, the simplest way to do it is to tell their story and to start with ‘secondly.’” Illustrating her point, Adichie asks facetiously what we would think if the story began with a “failed” African state instead of with European colonialism.

The issue of starting with “secondly” is present in cultural landscape study of the continent of Africa. The spirit of Adichie’s and Barghouti’s arguments resonates in the pages of Cultural Landscape Heritage in Sub-Saharan Africa, edited by John Beardsley. The volume collects essays delivered at a symposium held at Dumbarton Oaks in 2013 and reflects an important first step in laying the foundation for future exploration. Through a wide array of disciplinary lenses, geographic locations, and time periods, Beardsley’s work eschews deriving a single conclusion about what is “African” and instead reveals the wealth of issues and opportunities with engaging the many cultures of a continent. The avoidance of narrowing and bridging the divergent voices contained within the book is challenging and perhaps belies the fact that this is one of the first mainstream publications on this topic. Given the lack of similar texts, there could be a tendency to attempt to be singular and definitive. However, borrowing from one of the book’s many themes, the result is a contribution to the “continuity” of a conversation about the lives and practices that have shaped meaningful place in Africa, a continent still invisible to the profession of landscape architecture. (more…)

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It’s the first of October, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

All Over the Place (Almost) [Travels]
Where the projects are (and aren’t) that appeared in the magazine in the past year.

Brand New (Office)
Rebranding your practice—large or small—involves more than just changing your name.

Fuller Blast (Water)
The redesigned fountains at Longwood Gardens reinvent a crumbling
relic with cutting-edge infrastructure.

Concrete Crops (Food)
In Philadelphia’s Center City, Thomas Paine Plaza takes on new life as a mini-farm.

Step by Step by Step (Planning)
Everybody takes the stairs in Pittsburgh.

FEATURES

Where the Water Was
Anne Whiston Spirn, FASLA, has made West Philadelphia—
and the water that flows beneath it—a life’s work.

Hydro Power
MKSK makes public space out of river infill in Columbus, Ohio,
drawing a whole new generation downtown.

Science to Design
Biohabitats’s mission is nothing less than healing the Earth.

Lower Here, Higher There
The Belgian landscape designer Erik Dhont creates modern gardens inspired
by the minds of the Old Masters.

All this plus the regular Now and Goods columns. The full table of contents for October can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting October articles as the month rolls out.

Credits: “Hydro Power,” MKSK; “Science to Design,” Stuart Pearl Photography; “Lower Here, Higher There,” Jean-Pierre Gabriel; “Where the Water Was,” Sahar Coston-Hardy, Affiliate ASLA; “Step by Step by Step,” Merritt Chase; “Fuller Blast,” Jaime Perez; “Concrete Crops,” Viridian Landscape Studio; “Brand New,” Gensler/Ryan Gobuty.

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BY ZACH MORTICE

Alfred Caldwell. Image courtesy Deborah and Richard Polansky.

“The house is not a machine for living—it is the man’s sense of himself,” Alfred Caldwell once said. And in designing his own home and farm compound in rural Wisconsin, Caldwell forged a bridge between Jens Jensen’s Prairie style and International style modernism, an intersection of design currents that never solidified as much as its forebears. His most cherished project might be Chicago’s Alfred Caldwell Lily Pool, where whorls of meandering paths orbit and shield views around a pond and an earthy, horizontal pavilion. But he was also one of the first American faculty members hired by Mies van der Rohe at the Illinois Institute of Technology (IIT), and his lush landscape at the architect’s austere Lafayette Park neighborhood in Detroit provides a poetic counterpoint to van der Rohe’s crystalline rationality.

The landscape architecture school of the IIT is offering a multidisciplinary slate of programming through winter, “Alfred Caldwell and the Performance of Democracy,” which will harness the midcentury landscape architect’s legacy and character into a series of performances and archive workshops the school hopes will bring both greater public appreciation and study within the discipline. (more…)

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BY ZACH MORTICE

Morgan Vickers at Cadillac Ranch in Amarillo, Texas. Photo by David Kafer.

Route 66, the nation’s first all-paved national highway connecting the Midwest to California, is best read as the first draft of contemporary America. Its establishment in 1926 definitively ended any notions of an untamed Western frontier, and it signaled the beginning of America’s total transition to a nation defined by settlement, landscape, and automobile obsession.

So much of Route 66’s cultural resources and history are dedicated and scaled to the car: motels, highways, bridges, gas stations, drive-in theaters, and oddball curios that read well from a speeding Ford. Its 2,400 miles cut through eight states and 300 towns, from Chicago to Los Angeles. It channeled migrants to the fertile coast during the Great Depression and soldiers and equipment to the Asian front during World War II.

But Route 66 eventually fell victim to the car’s success. In 1945, 65,000 cars were manufactured in America. Three years later that number had grown to 3.9 million. Cars became so omnipresent that this two-lane road was soon superseded by four-lane interstate highways. By the time it was decommissioned in 1985, Route 66 had been replaced by sections of I-55, I-44, I-40, I-15, and I-10. Overshadowed by the interstate system, the communities that had sprung up around the route were cut off from the lifeblood of commerce that it supplied them.

Earlier this summer, the National Trust for Historic Preservation began a campaign (more…)

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It’s the first of August, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

Lots of Opportunity (Water)
PUSH Blue helps Great Lakes communities manage their stormwater with rain gardens,
playgrounds, and greenhouses created on vacant parcels.

The Finer Fabric (Preservation)
A historic Tucson neighborhood is making an inventory of the street details,
big and small, that make it singular.

Tooling Up (Tech)
Digital work flows for CNC fabrication are coming out of the studio and into practice.

FEATURES

Democratic Void
Zurich’s vast public square, Sechseläutenplatz, opened in 2014. Now the city’s residents must decide how (and how often) they want to use it.

Almost Wilderness, Maybe Forever
The 24,000-acre Jack and Laura Dangermond Preserve on the California coast was bought—and protected—with the largest donation ever made to the Nature Conservancy.

Made to Disappear
Berger Partnership’s landscape for the Washington Fruit & Produce Company headquarters takes inspiration from Yakima Valley’s agricultural heritage.

All this plus the regular Now and Goods columns. The full table of contents for August can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting August articles as the month rolls out.

Credits: “Tooling Up,” Marion Brenner, Affiliate ASLA; “Lots of Opportunity,” Sandra Albro, Holden Forests & Gardens; “The Finer Fabric,” Steve Grede; “Made to Disappear,” Kevin Scott; “Almost Wilderness, Maybe Forever,” The Nature Conservancy/Peter Montgomery; “Democratic Void,” © Manuel Bauer Agentur Focus.

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