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Archive for the ‘HISTORIC LANDSCAPES’ Category

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FOREGROUND

Talking Points (Planning)
The WELL Community Standard is touted as the new sustainability checklist, but is it just landscape architecture in new clothes? Reed Hilderbrand tries it out at a Florida megaproject, Water Street Tampa.

Let the Graveyard Grow (Maintenance)
In Brooklyn, New York, Green-Wood Cemetery’s parklike setting and open lawns have become a pandemic destination. Behind the placid view, the horticultural staff races to stay ahead of climate change.

FEATURES

Soldier Stories
Three new veterans memorials break from the visual language of war to make a place for those who served and lived. Butzer Architects and Urbanism, Michael Vergason Landscape Architects, and DAVID RUBIN Land Collective each found an approach that ties the past to the present.

Back to Basics
When Waterfront Toronto announced that the Google offshoot Sidewalk Labs would be designing an urban techtopia on a prime 12-acre site, brows were raised. Now the project is canceled—a casualty of public resistance and pandemic funding—and the city looks to what’s next.

The full table of contents for June can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting June articles as the month rolls out.

Credits: “Soldier Stories,” Sahar Coston-Hardy, Affiliate ASLA; “Back to Basics,” Picture Plane for Heatherwick Studio for Sidewalk Labs; “Talking Points,” Reed Hilderbrand; “Let the Graveyard Grow,” Green-Wood/Art Presson.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Jacob Fischer/LYTT.

From “Global Security” by Lisa Abend in the May 2021 issue, about how security barriers by LYTT Architecture at the Danish parliament building provide protection from vehicular attacks without quashing the public’s ability to assemble and enjoy this vital civic space.

“Sentinel spheres.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish.

BY ANJULIE RAO

FROM THE APRIL 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

On college campuses across the country, late summer yields the air of transformation; students and their families arrive on campus and embark on rituals and rites that change those students into members of a new community. Many universities take advantage of their campuses—their histories, landscapes, and buildings—to embed celebratory traditions and rites of passage for their students. For Historically Black Colleges and Universities (HBCUs), those traditions are a source of community identity, centered around significant campus landscapes. At Spelman College in Atlanta, a women’s HBCU, students partake in a “Parting” ceremony, held at the college’s campus Oval. Surrounded by campus buildings, students, dressed all in white per college tradition, prepare to say goodbye to their families to join the Spelman College community.

Yet as campuses grow and evolve to accommodate new technology and facilities, those landscapes are at risk. The National Trust for Historic Preservation has recently launched the HBCU Cultural Heritage Stewardship Initiative—a $1 million pilot program to help guide HBCU campus leaders to preserve their landscapes and, by extension, their traditions of community strength and scholarly excellence. (more…)

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BY TIMOTHY A. SCHULER

National echoes underscore the power of a memorial to the victims of a mass shooting in Tucson, Arizona.

FROM THE APRIL 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Since at least the 1870s, Tucson’s El Presidio Plaza, located between the Pima County Superior Court and Tucson City Hall, has been a place of gathering, commemoration, and civic participation. Numerous monuments and memorials—to the original presidio, to veterans of World War II, to John F. Kennedy—dot the mostly paved plaza. The latest, and largest, memorial is titled The Embrace, and it commemorates the mass shooting on January 8, 2011, in which then-Representative Gabrielle Giffords was shot and six people, including a federal judge, were killed.

Designed by the Los Angeles-based architecture and landscape firm Chee Salette with the visual artist Rebeca Méndez, the memorial uses the language of landscape to create spaces of reflection while also preserving the historic civic axis between the courthouse and city hall. It consists of a mirrored pair of angular reflecting pools protected by rising berms that feature bands of Mt. Moriah stone and native Sonoran plantings. In the spaces created by the berms, which extend toward one another like open arms, curved steel walls tell the story of the shooting through symbols rather than a traditional narrative. From a distance, the tapered landforms frame the entrance to the courthouse. “It’s like a collar, framing the face,” says Tina Chee, ASLA, who runs the firm with her husband, Marc Salette. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Tina Chee, ASLA.

From “A Memorial for the Moment” by Timothy Schuler in the April 2021 issue, about a mass shooting memorial in Tucson, Arizona, by Chee Salette and the visual artist Rebeca Méndez that’s redefining the city’s main civic axis.

“Home amongst the stones.”

–CHRIS MCGEE, LAM ART DIRECTOR

You can read the full table of contents for April 2021 or pick up a free digital issue of the April LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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FOREGROUND       

Carol R. Johnson, 1929–2020 (In Memoriam)
In an interview from 2010, one of the first women to be awarded the ASLA Medal looked back on
her trailblazing career.

Keep the Commons (Preservation)
Historically Black Colleges and Universities have seen their distinctive campus designs erode with
time and change. A new grant program will help them navigate the future.

Words Lost and Found (Planning)
When the Great Lakes Ojibwe tribes realized western planning for climate change didn’t
reflect their worldview, they remade it. Now natural resource planners are catching up.

FEATURES

 The Best Medicine
The Stanford medical campus in Northern California underwent a dazzling 12-year, $2 billion transformation. Details that take advantage of sight lines and the senses yield a landscape that’s also state of the art.

Shop Shape
A yearlong pandemic and skyrocketing online shopping have gutted retail streets. Five landscape architecture firms sketch out how to remake them as livelier, more equitable destinations.

The digital edition of the April LAM is FREE, and you can access it here and share it with your clients, colleagues, and friends. You can also buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. Single digital issues are available for only $5.25 at Zinio or you can order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag) for more updates on #ASLAawards and the September issue.

Credits: “Carol R. Johnson, 1929–2020,” IBI Group, formerly Carol R. Johnson Associates; “Keep the Commons,” Broadmoor via Wikimedia Commons (CC by-SA 4.0); “Words Lost and Found,” Great Lakes Indian Fish and Wildlife Commission/College of Menominee Nation; “Shop Shape,” Elizabeth Kennedy Landscape Architect, PLLC (photograph), LAM (image manipulation); “The Best Medicine,” Patrik Argast. 

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