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Archive for the ‘SHORELINE’ Category

BY ROXANNE BLACKWELL, HON. ASLA

Portland Mall Revitalization, ASLA 2011 Professional General Design Award of Excellence, designed by ZGF Architects LLP. Image courtesy ZGF Architects LLP.

FROM ASLA’S THE DIRT BLOG

 

The House of Representatives just passed the Infrastructure Investment and Jobs Act, which makes significant investments in the nation’s transportation, water, renewable energy, and broadband infrastructure. The legislation incorporates 13 of the transportation, water, and natural resource policy recommendations sent by ASLA’s Government Affairs team to the leaders of congressional transportation and infrastructure committees and the Biden–Harris administration.

The legislation includes a five-year reauthorization of transportation programs and dramatically increases funding for safe, active, and low-carbon transportation programs such as the Transportation Alternatives Program, the Safe Routes to School program, and the Complete Streets initiative.

The package creates new programs that will allow landscape architects to lead projects nationwide. These include the Healthy Streets initiative as well as programs to remove invasive plants, create habitat for pollinators on highway rights-of-way, and plan and design new wildlife crossings.

There are also some first steps to address the legacy of environmental and social inequities in cities created by highways that have divided communities for decades. The Reconnecting Communities program provides $1 billion to remove highways and reconnect communities through multimodal transportation options, boulevard-like green spaces, and new connections to economic opportunity. These are projects landscape architects are poised to lead.

The legislation increases funding for the Drinking Water and Clean Water State Revolving Fund programs, which landscape architects will be able to access to help communities address their water quality and quantity issues.

The legislation will also create five new Stormwater Centers of Excellence. These will enable landscape architecture educators to explore new types of nature-based green infrastructure methods to improve existing designs and strategies for financing and rate setting, public outreach, and professional training. (more…)

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BY TIMOTHY A. SCHULER

On a living shoreline in Ontario, Canada, Seferian Design Group balances designing for erosion and endangered species.

FROM THE NOVEMBER 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

On the northern shore of Lake Ontario, 25 miles outside Toronto, a quarter mile of once-eroding lakefront is a case study in resilient design for the Great Lakes. Although at first glance it may not look as green or vegetated—as alive—as other so-called living shorelines, the new shoreline was planned and built around the needs of multiple vulnerable wildlife species and offers vital refugia for still others.

The stretch of shoreline belongs to Appleby College, a private preparatory school in Oakville, Ontario. Its largely natural shoreline was eroding at an alarming rate, battered by increased wave action caused by historically high lake levels and severed from natural replenishment cycles by shoreline hardening projects nearby. “They’d done surveying every couple of years, and in some areas, five, six meters of shoreline were just gone,” says Brad Smith, ASLA, a senior landscape architect at Seferian Design Group in nearby Burlington, Ontario, which was hired to help address the problem after a more typical hardening plan was scrapped. “The conservation authority came back and said, ‘We want something greener, softer, more dynamic.’” (more…)

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On the Cover: Students perch on an overlook at the Tennessee River.

“When Stars Align,” by Jared Brey. Thanks to years of work by students and faculty from the University of Tennessee, Knoxville’s School of Landscape Architecture, the 652-mile trail known as the Tennessee RiverLine has grown from a sparky idea to a full-fledged proposal. It is poised to be part of the region’s next era of people-centered infrastructure.

Also in the issue:
Russell + Mills Studios designs a riverfront for New Belgium Brewing Company in Asheville, North Carolina. | Landscape architect Martin Smith’s vision for revitalizing the Arkansas Delta has grown from passion project to a force for change. | Fallen Sky lands at Storm King Art Center. | Knoxville’s storied Loghaven re-emerges as an artists’ haven. | Seferian Design Group finds a material balance along Lake Ontario. | Carbon counting for city services in Reno, Nevada. | The High Line Canal is a vision for a 71-mile irrigation canal that runs along Denver’s eastern edge. | Goods features new exhibitors at ASLA’s EXPO in Nashville. | Three designers from SCAPE Studio reflect on Hurricane Ida. | A review of Site Matters: Strategies for Uncertainty Through Planning and Design, edited by Andrea Kahn and Carol J. Burns. | Seeking a way to translate wildfire risk in Lake Tahoe, a landscape artist lets the trees talk. 

 

Online this month from the November issue:

—“Better Edges for Eels” by Timothy A. Schuler on November 2. On a living shoreline in Ontario, Canada, Seferian Design Group is designing to counteract erosion and provide a habitat for endangered species.

—“Home Brewed” by Brian Barth on November 11. A connection with New Belgium Brewing Company led to a chance for Russell + Mills Studios to design the landscape for a brewery in Asheville, North Carolina.

—“When Stars Align” by Jared Brey on November 18. A student project to connect people and public lands along a 652-mile river trail gathers steam. English and Spanish.

—“High Profile” by Haniya Rae on November 30. The transformation of an irrigation canal east of Denver shows off the region’s diversity.

The full table of contents for November can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting November articles as the month rolls out.

Credits: Cover, photo by Tennessee River Studio; “The Bridge Builder,” Timothy Hursley; “When Stars Align,” Tennessee River Studio; “Home Brewed,” Mark Herboth Photography, LLC; “High Profile,” Evan Anderman.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image by Anjelica S. Gallegos.

From “Reappearing Act” by Jonathan Lerner in the September 2021 issue, about Anjelica Gallegos’s plan to revive a memorial for Indigenous people on the shores of Staten Island.

“Long forgotten, now remembered.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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Designers from SCAPE’s New Orleans and New York offices talk about the lessons from Hurricane Ida, in and out of the office.

Damage from Hurricane Ida in Pointe-aux-Chênes, Louisiana, where volunteers from SCAPE are pitching in with the recycling organization Glass Half Full to help with the cleanup. Photo by Liz Camuti.

In early September, a few days after Hurricane Ida raked through Louisiana on its way up the East Coast, three designers from SCAPE Studio met up on Zoom to talk with Landscape Architecture Magazine’s Acting Editor, Jennifer Reut, about Ida’s aftermath. SCAPE’s practice has long focused on coastal resilience and sea-level rise, but Ida’s dual impact on New Orleans (August 29) and New York (September 1) was the first time that designers from both offices had experienced catastrophic flooding from the same storm. Hurricane Ida’s aftermath offered a chance to reflect on what is changing and what isn’t in the profession and the public’s understanding of climate-fueled catastrophes.

Gathered were John Donnelly, ASLA, the technical principal at SCAPE, who had recently moved to New Orleans to work at SCAPE’s office there. Studio Director Chris Barnes, ASLA, had founded the New Orleans office when he moved back home to Louisiana, and Design Principal Gena Wirth, ASLA, called in from SCAPE’s New York office. This is an excerpt from the conversation that took place on September 10. The full interview will appear in Landscape Architecture Magazine in November 2021. (more…)

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BY ZACH MORTICE

A puzzle-like model of the Mississippi River Basin helps to reveal connections.

FROM THE AUGUST 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

This month, on the riverside terrace of a former pump house in Columbus, Indiana, an exaggerated topographic model of the Mississippi watershed will be installed. It is a hardier object than models meant for conference rooms or museum galleries. In fact, the model’s designer, Derek Hoeferlin, Affiliate ASLA, encourages visitors to pour a glass of water, or beer, over the landscape, to see how much pilsner the Ohio River can take, or how many ounces of stout it requires to overtop the Missouri River. Or, “if it’s coming from the Northwest,” Hoeferlin says, “it might be an IPA.”

Installed as part of this year’s Exhibit Columbus, a biennial celebration of the Indiana city’s trove of midcentury modern architecture, the model is split into six lobes that fit together like puzzle pieces, representing the Mississippi and its tributary watersheds. It’s an extension of a long-term effort to create an atlas of the Mississippi River Basin, in which Hoeferlin is working to map the basin at a variety of scales and examining the control measures that make the watershed a tool for commerce. The installation, dubbed Tracing Our Mississippi, also includes expository boards, and Hoeferlin plans to host public programming themed on Indigenous rights to the land and water with artists from opposite ends of the Mississippi watershed: Angie Tillges from Minnesota and Monique Verdin from Louisiana. (more…)

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BY ZACH MORTICE

Nantucket Island, where impending sea-level rise hasn’t done much to slow the real estate market. Photo by Maggie Janik.

In the face of likely climate retreat, student design studios explore ways to improve Nantucket’s coastal resilience.

 

On Nantucket Island off the coast of Massachusetts, half of the 10 highest-ever tides arrived in 2018 alone, and flooding is a constant worry that imperils the tourist economy and historic buildings. “But that has not slowed down the real estate market,” says Cecil Barron Jensen, the executive director of the local nonprofit ReMain Nantucket. It’s been a “banner, record year” for buying and selling houses, she says. The average home price in Nantucket is nearly $1.8 million, according to Zillow, up almost 10 percent over the past year.

Real estate brokers on the island, Jensen says, talk about the flooding in terms of timelines. “How long do you want to enjoy this house? You can enjoy this house for this long,” she says. Even for the rich, the good life on Nantucket is becoming a finite commodity, as the dissonance between the hearty trade in beachfront views and climate cataclysm becomes harder to ignore.

Finding ways for Nantucket to coexist with rising floodwaters is the purpose of the Envision Resilience Nantucket Challenge, an initiative by Jensen’s ReMain Nantucket to bring aboard teams of design students in a collaborative design studio to propose solutions. Overall, these propositions, on exhibition at the Nantucket Historical Association’s Thomas Macy Warehouse through December, are focused on soft edges, careful retreats, and ways to get habitats, native ecologies, and people to mix and mingle with water productively. Students from five design programs (Yale, Harvard, the University of Miami, the University of Florida, and Northeastern University) presented their work—all produced remotely—to the Nantucket community in early June. (more…)

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