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Archive for the ‘PHOTOGRAPHY’ Category

BY ZACH MORTICE

Wheeling, West Virginia. Photo by Rebecca Kiger.

A landscape architect’s roots in Appalachia are the source for a new project from American Roundtable.

 

Appalachia Rising begins with a simple prompt for a place that’s been exploited and maligned for much of its modern history: “We can start by listening to what the people of West Virginia are interesting in seeing in the future.”

Nina Chase, ASLA, is the editor of Appalachia Rising, and what follows is both design document and policy paper, and part of the final project for the Architectural League’s American Roundtable series, which is focused on better futures for small and medium-sized towns. American Roundtable was supported by the Graham Foundation and the National Endowment for the Arts, and Chase (a cofounder of the landscape architecture and urban design firm Merritt Chase and a West Virginia native) will host a presentation on January 27 on the team’s findings along with several of the contributors. In addition to Chase, the Appalachia Rising team consists of journalists, academic researchers, photographers, and documentary filmmakers, each working to “understand communities through their land and people and the ways in which the two have interacted to make place,” according to the introduction by the American Roundtable project director Nicholas Anderson. Each of the nine reports commissioned by the Architectural League is arrayed across five themes (public space, health, work and economy, infrastructure, and environment) to better enable comparisons across the nine regions studied for the project. Beginning with Appalachia Rising, each multimedia report will be available online. Chase and contributors Caroline Filice Smith and Elaine McMillion Sheldon will present their research on January 27 in a webinar at 12:00 p.m. Eastern. (more…)

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TEXT BY MIMI ZEIGER / PHOTOGRAPHY BY CHAD RESS

As the country confronts economic stalemate, Chad Ress’s photographs prompt comparisons with imperfect efforts to rebuild in the past.

FROM THE DECEMBER 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

On February 17, 2009, less than a month after his inauguration, President Barack Obama signed into law the American Recovery and Reinvestment Act (ARRA) of 2009. A stimulus bill meant to jump-start the nation’s flatlined economy, the Recovery Act, as it was popularly known, promised nearly $800 million to state and local governments for the funding of “shovel-ready” projects.

The following year, the Ojai, California–based photographer Chad Ress stood on a dry lake bed in the foothills of the Sierra Nevada and watched a tractor maneuver boulders into totemic piles in New Hogan Lake in Valley Springs, California. He was there to document a project funded by ARRA. The resulting photograph is almost boring. The frame captures signs of California’s epic drought; what was once covered in water is now dust. The sky is nearly white. Yet that line of rocks was evidence of money at work.

The book America Recovered (Actar Publishers, 2019) pairs Ress’s photographs with snippets of text that he pulled from recovery.gov, the government-sponsored and now-defunct website that listed each of the public works funded by ARRA. Although the site was taken down in 2016, a mothballed version can be found in the Library of Congress archive. The recovery.gov site didn’t show photos or drawings, just obtuse project descriptions of what might get done and a dollar amount. The unheroic list was meant to demonstrate transparency, but it had all the charm of bureaucratic efficiency married to a partisan political climate (the Republican-controlled Senate at the time aimed to minimize many achievements of the Obama administration).

The website struck Ress as an important counterpoint to the archive of images amassed during the Great Depression by Roy Stryker, who launched the documentary photography division of the Farm Security Administration under New Deal legislation. Photographers including Walker Evans, Gordon Parks, and Dorothea Lange were assigned to photograph America under economic hardship. Their cameras captured how people were living, government buildings, factories, and places of worship. Parallel documentation undertaken by the Works Progress Administration celebrated the monumentality of new public works—such as the majestic Hoover Dam photographed by Ansel Adams.

“I wanted to explore those disconnects between what I could read on recovery.gov and what I could see,” Ress says. “I was hoping that the language would align with what I could photograph, but that only happened once: New Hogan Lake, Valley Springs.” (more…)

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BY PATRICK SISSON

A new landscape architecture docuseries goes behind the scenery.

FROM THE DECEMBER 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

“It’s hard to tell the story of the L.A. River without flying through it,” says Michael Todoran, a landscape designer, lecturer, and podcast host. Along with his students at California State Polytechnic University, Pomona, in January Todoran began filming “Superfisky: The Allure of the Urban Wild,” the first episode of Larchitect, a docuseries devoted to landscape architecture. This in-progress episode focuses on Kat Superfisky, a landscape designer, ecologist, and educator working to restore the natural beauty and native plant life on the shores of the mostly concrete-lined waterway. When the landscape, specifically the Los Angeles River, is a supporting character in your story, visual exposition becomes critical. The best solution was a helicopter shot that showed the true breadth and boundless energy of this body of water. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Ash Hoden, ASLA.

From “Finding Myanmar” in the August 2020 issue by Ash Hoden, ASLA, about the author’s motorbike journey through decimated ecosystems, gatehouses, and conflict zones.

“Deforestation devastation.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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This slideshow requires JavaScript.

FOREGROUND        

Raise Some Green (Water)
With a $30 million investment, the City of Buffalo is joining a small group of cities that have
turned to environmental impact bonds to fund soft infrastructure.        

Count Them In (Planning)
Long neglected by planners, the people in San Francisco’s Visitacion Valley harness a history of community advocacy and a plan by Groundworks Office to connect residents to city life.

FEATURES

The Twin Pandemics
Seven Black landscape architects and designers discuss the spatial factors around a deadly virus and
deadly policing for besieged Black people in the United States.

        A Subtropical Second Take
To reflect a change in mission, New York’s Ford Foundation Center for Social Justice reopens its renowned interior landscape, originally designed by Dan Kiley, with the lower-latitude palette of
Raymond Jungles, FASLA.

The full table of contents for August can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting August articles as the month rolls out.

Credits: “The Twin Pandemics,” Laura Haddad, artist and landscape architect; “A Subtropical Second Take,” Barrett Doherty, ASLA; “Count Them In,” Ninon Scotto di Uccio.

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“The Schoolyard Is Sick” by Jane Margolies, from the June 2019 issue of LAM, won a gold Association Media and Publishing EXCEL Award in the feature article category.

Landscape Architecture Magazine won six EXCEL Awards for association publishing last week. The Association Media & Publishing EXCEL Awards are hosted by the Software and Information Industry Association, the trade association representing the software and digital content industry.

In the magazine category—divided by circulation range and three tiers of awardsLAM won awards for individual articles, entire magazines, and general excellence across several issues, all from 2019. The awards are: (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photos by Jeff Hou, ASLA, left; and Elizabeth Golden, right.

From “Wash at Will” in the July 2020 issue by Haniya Rae, about handwashing stations serving Seattle’s homeless population that recycle graywater into planters.

“A simple solution.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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