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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish.

BY NINON SCOTTO DI UCCIO

FROM THE MAY 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Last winter, Dana Tinio, Student ASLA, a graduate student in landscape architecture at the University of California, Berkeley, responded to a prompt the National Association of Minority Landscape Architects (NAMLA) posted to its Instagram account: “What do you think is the biggest challenge for minorities in obtaining leadership roles in landscape architecture? And what would you propose to remedy this challenge?”

The prompt was part of NAMLA’s first mini-scholarship campaign for students, and it carried a tempting prize of $500.

“Landscape architecture in the U.S. is a historically white profession guided by Western pedagogy, thought, practice, and bias,” wrote Tinio in her winning submission. “This fact underlies the biggest barrier for minorities to achieve leadership roles in the field. Though the discipline is growing more diverse, changing dominant structures and perspectives is a challenge.” (more…)

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FOREGROUND

Print to Scale (Tech)
A low-budget student project meets new 3-D printing technology, and an award-winning garden
is the result.

        Room to Lead (Advocacy)
The National Association of Minority Landscape Architects formed in a moment of recognition. Now it is using its platform to reach out to students.

FEATURES

    Alternate Ending
Silver Lake Reservoir in Los Angeles was once a gathering place, but when it was decommissioned, the future went hazy. Navigating a vocal public process, Hargreaves Jones and the local firm Chee Salette honed a jumble of ideas into a plan for people and wildlife.

Whose Eyes on the Street?
Design strategies meant to prioritize safety in public housing often increase surveillance and overpolicing instead. A new program for New York City Housing Authority communities returns the keys to the people who live there.

The full table of contents for May can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting May articles as the month rolls out.

Credits: “Alternate Ending,” Hargreaves Jones; “Whose Eyes on the Street?” Geoff Manaugh; “Room to Lead,” NAMLA; “Print to Scale,” Mississippi State University.

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BY TIMOTHY A. SCHULER

A projector and some creative programming make a way for landscape architecture students to connect safely.

FROM THE MAY 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

More than a year into remote learning, Zoom has proven itself to be an adequate stopgap for basic instruction in university classrooms. Many design students even have benefited from the platform’s ability to collapse distance, making it possible to engage with students, guest lecturers, and critics from anywhere. Where Zoom is woefully insufficient, says Roberto Rovira, ASLA, the chair of the landscape architecture department at the Florida International University (FIU) School of Architecture (SOA), is in enabling the kinds of side conversations and ambient observations that are so much a part of the studio experience. “Those incidental conversations, the peripheral awareness of how someone is solving something, [are] why we have studio environments in the first place,” he says. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish.

BY ANJULIE RAO

FROM THE APRIL 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

On college campuses across the country, late summer yields the air of transformation; students and their families arrive on campus and embark on rituals and rites that change those students into members of a new community. Many universities take advantage of their campuses—their histories, landscapes, and buildings—to embed celebratory traditions and rites of passage for their students. For Historically Black Colleges and Universities (HBCUs), those traditions are a source of community identity, centered around significant campus landscapes. At Spelman College in Atlanta, a women’s HBCU, students partake in a “Parting” ceremony, held at the college’s campus Oval. Surrounded by campus buildings, students, dressed all in white per college tradition, prepare to say goodbye to their families to join the Spelman College community.

Yet as campuses grow and evolve to accommodate new technology and facilities, those landscapes are at risk. The National Trust for Historic Preservation has recently launched the HBCU Cultural Heritage Stewardship Initiative—a $1 million pilot program to help guide HBCU campus leaders to preserve their landscapes and, by extension, their traditions of community strength and scholarly excellence. (more…)

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REVIEWED BY LISA CASEY, ASLA

FROM THE APRIL 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Connecting children to public space outdoors had a watershed moment, a clarion call, in 2005 when Richard Louv published his now classic Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder. A journalist with a gift for storytelling, Louv was able to take the facts of the disturbingly shrinking time that young people spend outdoors and wrap it in a way that sparked the imagination of parents, educators, and child advocates everywhere. Although landscape architects, planners, and environmental psychologists have observed, studied, and discussed these trends for decades, his clarity at a key inflection point opened a movement like that of Rachel Carson’s Silent Spring or Aldo Leopold’s A Sand County Almanac.

However, there is something of an unspoken assumption around the original research and Louv’s framework in saying that the previous generation had better access to nature. Some did, as in the enthralling story that Kathryn Aalto shares in The Natural World of Winnie-the-Pooh of the eight-year-old A. A. Milne with his 10-year-old brother going on a long, unaccompanied ramble through the English countryside in the 1890s. Milne was the son of a progressive school headmaster and certainly had an exceptional childhood with such independence. Many of his contemporaries, at least half within the United States, were already in the workforce by age 14 according to the historian Robert Gordon. Young girls of the same age were in a different but no less dreary position of unending drudgery at home. The image of the carefree youth, which Mark Twain so eloquently captured in The Adventures of Tom Sawyer during this era, is ultimately one of privilege. In the early 20th century, fortunate boys living without the unending chores of a farm or factory hours in the city had more leisure time to explore the woods and streams. “The country road with barefoot boys, dogs, and fishing poles was an important part of early twentieth century small-town iconography,” notes Gordon, quoting Sinclair Lewis. The iconic youth in small towns was in various ways an elite group. How many prior generations of children of color and girls were never in Louv’s proverbial woods in the first place?

The editors of The Routledge Handbook of Designing Public Spaces for Young People focus on providing access and voice specifically to these groups of marginalized young people. Access, in particular, has been a central topic in the research and at conferences. There has also been increasing discussion around social justice. However, empowering voices within the process is a newer concept that brings a different set of challenges to the committed professional. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish.

BY TIMOTHY A. SCHULER

FROM THE MARCH 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

On August 29, 2005, the world saw what happened when a levee failed. A Category 3 hurricane slammed the Gulf Coast, 169 linear miles of federally constructed levees collapsed, and nearly 80 percent of New Orleans flooded, killing almost 1,000 people, the majority of them African American and over the age of 65. It was a wake-up call not just for New Orleanians but for lawmakers 2,000 miles away in California, who worried about their own state’s intricate system of ancient levees, which hold back the waters of the Sacramento–San Joaquin Delta.

Covering an area the size of Rhode Island, the Sacramento–San Joaquin Delta is an inland delta formed by the confluence of five major waterways, including the Sacramento and San Joaquin Rivers. It stretches from just east of the San Francisco Bay north to Sacramento and south to Stockton and drains more than 50 percent of the state of California. It is also a highly engineered landscape, made up of winding canals, earthen levees, and terraced agricultural fields. Roads follow the sinuous levees, forming what, from the air, appears as a convoluted puzzle pieced together over eons by a deranged dissectologist.

The delta’s present-day morphology is the product of one of the largest land reclamation projects in U.S. history. In the late 19th century, farmers and land speculators drained more than 500,000 acres of wetlands in the delta, using the dredge material—much of it the spoils of industrial gold mining—to build human-made islands. In the 20th century, water conveyance projects such as the California State Water Project further severed the relationship between delta wildlife and its unique hydrology. “There is nothing about the delta that is like what it used to be,” explains Brett Milligan, an assistant professor of landscape architecture at the University of California, Davis, and a cofounder of the Dredge Research Collaborative. “The way water flows through it is entirely different. The channels have been widened; all the dendritic channels have been cut off. There’s no floodplain at all.” (more…)

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FOREGROUND    

Cracking Up (Materials)
Concrete cracks inevitably, but there are steps designers can take to help alleviate stress.

FEATURES  

Toward Reclamation
A National Heritage Area designation brings the overlooked cultural history of
the Sacramento–San Joaquin River Delta, long seen as California’s plumbing system, to light.

The Big Deal
A small city in rural North Carolina finds itself with a lot of land to develop after a historic psychiatric hospital moves on. A landscape-driven plan by Stewart helps find 800 acres of potential.

The full table of contents for March can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting March articles as the month rolls out.

Credits: “Toward Reclamation,” Paul Hames for California Department of Water Resources; “The Big Deal,” Jared Brey; “Cracking Up,” http://www.shutterstock.com/phoonperm.

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