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Archive for the ‘THE CLIENT’ Category

BY KATHARINE LOGAN

FROM THE AUGUST 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Across the Yukon River from Dawson City, up around 64 degrees latitude, the Top of the World Highway wends its way over 65 miles of unglaciated landscape to the border with Alaska. Unlike the Yukon Territory’s typical highways, which track the river valleys, Top of the World runs along a ridgeline. For hundreds of miles in all directions, travelers look out over forested valleys, subalpine meadows, distant mountain ranges, and spectacular vistas that comprise the traditional lands of the Tr’ondëk Hwëch’in people.

Long before Top of the World was graded and graveled and designated a territorial highway, Tr’ondëk Hwëch’in walked this path on seasonal journeys between the river and the mountains—hunting caribou, harvesting berries and wild rhubarb, gathering for celebrations, telling stories. When gold prospectors began arriving in the late 1890s, the leader of Tr’ondëk Hwëch’in, Chief Isaac, growing concerned for the heritage of his people, entrusted their songs, dances, and gänhäk (dancing stick, a symbol of their culture) to a related branch of the larger Hän nation. Top of the World is the route along which this treasure was taken into the mountains for safekeeping.

More than 3,400 miles to the southeast, the traditional lands of the Saugeen First Nation form part of Ontario’s Mixedwood Plains Ecozone, once temperate deciduous forest, and now the most populous and commercially and industrially productive region in Canada. A three-hour drive from Toronto, at the base of the Bruce Peninsula (where a popular national park protects the region’s last unbroken stand of forest), the Saugeen River flows into the eastern edge of Lake Huron. Upstream of the river mouth, in a 100-acre park on Saugeen First Nation’s reserve, a stone amphitheater and 20 acres of terraced gardens overlook the wide river valley. Built in the 1970s with nearly a million tons of locally quarried limestone, the project, known as the Creator’s Garden, was created as a place to foster understanding between Indigenous and non-Indigenous communities. As a setting for gatherings, ceremonies, music, and theater, the site welcomes thousands of visitors a year. But over the decades, it has fallen into disrepair.

These two landscape interventions—Top of the World and the Creator’s Garden—at different scales and in different bioregions, are each the subject of recent, landscape architect–guided master plans. Through both their substance and processes, these plans illustrate the potential for the profession to help heal the injustice and strife that stem from the colonial history of North America. (more…)

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BY ZACH MORTICE

A Tilly-designed project in Denver. Photo by Kody Kohlman.

For a flat fee, some photos, and a few weeks, Tilly will design your home’s landscape.

 

Tilly, the online residential landscape design service started in 2019, picked a good time to launch.

Founded by four women who had been friends since high school, including a Cornell landscape architecture graduate who has practiced for more than 15 years, Tilly came from an idea that sprung up during a vacation on Long Island. The women (Alexis Sutton, Sarah Finazzo, Heather Hoeppner, and Blythe Yost, ASLA) gathered their families and talked about their gardens, peppering Yost (the landscape architect and now Tilly’s CEO) with “a zillion questions about plants and landscape design, then lamenting that they couldn’t get comfortable hiring a traditional landscape architect,” Yost says. Fairly quickly, a question came into view: “How do we offer landscape design to more people who wouldn’t necessarily hire a traditional landscape architect?” she says. (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish.

BY LESLIE WREN, ASLA

FROM THE JULY 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Annette Wilkus, FASLA, remembers a meeting of the Teardrop Park construction management team in the early 2000s. The clients, Battery Park City Authority and Battery Park City Parks Conservancy, had inquired how their maintenance staff would safely tend the plantings of Rocky Slope, a tall and steep boulder embankment south of the Ice-Water Wall, a weeping rock formation representing the natural geology of the New York area. Wilkus, a landscape architect then with Mathews Nielsen Landscape Architects (MNLA), was serving as the landscape architecture inspector, a subconsultant to the construction manager, and immediately recognized that maintenance of this feature would not be safe without a design intervention. She and Laura Solano, FASLA, a partner at Michael Van Valkenburgh Associates, the project’s landscape architect, collaborated with a structural engineer to deliver an inventive solution: a series of hurricane ties in subsurface concrete anchors, invisible to recreational park users but accessible to park staff, for safely rappelling up and down the slope using a harness.

That experience was eye-opening for Wilkus: “Designs now are so incredibly complicated, much more than they ever used to be. And owners fall in love with the design because there are always very pretty pictures, but they never think about how something is going to be maintained.” Teardrop Park’s clients demonstrated both foresight and concern for the maintenance staff and showed Wilkus why landscape architects needed to be more informed in that approach to practice. In 2005, she launched her own firm, SiteWorks, to specialize in life-cycle consulting for the planning, design, construction, and management of high-performance landscapes. And from the beginning, Wilkus established the firm’s fundamental approach with the motto “safety first.” (more…)

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BY KARL KRAUSE

Designers and advocates reckon with the uneasy history of safety in environmental design.

FROM THE MAY 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In 1285, King Edward of England issued the Statute of Winchester—a sweeping reform of law enforcement to curb rising crime across the country. To address highway robbery, the statute required a change to the environment: All landowners had to remove “bushes where one could hide with evil intent” within 200 feet of country roads—an early attempt to codify environmental design to improve safety that became the standard practice in English law enforcement for centuries.

The use of environmental design to address safety continues today with Crime Prevention Through Environmental Design, more commonly known as CPTED (pronounced “sep-ted”). Along with calls for police reform and defunding, amplified in the wake of George Floyd’s murder, design activists such as the New Orleans-based Colloqate Design have demanded abolition of CPTED tactics that “criminalize Blackness under the guise of safety” and fail to address the underlying causes of crime. So how has CPTED, meant to replace traditional policing with community policing, come to be seen as oppressive? (more…)

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BY JANE ROY BROWN

Carol R. Johnson, 1929–2020. Photo courtesy IBI Group, formerly Carol R. Johnson Associates.

FROM THE APRIL 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

When the landscape architect Carol R. Johnson died last December, at age 91, in Boothbay Harbor, Maine, tributes to her extraordinary career quickly appeared. Within days, the Cultural Landscape Foundation, which had conducted an oral history with Johnson in 2006 and included her work at John F. Kennedy Memorial Park in its most recent Landslide campaign, published a remembrance detailing her long and influential career. The New York Times, the Boston Globe, and the Architect’s Newspaper followed shortly afterward, a mark of her pioneer stature outside the profession.

Johnson is remembered both for the breadth and scope of her practice, which encompassed many significant public landscapes including the Mystic River Reservation, John F. Kennedy Memorial Park, and John Marshall Park in Washington, D.C., and for her leadership of Carol R. Johnson Associates (CRJA). At a time when women were rare in landscape architecture, Johnson built one of the largest woman-owned landscape architecture firms in the United States.

Educated at Wellesley and the Harvard Graduate School of Design, Johnson founded her eponymous firm just two years after graduating. An inveterate traveler and hiker, Johnson’s approach to practice was informed by her deep understanding of the link between nature and culture, but also by a strong entrepreneurial drive, which resulted in a global portfolio of projects for her firm. Over the course of her nearly 60-year career of teaching and practice, Johnson also served on the U.S. Department of Treasury’s Commission for Small Businesses and the Committee on Development Options during the Carter administration.

In 1982, Johnson was made a Fellow of the American Society of Landscape Architects. In 1998, she received the ASLA Medal, “the highest honor the American Society of Landscape Architects (ASLA) can bestow upon a landscape architect whose lifetime achievements and contributions to the profession have had a unique and lasting impact on the welfare of the public and the environment.” She was the first American woman to receive that honor.

In 2010, Johnson gave the interview that follows to Jane Roy Brown and looked back over her career. A year later, she would announce the acquisition of CRJA by the IBI Group. She retired in June 2016, 57 years after founding her firm in her apartment in Cambridge, Massachusetts. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Stewart.

From “The Big Deal” by Jared Brey in the March 2021 issue, about Stewart’s mixed-use plans for an 800-acre, 19th-century hospital district in North Carolina.

“Broughton sketchbook.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Photo by Marion Brenner, Affiliate ASLA.

From “From the Outside In” in the February 2021 issue by Brian Barth, about how one of the nation’s most progressive affordable housing policies in San Francisco is creating landscapes that embrace low-income neighbors.

“Courtyard play.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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