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Archive for the ‘THE BACK’ Category

BY STEPHEN ZACKS

An expansive park at the foot of the Kremlin helped drive a series of revolutionary improvements to the Russian capital.

FROM THE APRIL 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE. 

At Zaryadye Park in central Moscow, a procession of Eurasian birch trees, grasses, and shrubs winds downhill from a glass-encrusted outdoor amphitheater that tops the new Philharmonic Hall, framing photogenic views of the candy-colored cupolas of Saint Basil’s Cathedral. The park’s verdant terrain folds onto the rooftops of five scalloped pavilions that shelter a botanical display, an educational center, a food court, and a screening room that plays an immersive 3-D film on Russian history. The park, which covers 32 acres, stretches to the edge of Red Square, and even adds 11 square feet to the square that was uncovered during excavation. The pavilions, with their vegetated roofs, and most of the park’s terrain sit atop a 430-car underground parking garage. To keep the whole landscape in place, a geocell soil-stabilization system rests on top, anchoring granite pavers on pedestrian pathways that stretch onto an arching, boomerang-shaped overlook that cantilevers and hovers over the Moskva River. Here visitors of all ages and groups compulsively photograph themselves against the backdrop of the Kremlin and the Kotelnicheskaya Embankment Building, one of the Stalinist high-rises that define Moscow’s skyline.

Zaryadye Park is an entertaining landscape intended as a spectacular place, a special attraction, and a free public space—a term that Russian architects agree had almost no precedent in the language before a series of convergences brought the park into being. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image courtesy Rosetta S. Elkin.

From “Covered Ground” by Bradford McKee in the March 2018 issue, on Rosetta Elkin’s research into how the smallest plants can have a big impact in our landscapes.

“The big little.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Sahar Coston-Hardy.

 

From “Garden Industry” by Bradford McKee, in the February 2018 issue, on landscape architect David Rubin’s tools of the trade.

“Rubin’s reach.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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BY KATARINA KATSMA, ASLA

Landslide 2017

FROM THE DECEMBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

In a time of great upheaval for the United States, it is hard to keep track of the many risks to our national landscapes. Even our nationally recognized and federally protected sites are under threat from privatization or lax oversight, making them vulnerable to destructive practices that place monetary gain over equitable enjoyment of parkland. Open Season on Open Space, this year’s Landslide program from the Cultural Landscape Foundation, minces no words on this subject, calling out municipalities, states, and the federal government for undermining a century’s worth of progress for our public lands, parks, and national monuments.

The reclamation of urban parks for future development is a slippery slope. Appropriating parkland for a presidential library could be considered of exceptional merit. But once such land has been taken from Chicago’s Jackson Park, it could set a precedent for future development or change the criteria for what is considered exceptional and therefore worthy of erasing park space.

Landslide considers the monetization of open space and weakening of park equity as the biggest threats to Jackson Park. These, along with detrimental effects of shadows, resource extraction, and the devaluation of cultural lifeways, make up Landslide’s five central themes. And it is the last two that loom greatest over the Antiquities Act of 1906, an act pivotal in the protection of federally owned lands now under siege by the country’s current administration.

The threat to our open space may not necessarily be from land use. With recent rezoning of the neighborhood surrounding Greenacre Park in New York, the possibility of perpetual shadow could damage precious park space in an area almost completely dominated by hardscape and high-rises. Although the selected open spaces only begin to account for the landscapes in danger of erasure, they work to remind us of the long road ahead in the preservation and maintenance of America’s cultural landscapes for generations to come. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image courtesy Meg Studer/siteations studio.

From “Written in Place” by Jennifer Reut in the November 2017 issue, about Meg Studer’s efforts at the University of Virginia to integrate landscape studies with digital research tools.

“Depth through layering.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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REVIEWED BY GALE FULTON, ASLA

FROM THE OCTOBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

To listen to some mainstream urbanists today, you have to wonder what body of theory, if any, they are paying attention to in order to make what often seem hopelessly naive and homogeneous proposals for new urban developments. Admittedly, this group is often the same bunch who don’t have time for impractical theorization because they are out there doing real work, but some idea about “good” city form obviously drives their approach. Unfortunately, many of the theories in circulation stem from a belief that the city is nothing more than a problem to be solved—it’s too dense, or not dense enough; gray and dirty rather than green; impervious and polluting; unjust and inequitable; or not living up to that crowning achievement of being “walkable.” Obviously, most if not all of these criticisms can be leveled at cities in one place or another at one time or another, but what are the implications for the urban imagination of designers if this is the only lens through which the city (arguably the greatest cultural artifact ever produced) can be viewed—a massive problem which must be “restored” to some nostalgic, fictional notion of the healthy city? And, more optimistically, what new propositions, pedagogies, and disciplinary alignments are necessary to overcome these narrow worldviews and begin to engage the phenomenon of urbanization in a more compelling and realistic way?

In his new book Landscape as Infrastructure, Pierre Bélanger, ASLA, an associate professor of landscape architecture and a codirector of the Master in Design Studies Program in Urbanism, Landscape, and Ecology at Harvard University’s Graduate School of Design, lays the groundwork for such an approach. Assembling a decade of design and scholarly research, Bélanger provides readers with a much-needed alternative history of urbanization (primarily in mid- to late 20th and early 21st-century North America), as well as a survey of the contemporary forces that drive urbanization patterns today. These aspects of the book are complemented by an account of the accompanying epistemological shifts brought about by new understandings of complexity and ecology as well as a resurgence of (more…)

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BY JENNIFER REUT

An emerging platform for design activism braces for the future.

FROM THE OCTOBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

It can be difficult, even in the face of powerful evidence, for designers to accept responsibility for the role the profession has played in reinforcing the boundaries of race and class that shape urban lives, not just the spaces in which they’re lived. “As designers and planners, we have neglected these communities,” says Lindsay Woodson, a recent graduate of Harvard University’s Graduate School of Design (GSD) in urban planning.

Woodson is talking about neighborhoods like Sandtown in Baltimore, or Ferguson, Missouri—historically segregated communities that are disproportionately affected by police violence. In 2014, Woodson and fellow Harvard graduate student Marcus Mello began a project that would illuminate the systemic crosshairs in which (more…)

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