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Archive for the ‘MEMORIAL’ Category

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in different languages. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text with English text available below.

BY JENNIFER REUT / IMAGES BY SARA ZEWDE

FROM THE APRIL 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

There are a number of arresting images in Sara Zewde’s proposal for a memorial at Valongo Wharf in Rio de Janeiro, but my favorite is the one with the water. In it, ghostly figures in white are faded back over a scrim of water overlaid on the sea. Above their heads is a diagram of points and lines that ricochet out from a dense cluster triangulating across the sky. The palette is one of muted blues and grays. It feels both transcendent and somber.

The diagram comes from one of the spatial analyses that Zewde did on samba, the distinctly Brazilian musical form with African roots that lives in the city’s streets and squares. It depicts the roda de samba, an informal dance circle of musicians and spectators who become musicians. The character of samba is both sad and happy, a shout of joy and a lamentation.

In July 2017, the Valongo Wharf Archaeological Site in Rio de Janeiro became a UNESCO World Heritage Site. Zewde helped write the nomination, and her ideas are threaded through the descriptions. Recognized for “Outstanding Universal Value,” for its material, spiritual, and cultural significance, the wharf was and is the central element in a landscape that profoundly shaped the history of the Western Hemisphere: the built environment of slavery. (more…)

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BY ZACH MORTICE

Images are the work of invited panel participants as noted. Collage courtesy UVA School of Architecture.

A UVA panel looks for ways landscape can lead the way in a city shaken by intolerance.

The Unite the Right rally in Charlottesville, Virginia, on August 12, 2017, welcomed white supremacy, resulted in the murder of a counterprotester, Heather Heyer, and changed that city and a great many residents and members of the University of Virginia (UVA) community. There were torch burning, Nazi symbols, and chants of “Jews will not replace us” in the public spaces of what’s often painted as an idyllic Southern college town. That dichotomy will be the topic of a panel and presentation moderated by the UVA Architecture Assistant Professor Elgin Cleckley at UVA later this week. “Landscape Perspectives for Future Publics” will gather eight landscape designers, academics, and writers to present their visions of Charlottesville’s future and to consider the landscape implications of race. The presentation will occur on April 20 from 10:00 a.m. to 12:00 p.m. at UVA’s Campbell Hall.

Presenters will offer rapid-fire imagery illustrating past/present/future triptychs for Charlottesville.

Participants will include: (more…)

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BY TIMOTHY A. SCHULER

The National Map is a feat of modern-day cartography. It also reveals our country’s shifting priorities.

FROM THE APRIL 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Lisa Orr, ASLA, was 11 years old when she attended her first West Virginia funeral. Her great-grandmother, Susan Bolyard Summers, had died at the age of 102 and was being buried in the family cemetery, behind a little country church called Mount Zion. Orr’s family drove the hour and a half from Morgantown, in the northern part of the state, to rural Preston County, winding through a tangled warren of hills and hollows and passing a dozen other hilltop cemeteries before reaching their destination.

The trip made a lasting impression on Orr. Preston County was so unlike her life in Morgantown: The landscape was as breathtaking as it was formidable. “It’s hard to explain how rugged the territory is,” she says, speaking from her office at West Virginia University (WVU), where she teaches landscape architecture. “It’s like a mini-Grand Canyon everywhere you go.” It illuminated the hardscrabble life that her great-grandmother had lived, living on foraged chestnuts and whatever else would grow in Preston County’s rocky soil. And it gave Orr her first glimpse into the role these cemeteries played in local people’s lives.

Caring for these places, she learned, was part of many families’ cultural heritage, including her own. “Part of my grandmother’s life was just visiting cemeteries,” she says, (more…)

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BY ZACH MORTICE

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The abandoned Michigan Central Station in Detroit. Image courtesy of Zach Mortice.

In a city beset by a nearly incomparable foreclosure crisis and 20 square miles of vacant land, there’s been a growing understanding that landscape architecture and Detroit are perfect for each other. But in 2017, the city will unveil a handful of new proposals on how the discipline can grow back healthy urbanism in the Motor City.

Detroit announced early this month that, after an RFP process, it is awarding a total of $1.6 million across four project teams to plan landscape and streetscape improvements including green stormwater management and infrastructure upgrades. Each team will focus on a group of neighborhoods, (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Credit: digitalcosmonaut.com

Credit: digitalcosmonaut.com

From “Baked in Memory” by Katarina Katsma, ASLA, in the December 2015 issue, featuring “Il Grande Cretto,” a 21-acre concrete memorial, designed by Alberto Burri, for the victims of a 1968 earthquake that leveled the town of Gibellina, Sicily.

“A Picasso-esque play of the graffiti face peeking over the foreground creates a curious image.”

—Chris McGee, LAM Art Director

Pick up a free digital issue of the December LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

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A visitor pays his respects at Babi Yar Park in Denver. Credit: © Scott Dressel-Martin.

From “Star Witness” by Jane Margolies, in the July 2015 issue, featuring Mundus Bishop’s re-visioning of Denver’s Babi Yar Park, a Holocaust memorial dedicated to victims in Kiev.

“Looking for solitude or shade—or both—this man watches a ceremony at Babi Yar Park, just over the ridge.”

—Chris McGee, LAM Art Director

You can read the full table of contents for July 2015 or pick up a free digital issue of the July LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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July’s LAM looks at the long-needed rehabilitation of Babi Yar Park, a memorial ground in Denver dedicated to the lives lost in Kiev, Ukraine, during the Holocaust, by Tina Bishop of Mundus Bishop; a rethinking of Chavis Park in Raleigh, North Carolina, by Skeo Solutions, which embraces the park’s African American heritage through public engagement; and the ground-to-crown planting of the One Central Park high-rise in Sydney, designed by Ateliers Jean Nouvel, with Aspect | Oculus and Jeppe Aagaard Andersen, where sprawling green balconies make what is said to be the tallest vertical garden in the world.

In this month’s departments, the Milan Expo 2015 centered on food sustainability seems to draw controversy from every angle; Molly Meyer is leading the charge for affordable, simpler, and greater biodiversity in green roofs; and nature reclaims lands once lost from the demolition of two dams on the Elwha River in Washington State. In The Back, an exhibit at the Smithsonian National Museum of Natural History immerses visitors in the beauty of Iceland through sight and sound. All this plus our regular Now, Species, Goods, and Books columns.

You can read the full table of contents for July 2015 or pick up a free digital issue of the July LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating July articles as the month rolls out.

Credits: “The Global Cucumber,” Tim Waterman; “Green Roof Gold,” Michael Skiba; “A River Returns,” National Park Service; “Star Witness,” © Scott Dressel-Martin; “The Chavis Conversion,” Skeo Solutions; “Live It Up,” Simon Wood Photography; “Songs of Ice and Fire,” Feo Pitcairn Fine Art.

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