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Archive for the ‘PEOPLE’ Category

BY KIM O’CONNELL

A new pocket park in Baltimore helps to ignite a neighborhood revitalization.

FROM THE JANUARY 2022 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

On a corner in Baltimore surrounded by vacant lots and boarded-up buildings, Gold Street Park is easy to miss. Built on a former coal yard in the neighborhood of Druid Heights, the pocket park features a winding brick path that leads to a circular gathering space with a starburst mural at its center. Steps along one edge can be used as seating or a de facto stage, and the simple planting scheme includes a few rose bushes and serviceberry trees.

Druid Heights is a historic African American community that once had a thriving social scene, where the jazz great Cab Calloway sang “Hi De Ho Man” in clubs, and where well-to-do Black families raised their kids. In the late 1960s, the uprisings that followed the Martin Luther King Jr. assassination led to a period of urban disinvestment from which the community is still working to recover. A local nonprofit, the Druid Heights Community Development Corporation, is taking a holistic approach to revitalization through real estate development, food and career assistance, and incentives and paths to homeownership.

Among the barriers facing Druid Heights is a lack of green space: Tree canopy coverage in the community is 14 percent, just half of the city’s average. To remedy this, the community partnered with Byoung-Suk Kweon, ASLA, an associate professor of landscape architecture at the University of Maryland, on a green community master plan that includes the development of both pocket parks and larger green corridors and connections. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Timothy A. Schuler.

From “The Bridge Builder” by Timothy Schuler in the November 2021 issue, about fourth-generation Arkansas Delta native Martin Smith, whose vision of an outdoor recreation-led reinvigoration of the delta is becoming a career-defining capstone.

“Family roots.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY ZACH MORTICE

Julie Bargmann and her Core City Park in Detroit. Left photo courtesy Barrett Doherty, The Cultural Landscape Foundation; right photo courtesy Prince Concepts and The Cultural Landscape Foundation.

Julie Bargmann Awarded Oberlander Prize

 

Julie Bargmann is the first recipient of the Cornelia Hahn Oberlander International Landscape Architecture Prize, established by the Cultural Landscape Foundation.

Known for the many students who cite her as an influence as much as for her work as the founder of D.I.R.T. (Dump It Right There) Studio, Bargmann is revered for remediating polluted and neglected postindustrial sites with designs that celebrate infrastructural refinement and industrial power. A master at regenerating degraded land without erasing its history, Bargmann reveals layers of strata and ruin, but also layers of narrative, granting her projects strength, performance, and a kind of raw beauty.

According to the Oberlander Prize jury, Bargmann “has been a provocateur, a critical practitioner, and a public intellectual. She embodies the kind of activism required of landscape architects in an era of severe environmental challenges and persistent social inequities.” (more…)

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Designers from SCAPE’s New Orleans and New York offices talk about the lessons from Hurricane Ida, in and out of the office.

Damage from Hurricane Ida in Pointe-aux-Chênes, Louisiana, where volunteers from SCAPE are pitching in with the recycling organization Glass Half Full to help with the cleanup. Photo by Liz Camuti.

In early September, a few days after Hurricane Ida raked through Louisiana on its way up the East Coast, three designers from SCAPE Studio met up on Zoom to talk with Landscape Architecture Magazine’s Acting Editor, Jennifer Reut, about Ida’s aftermath. SCAPE’s practice has long focused on coastal resilience and sea-level rise, but Ida’s dual impact on New Orleans (August 29) and New York (September 1) was the first time that designers from both offices had experienced catastrophic flooding from the same storm. Hurricane Ida’s aftermath offered a chance to reflect on what is changing and what isn’t in the profession and the public’s understanding of climate-fueled catastrophes.

Gathered were John Donnelly, ASLA, the technical principal at SCAPE, who had recently moved to New Orleans to work at SCAPE’s office there. Studio Director Chris Barnes, ASLA, had founded the New Orleans office when he moved back home to Louisiana, and Design Principal Gena Wirth, ASLA, called in from SCAPE’s New York office. This is an excerpt from the conversation that took place on September 10. The full interview will appear in Landscape Architecture Magazine in November 2021. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish.

BY STEPHEN ZACKS

FROM THE SEPTEMBER 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The state of Virginia has regulated landscape architecture as a profession since 1980, certifying practitioners through its professional occupational agency. In 2010, landscape architecture became a licensed profession in the state.

A few bills attempted to deregulate or lower the level of regulation back to certification, but none of them made it out of legislative committee. Around 2011, Republican then-Governor Robert McDonnell set up a commission to eliminate regulations in general, including of professions such as landscape architecture and interior design. Members of the Virginia chapter of ASLA persuaded the governor to remove landscape architects from the list.

Robert McGinnis, FASLA, an associate principal at Kennon Williams Landscape Studio and a member of the Virginia ASLA chapter’s government affairs committee, says that interior designers and landscape architects get targeted because people don’t know what they do. “They see the word landscape and think we put trees in the ground.” (more…)

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INTERVIEW BY BRADFORD MCKEE

In his new book, Doug Tallamy looks at oaks as a life force.

FROM THE SEPTEMBER 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In two influential books, the entomologist Douglas W. Tallamy has spread a message of people-powered biodiversity, to say that if humans have crowded out nature across the world, they can also invite it back in at close range. Tallamy, who is 70 and lives in southeastern Pennsylvania, is a professor in the Department of Entomology and Wildlife Ecology at the University of Delaware, where he joined the faculty in 1981 and has led or coauthored 104 published research studies on the behavior and chemistry of insects. In 2007, his book Bringing Nature Home: How You Can Sustain Wildlife with Native Plants hatched a mission to persuade home gardeners to think big about the buffets they can create for animals just outside any door as bulwarks against ecological decline. He expanded that project in 2020 with Nature’s Best Hope: A New Approach to Conservation That Starts in Your Yard, which became a New York Times best seller.

Tallamy’s latest book, The Nature of Oaks: The Rich Ecology of Our Most Essential Native Trees (published, like the others, by Timber Press), puts his message through a different prism, that of the genus Quercus, which includes 435 species of oaks around the world, 91 of them in North America, where they are superlative among trees as sources of food and shelter in their environments. He details the oak’s life cycle through the 12 months of the year. “Unfortunately, the diverse web of life that is associated with oaks goes unnoticed and thus unappreciated by most homeowners,” Tallamy writes. Many homeowners, indeed, are ready to cut down oaks to avoid raking leaves, though he explains that raking is not only unnecessary but to be strongly discouraged, given the high value of oak leaf litter as microhabitat. Once again his gift to readers, in plainspoken prose, is to help them see the familiar in nature and find the unseen.

This interview has been edited and condensed.

Bradford McKee: In The Nature of Oaks, as in your earlier books, you’re bringing science and natural history to the household conversation—

Doug Tallamy: That’s the goal!

BM: —though scientists who do academic research and also do public advocacy so regularly are exceptions in most fields. What’s driving your mission? (more…)

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BY KATHARINE LOGAN

FROM THE AUGUST 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Across the Yukon River from Dawson City, up around 64 degrees latitude, the Top of the World Highway wends its way over 65 miles of unglaciated landscape to the border with Alaska. Unlike the Yukon Territory’s typical highways, which track the river valleys, Top of the World runs along a ridgeline. For hundreds of miles in all directions, travelers look out over forested valleys, subalpine meadows, distant mountain ranges, and spectacular vistas that comprise the traditional lands of the Tr’ondëk Hwëch’in people.

Long before Top of the World was graded and graveled and designated a territorial highway, Tr’ondëk Hwëch’in walked this path on seasonal journeys between the river and the mountains—hunting caribou, harvesting berries and wild rhubarb, gathering for celebrations, telling stories. When gold prospectors began arriving in the late 1890s, the leader of Tr’ondëk Hwëch’in, Chief Isaac, growing concerned for the heritage of his people, entrusted their songs, dances, and gänhäk (dancing stick, a symbol of their culture) to a related branch of the larger Hän nation. Top of the World is the route along which this treasure was taken into the mountains for safekeeping.

More than 3,400 miles to the southeast, the traditional lands of the Saugeen First Nation form part of Ontario’s Mixedwood Plains Ecozone, once temperate deciduous forest, and now the most populous and commercially and industrially productive region in Canada. A three-hour drive from Toronto, at the base of the Bruce Peninsula (where a popular national park protects the region’s last unbroken stand of forest), the Saugeen River flows into the eastern edge of Lake Huron. Upstream of the river mouth, in a 100-acre park on Saugeen First Nation’s reserve, a stone amphitheater and 20 acres of terraced gardens overlook the wide river valley. Built in the 1970s with nearly a million tons of locally quarried limestone, the project, known as the Creator’s Garden, was created as a place to foster understanding between Indigenous and non-Indigenous communities. As a setting for gatherings, ceremonies, music, and theater, the site welcomes thousands of visitors a year. But over the decades, it has fallen into disrepair.

These two landscape interventions—Top of the World and the Creator’s Garden—at different scales and in different bioregions, are each the subject of recent, landscape architect–guided master plans. Through both their substance and processes, these plans illustrate the potential for the profession to help heal the injustice and strife that stem from the colonial history of North America. (more…)

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