Archive for the ‘PLANTS’ Category

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Thrainn Hauksson.

From “A Greater Crater” in the November 2018 issue by Bradford McKee, about Landslag’s Saxhóll Crater Stair in Iceland (winner of the 2018 Rosa Barba International Landscape Prize), which provides access to a jaw-dropping volcano vista while still protecting a delicate alpine ecosystem.

“Crater climb.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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THE RIVER BENEATH THE RIVER

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY JENNIFER REUT

FROM THE NOVEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

For a long time, the Anacostia River didn’t even have a name. It was just the Eastern Branch, the other, less promising section of Washington, D.C.’s better known and more distinguished river, the Potomac. But it was always known as a fortunate course to the Nacotchtank, the Native Americans who used it as a trading post, and later to the European colonists who relied on the river’s deep port at Bladensburg, Maryland, to carry tobacco, and to the generations of farmers, tradesmen, and laborers who never seemed to run out of fish, fowl, and game to hunt. For nearly nine miles, the Anacostia eased in and out with the tide, with no particular urgency, toward its confluence with the Potomac, tracing an unhurried flow through thousands of acres of tidal wetlands.

Of course, that was before the port and the shipping channels silted up in the 19th century from agricultural misuse; before the river was (more…)

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BY ZACH MORTICE

 

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Sea Ranch, in Northern California, seems to have always existed, emerging from the Pacific Coast cliffs like sun-dappled lichens spread across the rocks. But it was like little else people had seen when it was built by a supergroup of designers, developers, and artists in the early 1960s.

A new website is pulling back the curtain on how this masterpiece came to be. “Journey to the Sea Ranch” holds more than 800 digitized images from the Environmental Design Archives of the University of California, Berkeley, and the Architectural Archives at the University of Pennsylvania to tell the story of how Sea Ranch was conceived and built. (more…)

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It’s the first of November, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

Lighting from the Inside Out (Lighting)
With the rising popularity of outdoor living comes a shining new crop of luminaires.

The Last Ash Standing (Plants)
The emerald ash borer beetle isn’t too fond of boring into the blue ash. If scientists can find out why, they may be able to save more trees.

Timing Is Everything (Construction)
Landscape installation should be driven by weather and nature, not financial models—but climate change is making best planting times unpredictable.

FEATURES

The River Beneath the River
After decades of neglect, the Anacostia River— Washington, D.C.’s lesser-known waterway—is poised at the edge of a hard-won environmental recovery. But where will it flow from there?

Upstream D.C.
Upland from Washington, D.C.’s two rivers, the city is planning major investments
in rain-soaking infrastructure.

Found in Translation
In Seattle, MIG | SvR and Turenscape’s Hing Hay Park provides a place to gather—with a
lively nod toward the Asian Pacific American experience.

All this plus the regular Now and Goods columns. The full table of contents for November can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting November articles as the month rolls out.

Credits: “Found in Translation,” Miranda Estes Photography; “The River Beneath the River,” Krista Schlyer; “Upstream DC,” Rhodeside & Harwell; “The Last Ash Standing,” Christopher Asaro, Virginia Department of Forestry, Bugwood.org; “Lighting from the Inside Out,” Courtesy Rondo; “Timing Is Everything,” Siteworks. 

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ON BRAZIL’S BEHALF

BY CATHERINE SEAVITT NORDENSON, ASLA

Araucárias, Paraná, ca. 1884. Photo by Marc Ferrez/Gilberto Ferrez Collection/Instituto Moreira Salles.

 FROM THE OCTOBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Speaking out against the military dictatorship of Brazil during the late 1960s and early 1970s had definite risks. Politicians, human rights advocates, artists, and intellectuals who publicly opposed the right-wing government’s programs of hyperdevelopment did so under threat of arrest, imprisonment, torture, and death. Many fled into exile. Roberto Burle Marx, the Brazilian landscape architect (1909–1994), had been a public figure for decades when, three years after the 1964 coup, he was appointed by the dictatorship’s first president, Humberto de Alencar Castelo Branco, to a 24-member national cultural council. For Burle Marx, the decision to join the council was ethically freighted. He accepted with one clear objective: to save the Brazilian landscape.

In a new book, Depositions: Roberto Burle Marx and Public Landscapes Under Dictatorship (University of Texas Press, 2018), Catherine Seavitt Nordenson, ASLA, brings forth a series of 18 frankly activist speeches, or depositions, that Burle Marx delivered as a member of the council. They target, among other things, the unchecked destruction of Brazil’s forests for raw materials and agriculture. He surveyed the progression of environmental tragedy with a deep knowledge of botany and ecology, an intricate alertness to policy, and always appealing to a Brazilian pride in its national landscape patrimony.

“The way I read his depositions, Burle Marx is positioning an argument that’s against the economic development theory of the regime,” Seavitt Nordenson told me recently. “Sometimes they listen to him and sometimes they don’t. But he’s on the inside and he’s arguing passionately, because he’s been working on the cultural project of the Brazilian landscape for so long.” Seavitt Nordenson notes that in these speeches of 50 years ago, Burle Marx touches on two huge problems of today, anthropogenic impacts affecting climate and the loss of biodiversity. “They’re very clear—they’re jocular speeches, often funny, and have so much spontaneity—and he manages to communicate a serious message to an audience that has significant political power.”

This excerpt of Depositions includes a brief introduction by Seavitt Nordenson to three depositions on forests, followed by her translations of the depositions themselves.

 —Bradford McKee

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BY BRADFORD MCKEE

Landslag, of Reyk­javík, takes home the 2018 Rosa Barba Prize.

FROM THE NOVEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The site, the Saxhóll Crater, is part of Snæfellsjökull, a volcano on a far western finger of Iceland that is the starting point for Journey to the Center of the Earth, the 1864 science fiction novel by Jules Verne. This worn-down cone of lava, 125 feet high, is a popular stop for tourists who want to walk up to its summit amid patches of multicolored mosses, lichens, arctic thyme, and bog bilberry to see views of the Atlantic Ocean and the surrounding glacier cap, which is expected to disappear within 50 years. Tourism is up sharply in Iceland, quadrupling since 2010 to two mil­lion visitors in 2017. The wear was evident on the crater’s flank, where the path to the summit was degrading and splitting into multiple tracks, not helped by random, gabion-like treads where the going got especially rough.

The project of preserving the crater’s fragile ecology along with access to people fell to Thrainn Hauksson, of the landscape architecture office Landslag, in Reyk­javík. Hauksson’s office designed the simplest thing possible— (more…)

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It’s the first of October, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

All Over the Place (Almost) [Travels]
Where the projects are (and aren’t) that appeared in the magazine in the past year.

Brand New (Office)
Rebranding your practice—large or small—involves more than just changing your name.

Fuller Blast (Water)
The redesigned fountains at Longwood Gardens reinvent a crumbling
relic with cutting-edge infrastructure.

Concrete Crops (Food)
In Philadelphia’s Center City, Thomas Paine Plaza takes on new life as a mini-farm.

Step by Step by Step (Planning)
Everybody takes the stairs in Pittsburgh.

FEATURES

Where the Water Was
Anne Whiston Spirn, FASLA, has made West Philadelphia—
and the water that flows beneath it—a life’s work.

Hydro Power
MKSK makes public space out of river infill in Columbus, Ohio,
drawing a whole new generation downtown.

Science to Design
Biohabitats’s mission is nothing less than healing the Earth.

Lower Here, Higher There
The Belgian landscape designer Erik Dhont creates modern gardens inspired
by the minds of the Old Masters.

All this plus the regular Now and Goods columns. The full table of contents for October can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting October articles as the month rolls out.

Credits: “Hydro Power,” MKSK; “Science to Design,” Stuart Pearl Photography; “Lower Here, Higher There,” Jean-Pierre Gabriel; “Where the Water Was,” Sahar Coston-Hardy, Affiliate ASLA; “Step by Step by Step,” Merritt Chase; “Fuller Blast,” Jaime Perez; “Concrete Crops,” Viridian Landscape Studio; “Brand New,” Gensler/Ryan Gobuty.

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