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Archive for the ‘IDEAS’ Category

Elizabeth Meyer, FASLA, the Merrill D. Peterson Professor of Landscape Architecture at the University of Virginia School of Architecture, will be at the ASLA Center for Landscape Architecture on March 9, 2017.

We are delighted to announce the first event in the Landscape Architecture Magazine Lecture Series, a program we’ve been cooking for a while now. The LAM Lecture Series will bring together design professionals, educators, and thinkers in conversation around provocative issues in the field of landscape architecture. From the beginning, we’d hoped to land Elizabeth Meyer, FASLA, as our inaugural speaker, and we are very pleased she’ll be joining us on March 9 at 7:00 p.m. in conversation with our own LAM Editor Brad McKee. Meyer will be speaking at the new ASLA Center for Landscape Architecture in Washington, D.C., about her ongoing engagement with the idea of beauty in landscape architecture, in a talk titled, Beyond Sustaining Beauty: Aesthetic Entanglements with Climate Change Science.”

Meyer’s talk will build on several years of thinking and writing on landscape and aesthetics, and we thought we’d post the two foundation essays she wrote on the topic as a kind of primer for Thursday’s talk. The first, “Sustaining Beauty: The Performance of Appearance,” appeared in the magazine in October 2008 (originally published in the Spring 2008 Journal of Landscape Architecture), and remains one of our most requested reprints. More recently, Meyer published “Beyond Sustaining Beauty: Musings on a Manifesto,” in Values in Landscape Architecture and Environmental Design: Finding Center in Theory and Practice, edited by M. Elen Deming. We think both essays, and the talk she’ll give at the Center, will be topics of conversation for a long time to come.

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BY TIM WATERMAN

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The genius temporum of Martí Franch’s Girona landscapes.

FROM THE JANUARY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE

“I really want to make the whole city like this,” says Martí Franch of Estudi Martí Franch (EMF), speaking of his vision of designing the green infrastructure of Girona, Spain, through a process of enlightened and engaged landscape management. We are sitting in his office, among shelves full of models and a table full of drawings. With us are Marc Rosdevall, a landscape architect with the City of Girona and the project’s director, and Marta Costa-Pau, a reporter from the local newspaper who is eager to report on the most recent transformations EMF’s work has wrought on Girona, and, in an amusing bit of journalistic circularity, to interview me to find out why this work is of interest and important to an American journalist and his landscape architecture audience.

Girona is a city in Catalonia with a population of roughly 100,000, situated in the rocky green foothills of the Catalonian Coastal Ranges at the confluence of four small rivers. The landscape is typical scrubby Mediterranean maquis, studded with stone pines (Pinus pinea), holm oaks (Quercus ilex), and the inevitable and omnipresent formal Italian cypresses (Cupressus sempervirens), which have an air of nervous, attendant stiffness in the loosely informal Catalonian landscape, like butlers at a barn dance. When I visit in late spring, (more…)

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This presentation of the Harvard Graduate School of Design (GSD) Realities and Realms colloquium examines how landscape architecture is ingesting computation, robotics, and the reams of data that designed environments now produce second by second. In two lecture videos titled Realities and Realms: Responsive Technologies in Ecological Systems, the GSD invites practitioners, researchers, and academics to envision how “anthropogenic perception and technological mediation” will meet in landscape design. (more…)

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REVIEWED BY GALE FULTON, ASLA

Landscape Architecture and Digital Technologies: Re-Conceptualising Design and Making

From the October 2016 Issue of Landscape Architecture Magazine

 

Warning: possible confirmation bias ahead.

One of the most perplexing aspects of landscape architecture education and practice that I’ve encountered is what I’ll grossly refer to here as representation. In the nearly two decades that I’ve been a student, professional, or involved in some capacity with teaching at the university level, I can think of no other domain as consistently polarizing than the critically important area of how landscape architects generate and communicate their ideas. Perhaps the most pernicious aspect of this issue is the ongoing divide between digital and analog processes—using the computer versus hand drawing. At first glance, one may likely assume this issue to simply be generational—older generations of designers were not educated in the use of the computer and so are less accepting of it than of those techniques and media with which they were trained. But, surprisingly, there seems to be a continued skepticism or distancing from advanced computational processes even by those of the postdigital generations, which is much more troubling given that these will be the future leaders of the discipline, and, as the authors of this book so effectively demonstrate, not embracing the digital in a robust way at this point significantly reduces the potential of the discipline to have the type of impact it aspires to have.

Landscape Architecture and Digital Technologies: Re-Conceptualising Design and Making, by Jillian Walliss and Heike Rahmann, both academics based in Australia, is a well-reasoned, well-written, and at times polemical book. It critiques landscape architecture’s failure to more fully embrace the potentials of digital media. It educates readers about the ways designers are using sophisticated digital processes right now in very real professional and academic projects and research. And it aspires for landscape architecture to leverage digital technology (more…)

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At LAM this month, we’re deep into Louisiana—with a jog over to the Mississippi Delta—as we get ready to head to New Orleans, where several thousand landscape architects and our friends will be gathered for ASLA’s Annual Meeting & EXPO from October 21 to 24. We’re looking at the state from many angles. So much progress has been made in New Orleans since 2005’s life-altering blow from Hurricane Katrina, it can be hard to get a clear picture as the city reconstitutes itself.

To lead things off, Elizabeth Mossop, ASLA, a practitioner and professor long based in New Orleans, captures the strategy for new water infrastructure, among other systems, in the city. The transformation in large-scale thinking alone is bracing, centered on recognizing water as the city’s greatest asset rather than its greatest threat. Another effort at structural change in New Orleans, the Future Ground competition, sought ways to deal with the expanses of vacant urban land, post-Katrina. Timothy Schuler, a LAM contributing editor, reports on the difficulty of reprogramming such a vastly changed environment and the disillusion of several design teams named finalists by the sponsors, the New Orleans Redevelopment Authority and the Van Alen Institute. Farther south in Louisiana’s coastal zone, the residents of Isle de Jean Charles—considered to be among the first climate change refugees in the United States—are facing the simultaneous threats of sea-level rise and land loss. Brian Barth visited the community to learn how the New Orleans landscape architecture firm Evans + Lighter is helping residents manage a relocation effort inland, for which the federal government has awarded $48 million. Our cover story this month, by Brett Anderson of the Times-Picayune in New Orleans, is about the work of Forbes Lipschitz, ASLA, on the landscapes of catfish farms in the Mississippi Delta region. The region’s aquaculture holds benefits beyond providing fish to dinner tables. It’s economically important to a region where poverty rates are high, and it also serves as feeding grounds for migratory birds. Among landscape architects in Louisiana, perhaps none are so recognized for knowledge of its atmosphere as Jeffrey Carbo, FASLA. LAM staff writer Katarina Katsma, ASLA, visits three sites Carbo and his firm have designed to learn what he sees between the lines of his state.

There is much more in the Now section and other departments. And in the Back, don’t miss the critique Thaïsa Way, ASLA, delivers of the 2016 Venice Architecture Biennale or the review Gale Fulton, ASLA, writes of Landscape Architecture and Digital Technologies, by Jillian Walliss and Heike Rahmann. See you in New Orleans! The full table of contents for October can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating October articles as the month rolls out.

Credits: “New Orleans Owns Its Water,” H+N+S Landscape Architects; “Grounded,” New Orleans Redevelopment Authority; “Let’s Beat It,” Julie Dermansky; “Catch of the Day,” Forbes Lipschitz, ASLA, and Justine Holzman, Associate ASLA; “Homing Instincts,” Chipper Hatter; “Life and Limb,” LandDesign/Denise Retallack; “Open Invitation,” Dredge Research Collaborative and Public Lab; “Water All Over Again,” Courtesy CPEX.

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BY JULIAN RAXWORTHY

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From the July 2016 issue of Landscape Architecture Magazine.

In my seminar on contemporary theories of landscape architecture at the University of Cape Town, I recently asked students, during the week allocated to discussing landscape urbanism, to choose a project from Africa that could be called “landscape urbanist.” One student chose the renovation of the Luanda waterfront in Angola. This project is an upgrade that could just as easily be described as conventional landscape architecture or urban design practice. That landscape urbanism seemed to just be landscape architecture to my students suggests how generic the term has become when considered in relation to implementation: It could be just about anything. Landscape urbanism is a vibe.

Landscape urbanism is an evocative term that has exercised great influence over academic design discourse in landscape architecture but has remained ambiguous in practical terms. One of its key propagandists, Charles Waldheim, Honorary ASLA, a professor at the Graduate School of Design at Harvard University, has attempted to provide a “general theory” for it in his new book Landscape as Urbanism, which, while engagingly going some of the way toward doing so, leaves the persistent question of “OK, but so what?” remaining.

Talking about landscape urbanism is more like (more…)

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This month, we have a few big stories that take you back a ways before bringing you back to the present. After decades of re-do schemes in Pershing Square in Los Angeles, and a tense year of competition that just ended with yet another redesign by Agence TER and SALT Landscape Architects announced as the long-awaited winners, we will see what becomes of the new design, and all the things a design needs to back it up, like services and programming. In New York’s barren Battery Park City in the 1980s, a  small, subtle, and safe harbor came to life as a work of art, rather than a park, by Susan Child, FASLA; Stanton Eckstut; and Mary Miss, and it continues to mature and season handsomely. In the Netherlands, Room for the River, a nationwide project has been reworking the country’s four major rivers in anticipation of greater floods in the future for more than 20 years. Finally, in the small town of Bruton, near London, is the artist’s heaven of Hauser & Wirth Somerset, with maximal garden designs by Piet Oudolf.

In the departments: the building momentum of separated bike lanes means safer routes for cyclists, in Streets; and three landscape architecture student journals create a window into the design culture of their universities, in Education. And, as ever, don’t miss our regular Now, Species, Goods, and Books columns. The full table of contents for June can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating June articles as the month rolls out.

Credits: “Better Luck This Time,” Agence Ter with SALT Landscape Architects; “Still Here,” Lexi Van Valkenburgh; “There’s Room,” Your Captain Luchtfotografie/www.luchtfotografie.com; “So Happy Together,” Heather Edwards, Courtesy Hauser & Wirth; “Cycle Away,” Jennifer Toole/Toole Design Group; “Class Consciousness,” Michelle Hook.

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