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Archive for the ‘LAM MAGAZINE’ Category

BY LESLEY PEREZ, ASSOCIATE ASLA

In Pittsburgh, Merritt Chase wants to help the city capitalize on its biggest unsung assets: stairs.

FROM THE OCTOBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Growing up about an hour south of Pittsburgh, Nina Chase, ASLA, always admired the bold natural beauty of the city’s dramatic hills. But relocating to the city two years ago gave her a new appreciation of the incredible amount of human ingenuity that went into transforming that terrain into a livable, connected place. “There’s this whole motley crew of infrastructure that helps people navigate the topography,” Chase says. With elevations ranging from 710 feet above sea level where the rivers meet to 1,300 feet at the highest points, Pittsburgh relies on a vast network of bridges, inclines, stairs, and tunnels to knit itself together.

It’s the stairs, however, that have come to be most emblematic. There are more than 800 stairs scattered across Pittsburgh, which according to the city’s website is more than any other city in the United States. They scale steep hills, open up vistas, function as sidewalks, and provide (more…)

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FROM THE OCTOBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

At LAM, we often get questions about how we select the work that gets published in the magazine. Although there is no strategy beyond trying to find and publish the best work in the field, we also strive to do stories that represent a broad range of places. This map shows roughly (the projects are generally not geolocated, but represented by city) where projects we’ve published over the past year are located. It tells us how and where we are succeeding, and where we need to look more closely for stories. Readers who are interested in learning more about each project can click each point, which pops up a window with the project title, firm, location, and the article and issue it appeared in.

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BY BRADFORD MCKEE

Landslag, of Reyk­javík, takes home the 2018 Rosa Barba Prize.

FROM THE UPCOMING NOVEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The site, the Saxhóll Crater, is part of Snæfellsjökull, a volcano on a far western finger of Iceland that is the starting point for Journey to the Center of the Earth, the 1864 science fiction novel by Jules Verne. This worn-down cone of lava, 125 feet high, is a popular stop for tourists who want to walk up to its summit amid patches of multicolored mosses, lichens, arctic thyme, and bog bilberry to see views of the Atlantic Ocean and the surrounding glacier cap, which is expected to disappear within 50 years. Tourism is up sharply in Iceland, quadrupling since 2010 to two mil­lion visitors in 2017. The wear was evident on the crater’s flank, where the path to the summit was degrading and splitting into multiple tracks, not helped by random, gabion-like treads where the going got especially rough.

The project of preserving the crater’s fragile ecology along with access to people fell to Thrainn Hauksson, of the landscape architecture office Landslag, in Reyk­javík. Hauksson’s office designed the simplest thing possible— (more…)

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BY TIMOTHY A. SCHULER

An American garden at the Domaine Chaumont-sur-Loire garden festival is a landscape of endless possibility.

FROM THE OCTOBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

When Phoebe Lickwar, ASLA,  and Matt Donham arrived in a small town in central France this past March, everyone knew who they were. The designers, principals at FORGE Landscape Architecture and RAFT Landscape Architecture, respectively, were one of some 24 teams (and the only Americans) competing in this year’s Domaine Chaumont-sur-Loire International Garden Festival. And as they walked around, Donham remembers, “every person was like, ‘Ohhhh, the Americans with the 400 trees.’ Even the guy who took our tickets in the chateau was like, ‘Oh, you’re the ones with the 400 trees.’”

The festival’s theme was “Garden of Thoughts,” and Lickwar’s and Donham’s concept, Dans les Bois or Into the Woods, was based loosely on Jorge Luis Borges’s short story “The Garden of Forking Paths,” which presents a labyrinthine garden as a metaphor for (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY BRIAN BARTH

FROM THE JUNE 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

The design industry’s #MeToo moment arrived in March, when the New York Times published allegations of sexual misconduct against the architect Richard Meier. A total of nine women have come forward to paint a picture of decades of lecherous behavior that was well known to senior members of Meier’s firm, who did little to intervene.

The uncomfortable spotlight on the culture of prominent architecture firms has created an opportunity to bring once-private conversations among women at design firms into a wider arena. “We all knew our industry was not immune,” says Megan Born, ASLA, a landscape architect and partner at PORT Urbanism in Philadelphia. “Not only are women typically the ones being harassed, they are often tasked with the responsibility of understanding the problem and finding solutions. I think everyone in the field needs to look at this together and decide it is an issue they want to take on.”

According to the U.S. Equal Employment Opportunity Commission (EEOC), surveys have found that up to 85 percent of women have experienced some form of sexual harassment at work. A recent survey of nearly 1,500 architects by the Architects’ Journal, a British publication, found that one in seven women at design firms had experienced sexual harassment in the previous year. In light of recent events, the Beverly Willis Architecture Foundation, which has long focused on highlighting the contributions of women in the design professions, is working with the American Institute of Architects (AIA) to develop new ethical guidelines aimed at curbing sexual misconduct and petitioning state licensing boards to mandate ongoing sexual harassment training as a requirement for maintaining licensure. There’s no data available to clarify the scope of the problem in landscape architecture, but among a half-dozen women in the profession interviewed for this article about their personal experiences, none said they’d never experienced uncomfortable behavior of a sexual or gendered nature in the workplace. None had experienced, or knew of, instances of Harvey Weinstein-level harassment. But as Evalynn Rosado, the director of business development and operations at DLANDstudio Architecture + Landscape Architecture in New York, put it, “People are very, very quiet about that once it has happened.” (more…)

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REVIEWED BY KELLY COMRAS, FASLA

FROM THE JULY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Victor D. Gruen (1903–1980) was one of the most influential architects of the 20th century, a powerful visionary who combined social criticism, persuasive charm, ambition, and talent. Known as the father of the shopping mall, he envisioned a cure for the banality of postwar American suburbia and neglected city centers that profoundly altered the landscape of postwar city development. He suggested “shopping towns,” new community centers that would contain a rich mix of civic and commercial spaces and activities, and the introduction of pedestrian zones within the core of older city centers. Later in life, he criticized that his ideas had been co-opted by developers, commercialized by economic, political, and cultural forces beyond his control, which thereby emerged on the postwar landscape as an unintended archetype: the enclosed, inward-facing, single-purpose, multilevel, two-anchor-department-store shopping center.

Gruen has left us with an impressive number of writings about his work (including the well-known The Heart of Our Cities), and two pertinent books have tackled appraisals of his work—Alex Wall’s Victor Gruen: From Urban Shop to New City (2005) and M. Jeffrey Hardwick’s Mall Maker: Victor Gruen, Architect of an American Dream (2004). But Anette Baldauf’s new translation from German of Gruen’s dictated memoirs, Shopping Town, presents us with (more…)

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