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BY TIMOTHY A. SCHULER

Landscape architects are visualizing the future of renewable energy.

Landscape architects are visualizing the future of renewable energy.

FROM THE MARCH 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

I first began to see the signs outside Sioux City, Iowa, along Interstate 29. They were white with big black letters: “Have Pride in Our Community.” The words were arranged around a central graphic of a wind turbine circumscribed by a red circle, a diagonal line through the middle. Just beyond the signs, and the farmhouses whose owners had put them up, were the real thing. Dozens of them. Giant, spinning turbines as far as the eye could see. Their presence gave the homes a sense of existing in occupied territory.

Wind turbines—and opposition to them—are an increasingly common reality, not just in Iowa but throughout the United States. According to Department of Energy statistics, wind energy generation quadrupled from 2001 to 2006 and did so again by 2011. By 2015, the United States was producing 190 million megawatt hours of energy by harnessing the wind, compared to just 5.5 million megawatt hours in 2000. Most of this capacity has been constructed in the heart of the country, where wind is plentiful. Iowa, with an installed capacity of 6,917 megawatts, is the national leader when it comes to in-state wind energy generation. Wind accounts for 36 percent of the state’s energy needs.

Assuming that the United States continues to devote land and other resources to large-scale wind and solar power (and experts believe it will, despite the election of Donald Trump, owing to market pressures), (more…)

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BY TIMOTHY A. SCHULER

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Mapping the historic dunes hidden beneath the surface of Chicago.

FROM THE FEBRUARY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

A few years ago, Mary Pat McGuire, ASLA, became fascinated by the South Side of Chicago—or rather, with what was beneath it. She was flying back to the East Coast often, leaving from Midway Airport, and she started to notice “really interesting patterns along the coastline that looked like stripes, ridges along the shore. They were some kind of remnant,” she says, describing the landscape south of the city. “I just started to wonder, ‘What’s really going on here? What was this place?’”

McGuire, an assistant professor of landscape architecture at the University of Illinois at Urbana-Champaign, was already familiar with the South Side’s more recent history of white flight, shuttered industry, and disinvestment. Now, she became interested in the area’s geologic history, and how it might be put to work. The landforms she spied from the air prompted McGuire to look at early soil maps made by the U.S. Geological Survey. What she found were (more…)

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BY JANE MARGOLIES

An iconic Robert Moses-designed park on Long Island gets a resilient rethinking.

From the November 2016 Issue of Landscape Architecture Magazine 

 

I’m standing on the boardwalk at Jones Beach State Park in Wantagh, New York, with Faye Harwell, FASLA, a codirector of Rhodeside & Harwell. Our backs to the Atlantic, we look out over a flat expanse that used to be covered by shuffleboard, ping-pong, and tennis courts. Now it’s a mountain of broken-up concrete. By next summer, this will be a rolling naturalistic setting, dotted with a rock-climbing wall, zip line, splash pool, and, yes, a couple of shuffleboard courts, too. It will be the most visible of the many changes taking place at Jones Beach in a $65 million project undertaken by the state’s Office of Parks, Recreation, and Historic Preservation and guided by a report from Harwell’s firm.

Changes are needed. Built by the urban planning czar Robert Moses in 1929 as part of an unprecedented network of parkways and public parks, Jones Beach once was a six-and-a-half-mile-long marvel along the south shore of Long Island. Moses had used dredged sand to connect several small barrier islands, on which he and the landscape architect Clarence Coombs laid out the park (more…)

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It’s time to celebrate! The September issue of LAM rolls out the 2016 ASLA Awards, with more than 80 pages of Student and Professional Award winners, plus this year’s Landmark Award, given to the Michigan Avenue Streetscape project in Chicago. Out of 271 submitted projects to the Student Awards, 22 winners were chosen, and 29 Professional Awards were selected from 457 submissions. All this plus our regular Land Matters, Now, and Goods columns.

You can read the full table of contents for September 2016 or pick up a free digital issue of the September LAM here and share it with your clients, colleagues, and friends. As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating September articles as the month rolls out.

Credits: Landmark Award, Charlie Simokaitis; Professional Communications, Charles Birnbaum, FASLA, and Barrett Doherty; Professional Analysis and Planning, Ramboll with Ramboll Studio Dreiseitl; Professional Residential Design, D. A. Horchner/Design Workshop, Inc.; Professional General Design, Tom Arban.

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BY KEVAN WILLIAMS

In North Miami, flooding and sea-level rise have spurred talk of relocation, as well as cries of “climate gentrification.”

In North Miami, flooding and sea-level rise have spurred talk of relocation, as well as cries of “climate gentrification.”

From the August 2016 issue of Landscape Architecture Magazine.

Before the city was built, the land around Miami consisted of a low band of limestone, the Atlantic Coastal Ridge, dissected by lower sloughs, marshy freshwater streams that eventually were filled in and developed. The Arch Creek neighborhood of North Miami is one such area. “Fast forward, [and] they’re what FEMA calls repetitive loss properties,” says Walter Meyer, a founding principal of Brooklyn-based Local Office Landscape Architecture, of the homes built in these vulnerable, low-lying areas.

After multiple claims, the homes are no longer eligible for the National Flood Insurance Program.

Meyer was one of nine urban planning experts convened by the (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

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Credit: Lexi Van Valkenburgh.

From “Still Here” by Jane Margolies, in the June 2016 issue, featuring South Cove in Battery Park City, by Susan Child, FASLA; Stanton Eckstut; and Mary Miss, 30 years after it set the standard for waterfront parks.

“Urban intimate.”

—Chris McGee, LAM Art Director

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY ANNE RAVER

Reed Hilderbrand overturns a century of casual destruction at Long Dock Park in Beacon, New York.

Reed Hilderbrand overturns a century of casual destruction at Long Dock Park in Beacon, New York.

From the March 2016 issue of Landscape Architecture Magazine.

Ten years ago, Long Dock was a postindustrial ruins built on fill—the layered detritus of its past—that sprawled 1,000 feet across the tidal flats of the Hudson River at the foot of the boarded-up city of Beacon, New York.

Now, this same site, Scenic Hudson’s Long Dock Park, is a 23-acre expanse of meadow and wetlands shaded by cottonwoods and swamp maples, with a sculpted dock and quiet cove, where a kayak pavilion hovers like a dragonfly over the river’s edge.

Reed Hilderbrand has remediated and reshaped the flat landscape, transforming it to a series of earthen berms and reconfigured marshes that hold and filter stormwater and tidal surges in storms as brutal as Irene and Sandy.

“We were fully inundated four times during construction, so each time we lost ground,” Gary Hilderbrand, FASLA, said one midsummer afternoon, standing on the boardwalk that leads to the river’s edge. “But we also proved that the (more…)

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