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Archive for the ‘INTERVIEW’ Category

Margie Ruddick and Thomas Rainer talk about their new books on wild landscape design.

Margie Ruddick and Thomas Rainer talk about their new books on wild landscape design.

From the July 2016 issue of Landscape Architecture Magazine.

In the past several months, Thomas Rainer, ASLA, and Margie Ruddick have each published books centered around notions of designing “wild” landscapes in the public realm to help restore ecological diversity in urban settings. Ruddick’s book is Wild by Design: Strategies for Creating Life-Enhancing Landscapes (Island Press, $45), and Rainer’s is Planting in a Post-Wild World: Designing Plant Communities for Resilient Landscapes (Timber Press, $39.95). We invited the two to ASLA’s offices to talk about the project they have in common. This interview has been edited and condensed.

Why did you each decide to write books on wildness in landscape design?

Margie Ruddick: I didn’t actually think of my work as wild at all until Anne Raver wrote this piece, “In Philadelphia, Going Green or Growing Wild?” [about Ruddick’s home garden, in the New York Times], and then I started to get e-mails from people all around the world, and I realized: This is wild gardening.

Thomas Rainer: It felt like a good place to be, and we [Rainer and his coauthor, Claudia West, International ASLA] are both plant geeks. We had a lot of practical problems to work out in terms of how to (more…)

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Iconic projects and designers are in the spotlight in July’s issue of LAM. Eight years after opening, the Rose Kennedy Greenway—housed over a sunken highway in the middle of downtown Boston—has become a treasured spot for tourists and locals alike. The new Mosholu driving range in the Bronx, designed by Ken Smith Workshop, sits atop New York’s largest public works project, the Croton Water Filtration Plant. Anthony Acciavatti, the author of the new book Ganges Water Machine: Designing New India’s Ancient River, discusses the history and influence of India’s sacred river. And plans, drawings, and paintings by the famed Brazilian landscape architect Roberto Burle Marx are celebrated for their artistic value at the Jewish Museum in New York.

In the departments, Interview brings together two authors to discuss their books on wild landscape design, then computational logic and coding pave new avenues for landscape architectural practice in Tech. And don’t miss our regular Now, Species, Goods, and Books columns. The full table of contents for July can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating July articles as the month rolls out.

Credits: “The Big Sprig,” Sahar Coston-Hardy; “Driving Concern,” Alex S. MacLean/Landslides Aerial Photography; “A Course in Change,” Anthony Acciavatti; “Where Roberto Burle Marx Belongs,” © Tyba; “Wild Times,” Charles Steck; “Follow the Script,” Responsive Environments and Artifacts Lab/Bradley Cantrell, ASLA; Justine Holzman, Associate ASLA; Leif Estrada.

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Bedit_LAMJan16Office

Three firms talk about who they’ll hire next and why.

From the January 2016 issue of Landscape Architecture Magazine.

A recent uptick in hiring has new grads and emerging professionals looking ahead. We asked principals of three different firms who are hiring what they’re looking for in a candidate.

Rhodeside & Harwell (Alexandria, Virginia)

What kind of role are you hiring for? What level of experience are you seeking?

Elliot Rhodeside, FASLA: Since we have a mature office with strong leaders who will lead the firm after the founders retire, we have been focusing on hiring (more…)

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LAM rings in the new year with 300 Ivy in San Francisco by Fletcher Studio, winner of a 2015 ASLA Professional Honor Award in Residential Design; the Fayetteville 2030: Food City Scenario, developed by the University of Arkansas Community Design Center in Fayetteville, Arkansas, which aims to bring food security to local residents; Buhl Community Park, by Andrea Cochran Landscape Architecture, which reimagines a historic square in the center of Pittsburgh; and a look at national park “extremes” across the United States helps to kick off the centenary year of the National Park Service.

In Interview, Gwen McGinn’s research probes the little-known world of urban tree root growth, and won a 2015 ASLA Student Award in Research; and in Office, three types of landscape architecture firms describe what they look for in new employees. And don’t miss our regular Now, Species, Goods, and Books columns. The full table of contents for January can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating January articles as the month rolls out.

Credits: “Peak Condo,” Bruce Damonte; “The Next Meal,” University of Arkansas Community Design Center; “Ephemera, Here to Stay,” Marion Brenner, Affiliate ASLA; “The Mostest American Treasures,” http://www.shutterstock.com/Doug Meek; “A World Underground,” Gwendolyn Dora McGinn, Associate ASLA; “Got the Job,” Richard Johnson.

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In December’s  LAM, Fred Bernstein reports on Daniel Biederman’s quest for the perfect park, and it’s not for slouches. Jonathan Lerner writes about the simple beauty of the Cedar Creek Residence by Hocker Design Group, winner of the 2015 ASLA Professional Award of Excellence in Residential Design. William Saunders takes in OLIN’s rewilding of Mill River in the heart of Stamford, Connecticut.

In Interview, Kurt Fristrup, a senior scientist for the National Park Service’s Natural Sounds and Night Skies Division, discusses newly released “sound maps” of the United States; what virtual reality could mean for landscape architecture in Tech; and in Ecology, Norman DeFraeye, the supervisor for Toronto’s ravine and natural feature protection, walks a tough line for nature restoration in the middle of an urban center. And don’t miss our regular Now, Species, Goods, and Books columns.

You can read the full table of contents for December 2015 or pick up a free digital issue of the December LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating December articles as the month rolls out.

Credits: “Pardon His Progress,” Patrick Pantano; “The Serenity of Straight Lines,” Robert Yu; “Change the Channel,” © OLIN/Sahar Coston-Hardy; “Field Recordings,” National Park Service; “Get Real,” Dan Neubauer; “The Ravine Keeper,” DTAH.

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This year’s ASLA Annual Meeting and EXPO in Chicago is loaded with the best of landscape architecture, and November’s hefty issue of LAM is jam-packed to match. The work of Diane Jones Allen works to reconnect broken public space in New Orleans; the Public Media Commons by DLANDstudio Architecture + Landscape Architecture in St. Louis makes space for free speech; the new Maggie Daley Park in Chicago, by Michael Van Valkenburgh Associates, has nearly as much going on under the surface as above; the landscape is loaded with history in the new Palmisano Park in Chicago by Site Design Group; and bison make a comeback in a prairie under restoration in Illinois.

In Interview, the journalist Peter Annin talks about his book The Great Lakes Water Wars, and the complications of a water body with multiple owners; and in House Call, Coen + Partners creates fluid boundaries between public and private in a Chicago house. And don’t miss our regular Now, Species, Goods, and Books columns. The full table of contents for November can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating November articles as the month rolls out.

Credits: “Where the Water Will Be,” © Peter Ringenberg; “Outside Looking In,” Christopher Barrett Photographer; “The Connector,” David Grunfeld; “Street Theater,” Jason Winkeler Photography, Courtesy Nine Network of Public Media; “We Got Fun. And Foam,” Alex MacLean; “Deep Cut,” Robert Sit, Site Design Group, Ltd.; “The Bison Begin Again,” Noppadol Paothong.

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As part of the Cultural Landscape Foundation’s Pioneers of American Landscape Design oral history series, the landscape architect Nicholas Quennell recounts his early influences and the work that shaped him into the architect, artist, and landscape architect he became. The interview is broken up into 13 one- to three-minute videos from his early years to his professional working career. This is the 12th installment of the oral history series; the others can be found here.

 

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