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Archive for the ‘STUDENTS’ Category

Martha Schwartz, FASLA, began her lecture last fall at the University of Southern California School of Architecture with a dire warning, and an invitation to play.

In “Beyond Practice” (her comments start at 13:08), she began by outlining the ecological imperative that climate change and carbon emissions place on landscape designers and the rest of the world: the exceptionally long tail of ocean warming, and methane bubbles released from melting permafrost that clog the atmosphere.

From there, it’s a quick exposition of Schwartz’s carefree straddling of the art and landscape architecture worlds. She recounts her 1979 Bagel Garden, when she designed the garden at her Boston home with only materials she could purchase on her block: bagels, purple flowers, and purple aquarium gravel. That act of strident whimsy prompted LAM editor Grady Clay to put this project on his magazine’s cover, bordered in neon pink and hand-drawn bagels. It was an early curation of “native” landscape materials combined with boundary-pushing art installations. “It’s a Dada piece. It’s Duchamp’s toilet,” she says. And it also made her name in landscape architecture.

A survey of Schwartz’s contemporary work (detailed further in this month’s cover story) demonstrates her continued emphasis on offering users quirky art objects to interact with, such as the train-cart seating at Manchester’s Exchange Square, and the gawking polygonal pavilions at Fengming Mountain Park in the Chinese city of Chongqing. This narrow slice of her work shows off a wild range of cultural conditions and aesthetic treatments. There are gritty, postindustral reuses, razor-sharp Libeskind-esque angles, and meditative contemplations of vernacular materials and forms.

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BY JAMES TRULOVE

Back from a dozen years in London, the designer is focusing on climate and the world she has made her home.

THE FOLLOWING IS AN EXCERPT FROM “MARTHA SCHWARTZ, RECONNECTING” IN THE JULY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE. FOR THE FULL ARTICLE, PLEASE SEE THE MAGAZINE.

Martha Schwartz, FASLA, and her business partner and husband, Markus Jatsch, last year relocated from London to Brooklyn, though the London office remains the headquarters of their firm, Martha Schwartz Partners. Schwartz continues to teach at the Harvard Graduate School of Design—though her projects have taken her firm just about everywhere but the United States. James Trulove, a former editor of LAM, who has known Schwartz for years, joined her and Jatsch, who is trained as an architect, for a conversation to find out what prompted the move and where Schwartz is directing her design and teaching now.

James Trulove: You now have offices in New York, London, and Shanghai. I guess there are many opportunities for a landscape architect in China given the enormous amount of construction that is taking place. What is it like to work there?

Schwartz: Unfortunately the quality of much of the built work is poor, (more…)

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Landscapes of Longevity is a feature-length documentary that spans cultural landscape theory, public health research, and narrative filmmaking to answer a question that affects every person: How does one’s environment affect the length and quality of one’s life?

After summarizing how planning traditions engineered physical activity and social connection out of much of the built environment, creating an “obesogenic cultural landscape,” the film seeks out locations that avoided these urban planning pitfalls, and exist as a sort of reasonably modest fountain of youth. While they were landscape architecture graduate students at the University of Virginia, directors Asa Eslocker and Harriett Jameson chronicled the epic stair-climbing abilities of nonagenarians on the Italian island of Sardinia, visited kimono weavers in Japan well into their 10th decade, and walked the lemon groves of Loma Linda, California, with their 93-year-old caretaker.

The film began as a research project by Eslocker and Jameson, which earned a 2014 ASLA Student Honor Award, and later a 2015 ASLA Student Award of Excellence once the pair started to translate their work into a movie. It pays equal attention to how the design of space, both public and private, can affect physical, psychological, social, and spiritual health. And by comparing the environments in each of their case study locations, they uncover a set of landscape features that seem to enhance longevity and quality of life by simply existing: elevated views that enhance attachment to place, visual landmarks on horizons, and opportunities for immersion in nature. Again and again, the common denominator for a long and healthy life is connection: to people, places, and the world around you. As Landscapes of Longevity makes clear, that’s a value set uniquely suited to landscape architects.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM. 

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Image courtesy of Roxi Thoren.

From “Living Lessons” by Victoria Solan in the March 2017 issue, on student investigations into how animals design their own environments.

“Earthworm art.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM. 

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Photo by Bill Timmerman.

From “Desert Bloom” by Mark Hough, FASLA, in the January 2017 issue, on Ten Eyck Landscape Architects’ regeneration of the University of Texas at El Paso, a one-of-a-kind campus on a one-of-a-kind site.

“Ten Eyck oasis.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM. 

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Photo by Peter Russell.

From “Permafrost Urbanists” by Jessica Bridger in the January 2017 issue, on how climate change is pushing urbanism to contend with Arctic landscapes.

“Hoarfrost rails.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY NEIL BUDZINSKI AND MATTHEW GIRARD

A forensic approach found the best decomposed granite solution for Kenyon College.

A forensic approach found the best decomposed granite solution for Kenyon College.

From the November 2016 Issue of Landscape Architecture Magazine 

Decomposed granite pavement (DG) is a textured and responsive paving material used on paths and plazas. Yet the quiet appearance of DG masks material and construction complexities that shape the outcome of the built work and belie what may appear to be a simple installation. In 2010, Michael Van Valkenburgh Associates (MVVA), where we are senior associates, was hired to prepare a master plan for Kenyon College in Gambier, Ohio. Over several years of our working with Kenyon to renovate its historic Middle Path, the challenges of this material were revealed and met through a program of design-phase mock-ups, manufacturer’s product development, and innovations in installation methods. We have learned several lessons regarding the product and the methods that change the way we specify and oversee the installation of this seemingly simple material.

Kenyon’s landscape is organized around Middle Path, a 3,600-foot-long walk made from a local river stone. The material of Middle Path, cherished for its color, texture, looseness, and sound, (more…)

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