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Archive for the ‘RIVER RESTORATION’ Category

The things our art director, Chris McGee, hated to leave out of the current issue of LAM. 

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Photo by Christian Phillips Photography.

From “Walking the Walk” by Jane Margolies in the March 2017 issue, a feature on Chicago’s six-block riverwalk, a decade and a half in the making.

“Down by the river.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY JANE MARGOLIES

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Fifteen years in the making, a new public space reunites Chicago with the river that runs through it.

FROM THE MARCH 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

“Isn’t it hot?” Gina Ford, ASLA, asked excitedly, waving a well-jacketed arm around her on a cold morning this past fall as she, the architect Carol Ross Barney, and Terry Ryan, FASLA, met up at the Chicago Riverwalk to show me around.

Not exactly the word I would have chosen, given the temperature, but, yes, the new promenade they designed along the Chicago River, in the downtown of Illinois’s largest city, most definitely is.

Extending eight blocks along the river’s southern bank at a level below the streetscape, the Riverwalk is part of a 1.25-mile path from Lake Michigan inland that some are calling the city’s “second shoreline” (the lake, which borders Chicago to the east, being the “first,” of course). Each block-long space is bookended by the historic bridge houses that operate the movable spans that cross the waterway. And each has its own distinct riverside character, ranging from the Marina, a hub of food and drink purveyors, to the Jetty, an ecology-themed section that includes floating gardens and fishing piers. A continuous pathway stitches the segments together, weaving around the bridge houses before continuing on. And all of it adds up to a (more…)

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The Los Angeles Urban Rangers bring a naturalist’s eye to the urban jungle. Since 2004, they’ve led Angelenos in guided hikes and campfire talks through their city, tallying security cameras and public art instead of rare mushrooms and finches. Their latest video (a tour of downtown Los Angeles’s financial district) seems mostly like an act of whimsy and make-believe—until they guide explorers through dark tunnels and dense webs of infrastructure to one of the few places that offer public access to the concrete-entombed Los Angeles River. From that hidden vantage point, it’s much clearer that all landscapes, green or gray alike, require access and appreciation to survive and thrive.

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It’s time to celebrate! The September issue of LAM rolls out the 2016 ASLA Awards, with more than 80 pages of Student and Professional Award winners, plus this year’s Landmark Award, given to the Michigan Avenue Streetscape project in Chicago. Out of 271 submitted projects to the Student Awards, 22 winners were chosen, and 29 Professional Awards were selected from 457 submissions. All this plus our regular Land Matters, Now, and Goods columns.

You can read the full table of contents for September 2016 or pick up a free digital issue of the September LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating September articles as the month rolls out.

Credits: Landmark Award, Charlie Simokaitis; Professional Communications, Charles Birnbaum, FASLA, and Barrett Doherty; Professional Analysis and Planning, Ramboll with Ramboll Studio Dreiseitl; Professional Residential Design, D. A. Horchner/Design Workshop, Inc.; Professional General Design, Tom Arban.

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In December’s  LAM, Fred Bernstein reports on Daniel Biederman’s quest for the perfect park, and it’s not for slouches. Jonathan Lerner writes about the simple beauty of the Cedar Creek Residence by Hocker Design Group, winner of the 2015 ASLA Professional Award of Excellence in Residential Design. William Saunders takes in OLIN’s rewilding of Mill River in the heart of Stamford, Connecticut.

In Interview, Kurt Fristrup, a senior scientist for the National Park Service’s Natural Sounds and Night Skies Division, discusses newly released “sound maps” of the United States; what virtual reality could mean for landscape architecture in Tech; and in Ecology, Norman DeFraeye, the supervisor for Toronto’s ravine and natural feature protection, walks a tough line for nature restoration in the middle of an urban center. And don’t miss our regular Now, Species, Goods, and Books columns.

You can read the full table of contents for December 2015 or pick up a free digital issue of the December LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating December articles as the month rolls out.

Credits: “Pardon His Progress,” Patrick Pantano; “The Serenity of Straight Lines,” Robert Yu; “Change the Channel,” © OLIN/Sahar Coston-Hardy; “Field Recordings,” National Park Service; “Get Real,” Dan Neubauer; “The Ravine Keeper,” DTAH.

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Most feel the L.A. River needs to change, though they can't agree on what.

Most believe the L.A. River needs to change, though exactly how it should be done is still up in the air.

From the October 2015 issue of Landscape Architecture Magazine.

The push to fix the 51-mile Los Angeles River over the past few decades has been a triumph of citizen-fueled advocacy. It has harnessed landscape architecture as well as politics, planning, economics, engineering, hydrology, and ecology toward a dream of a living river, with plants and animals and people (and real estate) close to the water. Persistence and skill, notably on the part of the group Friends of the Los Angeles River, led to the stunning endorsement last year by the U.S. Army Corps of Engineers of a $1 billion federal plan to restore natural habitat along 11 miles of the upper river. It was a bigger bet on the river than anyone expected. Since then, the big questions have been whether Congress will fund the plan and, if so, how much the federal government will pay and how much the city will pay. The city must buy land, clean up contamination, and build a public realm; a lot of how to do all that had been laid out in a master plan in 2007 for 32 miles of the river, from its headwaters in Canoga Park to downtown Los Angeles. As part of the large master plan team, led by Tetra Tech, the offices of Civitas, Wenk Associates, and Mia Lehrer + Associates developed transformative, landscape driven solutions for sites along the river.

It’s all been incredibly exciting. But now, rather than wait until Congress considers funding the corps’ plan, the mayor of Los Angeles, Eric Garcetti, an ardent river advocate, has been encouraging a whole other river plan but not telling anyone much about it. For this newer plan, the Los Angeles River Revitalization Corporation, a nonprofit the city chartered to direct its river strategy, asked Frank Gehry’s firm, Gehry Partners, to begin studying the whole length of the river. OLIN is on board as a consulting landscape architect. Garcetti called Gehry’s work “a master plan, in the truest sense of the word,” and added, “To have the Olmsted of our time focusing on this, I think, is extraordinary.”

The Olmsted remark did not go over well among landscape architects. None of the revelations about the Gehry project went particularly well, not least because they were unexpected. Over the past year, some longtime river strategists have been shown the outlines of the Gehry team’s effort, but for the most part it unfolded in private until the Los Angeles Times reported on its existence in early August. Then came the disciplinary resentments in the landscape realm and, more important, the pains of people—professionals and laypersons—who worked hard to get the corps’ blessing on a major plan. Those people rightly worry that they may now have to spend more effort to defend what they have already achieved for the river. They worry because so little about the new planning process has been shared with them or with the public. The city’s emerging bid to host the Olympics in 2024 adds another layer of uncertainty to some of the river sites.

The revitalization corporation insists it is considering all the previous work for the master plan and the corps’ proposal in its new project, but one of its tendencies has been to speak as if Gehry’s team is starting a process of remaking the river rather than walking into the middle of one. Mayor Garcetti, who has made the river a serious project for his administration, could clear up a lot of confusion. He needs to ensure that the intelligence gathered so far around the river’s revival remains in play and will feed into any future plans. It would help to involve the river’s early advocates and designers much more closely than seems to have been the case lately, and to pay more attention to their considerable accomplishment. Visions for a better river could combine many ideas and forms. Coherence in the approach will be crucial in selling them.

Credit: By A Syn [CC BY-SA 2.0], via Wikimedia Commons.

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September’s LAM focuses on three issues in the world of education, including the questions surrounding the development of online landscape architecture degrees, the inclusion of concerns about social equity for the future of the profession, and the debate over the conversion of five-year BLA programs to four. And a rather grand renovation of the University of British Columbia, Vancouver, campus by PFS Studio shows how the designers inject a modern attitude into a basic Beaux-Arts plan.

In this month’s departments, the city of Austin undertakes some creative master planning of four municipal cemeteries to combine history with a revenue source for future maintenance; Future Green Studio in Brooklyn is  designing with weeds; and two water-focused landscape designs involving Atelier Dreiseitl stress the need for an understanding of local ecology. And don’t miss our regular Now, Species, Goods, and Books columns. The full table of contents for September can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating September articles as the month rolls out.

Credits: “Learning Curves,” Hover Collective; “Graveyard Shift,” McDoux Preservation; “In the Weeds,” Tod Seelie; “Keep it Up,” Atelier Dreiseitl.

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