Archive for the ‘SANDY’ Category

BY TOM STOELKER

A new film documents managed retreat for three New York City neighborhoods.

FROM THE JULY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The start of Nathan Kensinger’s quiet documentary Managed Retreat begins innocently enough. Waves from the Atlantic roll in toward the viewer. A lone couple walks hand in hand along a desolate beach. A seawall meanders off into the distance. An abandoned car in a marsh sends a dissonant note that builds to an ominous beat. The sound of waves gives way to the “beep, beep, beep” of an excavator backing up. Abandoned homes fill the frame until the excavator’s bucket reaches out to nudge one of the houses to the ground. It is a slow, lumbering destruction, with the “beep, beep, beep” tracking time.

Kensinger’s 18-minute film, which is currently screening at film festivals, documents the managed retreat of three New York City neighborhoods on Staten Island that never fully recovered from Hurricane Sandy. Instead, in an unusual approach, residents organized to sell their land to the state, left their homes behind, and let nature return. The film stands witness to an unheard-of scenario in New York: (more…)

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HERE COMES EVERYBODY

BY ANNE RAVER

The final pier has opened. Brooklyn Bridge Park is all but complete.

FROM THE DECEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

It was raining, so we crouched, rather than sat, in the grassy bowl that Michael Van Valkenburgh, FASLA, had envisioned as the centerpiece of the newly completed green space and playground on Pier 3, which, like most of the other piers in Brooklyn Bridge Park, sprawls over five acres, into the East River.

“I’m lucky to know what it’s like to imagine and hope for something like this for 20 years and finally see it, have it realized,” said Van Valkenburgh, whose firm drew its first plan for this park in 1999. “Look at that sky.” (more…)

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BY LESLEY PEREZ, ASSOCIATE ASLA

In Pittsburgh, Merritt Chase wants to help the city capitalize on its biggest unsung assets: stairs.

FROM THE OCTOBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Growing up about an hour south of Pittsburgh, Nina Chase, ASLA, always admired the bold natural beauty of the city’s dramatic hills. But relocating to the city two years ago gave her a new appreciation of the incredible amount of human ingenuity that went into transforming that terrain into a livable, connected place. “There’s this whole motley crew of infrastructure that helps people navigate the topography,” Chase says. With elevations ranging from 710 feet above sea level where the rivers meet to 1,300 feet at the highest points, Pittsburgh relies on a vast network of bridges, inclines, stairs, and tunnels to knit itself together.

It’s the stairs, however, that have come to be most emblematic. There are more than 800 stairs scattered across Pittsburgh, which according to the city’s website is more than any other city in the United States. They scale steep hills, open up vistas, function as sidewalks, and provide (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text, with English text available below.

BY TIMOTHY A. SCHULER

FROM THE JULY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

On a chilly Sunday afternoon in the spring of 2016, a group of designers and preservation professionals wandered through one of Newport, Rhode Island’s oldest neighborhoods, visualizing what it would look like underwater. It wasn’t hard to imagine water flowing down the narrow streets and into the basements of the quaint, colonial-era homes located just blocks from Newport Harbor and a mere four feet above sea level. Some had already seen it.

In 2012, Hurricane Sandy sent floodwaters into many of the Point neighborhood’s historic homes, including 74 Bridge Street, a red-painted, two-story house originally built in the late 1720s. The basement flooded up to the first-floor framing and the kitchen took on at least seven inches of water.

Two years later, the Newport Restoration Foundation (NRF), a nonprofit preservation group founded by Doris Duke in the 1960s, purchased the house at 74 Bridge Street. As the house of one of Newport’s most notable cabinetmakers, a Quaker named Christopher Townsend, it had sat for years at the top of the NRF’s list of most desirable historic Newport properties. It was an important acquisition for the NRF, which currently owns 78 properties throughout the city and helps fund their upkeep. But the organization also knew that 74 Bridge Street would flood again.

“It’s in the lowest point in the Point neighborhood—literally, the lowest topographical point,” says Shantia Anderheggen, NRF’s former director of preservation. With sea levels on the rise—and in Newport they already had risen 11 inches over the past century—it was a statistical certainty that what happened in 2012 would happen again. And it wasn’t just the Townsend residence. The entire Point neighborhood, which has one of the highest concentrations of colonial-era structures on the continent, was under siege from the sea. (more…)

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It’s the beginning of July, which means the latest issue of LAM is here! You’ll find these stories inside:

FOREGROUND

 Urban Scanner (Interview)
Shannon Mattern’s book, Code and Clay, Data and Dirt: Five Thousand Years of Urban Media, uncovers the way information has shaped our cities.

The Hole Story (Parks)
Hornsby Quarry in New South Wales was thought too big to fill and too unsafe to leave open.
Now it could be a park.

Palms Out (Plants)
Palm trees may be iconic of Miami or Los Angeles, but they can
thrive in more—and colder—places than you may think.

FEATURES

The Old and the Neutral
In New Orleans, Hargreaves Associates weaves the hopeful future into
the industrial past in Crescent Park.

Two London Squares and a Theory of the Beige Hole
Sleek, tidy, generic: a critique of Fitzroy Place and Rathbone Square, two privately owned
public spaces in London’s West End.

Balancing Act 
In a wetter world, how do we weigh the need to adapt to the future
against the imperative to preserve the past?

All this plus the regular Now and Goods columns. The full table of contents for July can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting July articles as the month rolls out.

Credits: “Two London Squares and a Theory of the Beige Hole,” londonsurvival/JOEHOOVER (londonsurvival.wordpress.com); “The Old and the Neutral,” Timothy Hursley; “Balancing Act,” Newport Restoration Foundation/Ashley Braquet; “Palms Out,” Botanics Wholesale; “The Hole Story,” Hornsby Shire Council; “Urban Scanner,” Michael K. Chen and Justin Snider, Michael K. Chen Architecture.

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BY BRADFORD MCKEE

FROM THE OCTOBER 2016 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

“It’s happening again.” That was a repeated phrase May 27 on Twitter as a deluge of water came downhill on Main Street in Ellicott City, Maryland, carrying cars and garbage and ruining businesses that had rebuilt after a similar flood in 2016. This time, the historic town received more than seven inches of rain within a few hours; a Maryland National Guardsman was killed as he tried to help a woman rescue her cat.

Ellicott City has known flooding since its founding, though it now comes from above the town rather than creeping up from the Patapsco River below. Our editorial in October 2016 explains the problem, which officials still, apparently, have not been able to fix.

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Main Street in Ellicott City, Maryland, has reopened, its historic storefronts repaired for the moment but its bigger problems unsolved. On July 30, almost six inches of rain fell in two hours right atop the 244-year-old former mill town—now a shopping and dining destination—which is built into a tight granite valley atop a network of streams that flow into the Patapsco River. The flood was a surprise. The water came not from the river but from upland, where suburban development in recent decades has hardened the ground. Main Street turned into a torrent within minutes. Dozens of people who had gone out to shop or eat had to be rescued, and two people died. The water shoved around a couple hundred cars and gouged out the streetscape, baring the infrastructure beneath about 100 ruined businesses. (more…)

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BY BRADFORD MCKEE

Kate Orff, ASLA. Image courtesy of the John D. & Catherine T. MacArthur Foundation.

FROM THE NOVEMBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Kate Orff, ASLA, became the first landscape architect to receive a MacArthur Foundation fellowship, which carries a $625,000 award over five years for “originality, insight, and potential.” Orff was among 24 fellows named by the foundation today, who also included artists, activists, scientists, and historians.

Orff is the founder of SCAPE Landscape Architecture in New York, and the director of the urban design program at Columbia University’s Graduate School of Architecture, Planning, and Preservation. The firm’s work has achieved wide renown in recent years for its novel and intensely collaborative approaches (more…)

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