Archive for the ‘PEOPLE’ Category

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY MAGGIE ZACKOWITZ

FROM THE DECEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Sam Droege’s lab at the Patuxent Wildlife Research Center does not have a street address. To get there, you count the miles down a winding Maryland road, looking for the seventh in a series of gates (#6 is unnumbered) set into the tall wire fence alongside. Punch the code into a keypad for the gate once you find it, drive up the hill, and hang a sharp left. There sits a low building in a yard of waving grass and wildflowers, encircled by another high fence—this one electrified. It’s a remnant of security for the yard’s former occupants: whooping cranes once raised here to repopulate the species.

“The fencing wasn’t to keep the cranes in so much as keep the predators out,” explains Droege, a wildlife biologist. These days the compound’s objects of study aren’t luring the local carnivores. What’s inside, in fact, are stacks and stacks of pizza boxes. They are filled with bees.

First, the bees are drowned. Cup traps filled with soapy water are placed in sunny areas near blooming plants; the bees cooperate by falling in. Their bodies are then gently washed clean of pollen and dust, dried, assigned bar codes, labeled with date and place of collection, and pinned by the dozens to the floor of the protective pizza boxes to await identification. Bees are sent here by bee collectors from all over the world. “We’re up to over half a million specimens,” says Droege, who has run the United States Geological Survey’s Native Bee Inventory and Monitoring Lab (NBIML) for some 20 years. (more…)

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HERE COMES EVERYBODY

BY ANNE RAVER

The final pier has opened. Brooklyn Bridge Park is all but complete.

FROM THE DECEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

It was raining, so we crouched, rather than sat, in the grassy bowl that Michael Van Valkenburgh, FASLA, had envisioned as the centerpiece of the newly completed green space and playground on Pier 3, which, like most of the other piers in Brooklyn Bridge Park, sprawls over five acres, into the East River.

“I’m lucky to know what it’s like to imagine and hope for something like this for 20 years and finally see it, have it realized,” said Van Valkenburgh, whose firm drew its first plan for this park in 1999. “Look at that sky.” (more…)

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BY MAGGIE ZACKOWITZ

Fort Lauderdale gets a multisensory mural.

FROM THE DECEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

You don’t have to be able to see to appreciate the colorful mural on the side of the Lighthouse of Broward building in Fort Lauderdale, Florida. Stretching for 82 feet along the narrow sidewalk on busy North Andrews Avenue, Main Course portrays a mythical version of a mockingbird who has eaten so much citrus she’s begun to turn orange herself. But it is more than eye candy in this oversaturated part of Florida. Portions of the painting are made of textured, waterproofed panels and mounted at different heights along the wall. Motion sensors activate speakers that play recordings including rustling sawgrass and chirping frogs for passersby. Diffusers puff out the fragrances of wood and grass and citrus every few minutes. It’s the perfect piece for Lighthouse of Broward, a nonprofit that provides job training and other services for the visually impaired.

The multisensory project was the idea of Cadence, a local landscape architecture firm, as part of its effort to create (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Scott Shigley.

From “Here Comes Everybody” in the December 2018 issue by Anne Raver, about Michael Van Valkenburgh Associates’ massive Brooklyn Bridge Park, which may well define Brooklyn’s relationship to its waterfront for generations.

“Dawn at Brooklyn Bridge Park.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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Mikyoung Kim, FASLA, accepts the 2018 ASLA Design Medal. EPNAC.

Every year, ASLA presents a number of honors to individuals and groups for their service to the landscape architecture profession and its ideals in the public realm. They include the ASLA Medal, the highest honor conferred by the Society; the Jot D. Carpenter Teaching Medal, given to a distinguished educator; and the Landscape Architecture Firm Award, given to an office that has built a distinguished body of work. ASLA also bestows honorary membership to nonmembers nominated for their service to the profession. (more…)

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BY HANIYA RAE

Technology helps shape what hardscapes can be.

FROM THE DECEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Courtney Goode was working on a project in Houston when Hurricane Harvey hit. Buffalo Bayou, one of the slow-moving rivers that Houston relies upon to hold stormwater, flooded, and the waters would end up spilling out over the city’s aging infrastructure and impermeable surfaces, exacerbating the problem.

“My heart was in my throat,” Goode says. “We had been working on these super-detailed axonometric drawings of all angles of the city—we knew the city like the back of our eyelids. It was a total shock to see the bayous obliterated and murky, debris-filled water covering the walkways, roads, and even ground floors of the buildings near the bayou. The flood just engulfed everything we had been designing.”

For Goode, a landscape designer in Sasaki’s Urban Studio and a Fabrication Studio coordinator, the disaster afforded her a very real account of how the city managed stormwater and led her to think more about how low-impact development can divert stormwater from streets during flooding. She describes a scenario in which a city like Houston could divert some of the excess water by excavating 40-foot-deep gravel dry wells (the size of a typical four-story parking garage) topped off with permeable pavers that could hold excess rainwater until it’s able to seep back into the ground. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Thrainn Hauksson.

From “A Greater Crater” in the November 2018 issue by Bradford McKee, about Landslag’s Saxhóll Crater Stair in Iceland (winner of the 2018 Rosa Barba International Landscape Prize), which provides access to a jaw-dropping volcano vista while still protecting a delicate alpine ecosystem.

“Crater climb.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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