Archive for the ‘REGION’ Category

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image courtesy Waterkeeper Alliance.

From “Hog-Tied” in the May 2019 issue by Timothy Schuler, about how industrial-scale livestock operations are degrading and polluting farming communities in eastern North Carolina.

“Pandora’s Box aerial.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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Most of the time, Ellicott City, Maryland is a historic mill town with picturesque stone shops nestled next to granite hills and a boisterous, yet still peaceful, river. But more and more, it’s becoming a crucible for the cost of climate change-induced downpours and development that’s ill-placed, if intensely historic. (The town was founded in 1772.) Twice since 2016, Ellicott City has seen branches of the Patapsco River jump their banks after torrential rains, devastating its downtown with two “1,000-year floods,” a description rapidly losing its meaning in an era of increased extreme weather.

This PBS NewsHour segment from the most recent flood looked in on how one Ellicott City business fared: an antique shop where the owner doggedly pushed furniture away from the front door, where a torrent of water outside whisked cars down the street. That is, until a sudden eruption of water knocked down walls, sending display cases toppling like dominoes.

The town’s newest flood-proofing plan, developed with help from Baltimore’s Mahan Rykiel, calls for 10 buildings to be demolished downtown to widen the river canal at a cost of $50 million, as well as a new terraced river park. As explored in Jared Brey’s “Twice Bitten” (to be posted here later this month), it’s a plan that preserves Ellicott City’s future by destroying a bit of its past.

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BY TIMOTHY A. SCHULER

In North Carolina, history, industry, and climate change work in tandem to create landscapes of toxic waste.

FROM THE MAY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

In Houston, it was the petrochemical plants. In North Carolina, it was the hog farms. In both places, churning floodwaters caused by recent storms were turned into a toxic stew that endangered local water resources and public health. In September 2018, Hurricane Florence made landfall in North Carolina, where seven million gallons of hog waste overtopped the region’s ubiquitous open-air lagoons and quickly made its way into neighbors’ yards and nearby streams.

As by-products go, the fecal sludge of an industrial-scale hog farm is far from benign. The waste can carry viruses, parasites, nitrates, and bacteria such as salmonella. Even in the best circumstances, the odors from these open-air lagoons, which number some 3,300 across the state but are concentrated in the heavily African American counties of eastern North Carolina, are noxious enough that in August 2018 a jury awarded six families $473.5 million for having to live near a hog farm in Pender County. Combined with a severe storm, however, these lagoons become all the more dangerous, threatening the water supply of entire communities and far-flung ecosystems.

Hurricane Florence was just the most recent example of how severe weather events, strengthened by a warming climate, can interact with industrialized landscapes to create new threats to public health and safety. If landscape architects are to grapple with the environmental and human health impacts of climate change, they will have to educate themselves about agricultural waste. (more…)

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FOREGROUND

What Makes Us Us (Interview)
Julian Raxworthy talks about the proletarian roots of his new book, Overgrown.

Hog-Tied (Waste)
A few landscape architects have begun to focus on the huge ecological hazards
of animal waste from agriculture operations.

Linked In (Habitat)
A Seattle neighborhood is the starting point of the artist Sarah Bergmann’s
realization of a living network called Pollinator Pathways.

FEATURES

MLA ROI
Although the landscape architecture profession is poised to grow, master’s degree programs are struggling to gain enrollments. One major reason is the cost and eventual payoff of pursuing a degree.

Refuge Found
Outside Denver, Rocky Mountain Arsenal Wildlife Refuge, a Design Workshop project that received the 2018 ASLA Landmark Award, continues to rebuild a high-prairie ecosystem scorched by weapons and chemical production.

Twice Bitten
Two flash floods in three years gutted the historic heart of Ellicott City, Maryland. Mahan Rykiel Associates is working to help the town figure out how to meet a future of extreme weather.

All this plus the regular Now and Goods columns. The full table of contents for May can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting May articles as the month rolls out.

Credits: “Refuge Found,” D. A. Horchner/Design Workshop; “Twice Bitten,” Josh Ganzermiller Photography; “Hog-Tied,” Waterkeeper Alliance; “Linked In,” © David E. Perry; “What Makes Us Us,” Julian Raxworthy. 

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BY MICHAEL DUMIAK

Trees in the landscape around Ypres, in Belgium, mark stubborn boundaries of the first World War.

FROM THE MARCH 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Off the Menin Road in Flanders, Belgium, there is a lane leading to a working farm and a stand of trees. This copse is called Railway Wood.

On a raw day in early spring, the wind runs through the wood over the adjoining field, rustling the leaves of a slight elm sapling at the side of the lane. The elm is protected by a steel frame, and it is marked with a red-trimmed sign. The tree stands in a spot that looked very different once upon a time, from June 1915 to July 1917. At that point there were no trees, none with leaves, or branches, or tops, anyway, and this place was called the Idiot Trench. (more…)

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BY ZACH MORTICE

Detail, paving, and construction of cable car line on Broadway, 1891. Photograph by C. C. Langill and William Gray. (Photography Collection, Miriam and Ira D. Wallach Division of Art, Prints, and Photographs, The New York Public Library, Astor, Lenox and Tilden Foundations).

THE PRESTIGIOUS RESIDENTIAL FELLOWSHIP WELCOMES A NEW GROUP OF LANDSCAPE ARCHITECTURE PROFESSORS.

 

The MacDowell Colony, which grants artists across different disciplines residential fellowships to pursue their craft, is welcoming four landscape architecture educators into the program for its Spring 2019 residencies. The duo of Present Practice (Parker Sutton and Katherine Jenkins), who teach landscape architecture at the Ohio State University; the Harvard Graduate School of Design landscape architecture professor Robert Pietrusko; and Jane Hutton, a landscape architecture professor at the University of Waterloo in Ontario, will all spend up to eight weeks through May in Peterborough, New Hampshire, working in scholarly isolation. Now in its 112th year, MacDowell provides a private studio, as well as meals, accommodations, and some stipends.

This spring term’s fellows are architects and landscape architects, composers, filmmakers, interdisciplinary artists, theater artists, visual artists, poets, nonfiction writers, and fiction writers. Each crop of fellows is selected by a panel of subject matter experts. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo courtesy Yannick Milpas for Omgeving.

From “Tree Line” in the March 2019 issue by Michael Dumiak, about the Remembrance Trees marking a World War I memorial.

“The Bluff overlooks what was once no-man’s-land—the neutral land between German and Allied forces in World War I.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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