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Archive for the ‘REGION’ Category

This fall, LAM will be highlighting professional and student winners from the 2020 ASLA Awards by asking designers to dive deep into one image from their winning project.

Peat/Land: Strategies for Restoration, Design, and Planning of North Carolina Peatlands, by Madalyn Baldwin, North Carolina State University, Student Analysis and Planning Honor Award.

“Paludiculture isn’t a well-known concept, but I only wanted to dedicate one graphic to introducing and explaining it, so the aim of creating this graphic was to fit in as much information as possible while trying to keep it legible. My goals were to create a graphic narrative that provided a definition and overview of the concept, explain the existing agricultural conditions and spatial relationship to peatland as well as what is produced here, give specific examples of crops that could be produced by adopting paludiculture practices, and use icons introduced earlier in the project to reference the specific restoration strategies and steps toward implementation. Overall, I was hoping this graphic would read as an infographic for paludiculture, answering the following questions: What is it, how and where can it be implemented or adopted, and what are the benefits?

Madalyn Baldwin, Student ASLA

 

Peat—decomposed plant matter that accumulates in boggy landscapes—sequesters a large proportion of the world’s carbon compared to its relatively small percentage of coverage, yet it is often used for energy production or simply drained to convert peatland to farmland. What if peatland were viewed less as an agricultural impediment than a climate-restorative opportunity? That’s the question addressed in this study of Fair Bluff, North Carolina, which was built on drained peatland, and was subjected to heavy flooding in recent hurricanes. By relocating Fair Bluff’s downtown from its current low-elevation site to higher ground, residents would gain a central peat park that would celebrate the region’s high water table while embracing better climate resilience that aligns with the disaster recovery plan. Here, innovative strategies for monetizing carbon storage would encourage preservation and restoration of peatlands, with increased public access and education programs to build visibility and instill the value of this natural resource. Encouraging paludiculture (wetlands agriculture) would promote peatland regrowth, and the new public park would offer tangible and long-term ecological benefit to residents in the region.

—Haniya Rae

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This fall, LAM will be highlighting professional and student winners from the 2020 ASLA Awards by asking designers to dive deep into one image from their winning project.

The Landscape of an Agreement: The Role of Regional and Geopolitical Landscape, Agriculture, and Religion in a Future Peace Agreement Between Palestine and Israel, by shelter_expanse, Professional Analysis and Planning Honor Award.

 

Image courtesy shelter_expanse.

“In our work we mostly try to investigate the relationships between people based on the land. We hope this image, in the form [of an] aerial panorama (like those of Heinrich Berann), succeeds in showing this by detailing two entangled populations making clear actions over the land, thus shaping their life and future. It is the landscape that delineates the ground for actions, the Judaean Desert at the foreground, and the Jerusalem Mountains at the back.”

“We always believe landscape can and must take a larger responsibility in society, toward greater equality and justice, with communal and spiritual aspects. But we were still surprised to find to what extent this is possible if one addresses the critical issues and sites with the right tools. In a region cultivated for thousands of years, landscape plays an enormous geopolitical role: People pray, live, and die for it. In a world torn by health and environmental crises, economic and political inequalities, we must come out into the land; leave behind the boutique work for a while. It should be based on a clear and universal set of principles.”

 —Matanya Sack, International ASLA, and Uri Reicher of shelter_expanse

 

The Palestinian–Israeli conflict in the West Bank is one of the world’s thorniest territorial disputes. The firm shelter_expanse, commissioned by Peace Now to look at the situation through the lens of landscape architecture, shows how considerations of topology, land use, and future development can inform negotiations by policy makers and analysts. The design team created a potential solution to the complex patchwork of overlapping claims based on its analysis of the region’s developed territories, agricultural lands, nature reserves, and heritage sites. Providing useful new data in the course of its research, the team created detailed maps of developed areas, turning up new communities not previously recorded. The resulting proposal is based on a vision for long-term stability and growth of a separate Palestinian nation and makes recommendations for specific land swaps between Israel and Palestine. The jury took note of the sensitive approach to the region, where “fights over ownership often neglect realities of the land itself,” and “the ability to de-settle land will hold lessons for flood-prone cities that face the prospect of retreat.”

—Lydia Lee

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BY TIMOTHY A. SCHULER

A student project reveals the paradoxes often embedded in public policy.

FROM THE SEPTEMBER 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Economic and environmental policies have a direct impact on the formation and maintenance of landscapes, but it can often take years for those impacts to be felt, or for a particular policy’s spatial consequences to be revealed. A recent student design research project attempts to make those implications more clearly and immediately visible.

The project On Riven Land by then-University of Toronto MLA candidate Aaron Hernandez, the winner of this year’s CELA Student Award for Creative Scholarship, analyzed land use within and adjacent to Ontario’s Rouge National Urban Park, a five-year-old park on the outskirts of Toronto. The project visualized the conflicts embedded in some of the park’s stated policy aims, namely the “maintenance or restoration of ecological integrity” as outlined in the Rouge National Urban Park Act. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Ash Hoden, ASLA.

From “Finding Myanmar” in the August 2020 issue by Ash Hoden, ASLA, about the author’s motorbike journey through decimated ecosystems, gatehouses, and conflict zones.

“Deforestation devastation.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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FOREGROUND        

Raise Some Green (Water)
With a $30 million investment, the City of Buffalo is joining a small group of cities that have
turned to environmental impact bonds to fund soft infrastructure.        

Count Them In (Planning)
Long neglected by planners, the people in San Francisco’s Visitacion Valley harness a history of community advocacy and a plan by Groundworks Office to connect residents to city life.

FEATURES

The Twin Pandemics
Seven Black landscape architects and designers discuss the spatial factors around a deadly virus and
deadly policing for besieged Black people in the United States.

        A Subtropical Second Take
To reflect a change in mission, New York’s Ford Foundation Center for Social Justice reopens its renowned interior landscape, originally designed by Dan Kiley, with the lower-latitude palette of
Raymond Jungles, FASLA.

The full table of contents for August can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting August articles as the month rolls out.

Credits: “The Twin Pandemics,” Laura Haddad, artist and landscape architect; “A Subtropical Second Take,” Barrett Doherty, ASLA; “Count Them In,” Ninon Scotto di Uccio.

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BY KATHARINE LOGAN

Resource extraction companies are moving on public lands like never before.

FROM THE JULY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Since the creation of the Antiquities Act in 1906, American presidents have had the authority, the honor, and the privilege of designating as national monuments the country’s most culturally and scientifically significant public lands—including, by corollary, some of the most spectacular, biodiverse, heritage-rich, and downright magnificent landscapes in America.

It’s doubtful whether presidents also have the inverse authority—to deconsecrate a national monument once protected—but doubtful is good enough for the current incumbent. In December of 2017, the Trump administration announced the reduction of two national monuments in southern Utah, Grand Staircase-Escalante and Bears Ears, to shards of their former expanses, exposing culturally and ecologically important places to oil and mineral development.

The deconsecration of Grand Staircase and Bears Ears exemplifies a larger trend in this administration’s management of public lands. Since 2017, federally owned lands and waters totaling more than four times the area of California have been put up for lease to the energy sector. Utah, with its oil, gas, and mineral resources underlying the vistas of the Colorado Plateau, is on the front line. About 65 percent of the state is federally owned, and the U.S. Department of the Interior has received some 230 lease nominations covering more than 150,000 acres. Development of these leases threatens iconic Red Rock Canyon lands, forested plateaus, indigenous cultural sites, archaeological troves, and geological marvels. Some of the leases would allow drilling within half a mile of renowned protected sites, such as Canyonlands and Arches National Parks, and within 10 miles of Bears Ears’s radically shrunken limits. (more…)

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FOREGROUND     

Law in the Land (Interview)
The author and legal scholar Jedediah Purdy’s new book, This Land Is Our Land, sifts through
contradictory assumptions about our ties to the environment.      

Midas’s Touch (Planning)
Conservationists strike an uneasy alliance with a mining company that wants to clean up
and restore habitat near an old gold mine—so it can restart mining operations.

FEATURES

All Ours
A photographic essay of Washington, D.C.’s First Amendment spaces under threat
by the government.

After Extraordinary Conditions
With a small landscape architecture practice and a gimlet eye, the author makes her way
around the city of Tbilisi, Georgia, during the coronavirus lockdown.

The full table of contents for July can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting July articles as the month rolls out.

Credits: “All Ours,” Sahar Coston-Hardy, Affiliate ASLA; “After Extraordinary Conditions,” Dina Oganova; “Law in the Land,” courtesy Laura Britton; “Midas’s Touch,” courtesy Midas Gold.

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