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Archive for the ‘THE CLIENT’ Category

BY BRADFORD MCKEE

With regular business upended by the novel coronavirus, landscape architecture principals plot, wait, and wonder.

 

There was a moment on Friday, March 13, when the novel coronavirus changed everything at the office, says Annette Wilkus, FASLA, the founding partner of SiteWorks in Manhattan. “I walked in on Friday, and one of the staff who’s usually solid had this look in her eye and said, ‘Annette, it’s getting really crazy.’” By Monday the 16th, everyone at SiteWorks was working from home, the day that schools, businesses, and Broadway were closing and the S&P 500 fell by 12 percent, the Dow by 13. New York City was bracing for what would swell into the country’s largest wave of COVID-19 cases.

Around the country at the same time, principals of landscape architecture firms were hurrying to get people home to work safely while they sorted out office logistics, took the pulses of clients and their projects, and mentally packed for a weekend that could last months—just as spring was arriving to cold climates where construction otherwise would be firing up. (more…)

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BY ZACH MORTICE

A mirrored hut, in the shape of Thoreau’s New England cabin, reminds us to slow down our metabolism for appraising and interpreting landscapes. Photo by Justin Knight.

Günther Vogt on the limits of design, and the boundless reach of landscape architecture.

 

Ask Günther Vogt what the problems facing landscape architecture are, and he’ll tell you that there’s a bit too much design happening today.

This provocation suggests that it’s time for landscape designers to spend less time fussing with the proportions of a public square and more time working through urban and region-scaled problems. That was the thrust of Vogt’s Frederick Law Olmsted Lecture at the Harvard Graduate School of Design earlier this month, which accompanied an exhibition of his work on display now at the GSD’s Druker Design Gallery at Gund Hall. First the Forests exhibits six of Vogt’s projects and is filled with artifacts, models, specimens, and dioramas presented in tactile wood boxes—references to the European tradition of the “Wunderkammer” or “cabinet of curiosities,” eclectic containers filled with wonder and mystery.

There are cylindrical core samples of Boston’s mineral geology, impossibly delicate 19th century Italian gypsum models of mushrooms, excerpts from German plant morphology diagrams, and deconstructed and collaged 19th century landscape paintings, with foreground and background elements cut out and separated between panes of glass, giving the painting a semblance of texture and depth. LAM spoke to Vogt before the lecture about the exhibition. (more…)

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LETHAL GLASS LANDSCAPES

BY JEFF LINK

A proposed building and landscape ordinance could shape the future of bird-friendly design in Chicago.

FROM THE FEBRUARY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

On a mild Friday in early May, Ted Wolff took a personal day and drove to the Ballard Nature Center in Altamont, Illinois, to catch a glimpse of Lewis’s woodpecker, a nearly foot-long, pink- and white-breasted bird native to the western United States. Along with two other Chicago birders, Wolff, the garrulous, white-bearded principal of Wolff Landscape Architecture, was on a “twitch,” an English expression for pursuing a bird in a geographic area where it is rarely seen.

Early that morning, an Illinois Rare Bird Alert reported that the woodpecker—named after the explorer Meriwether Lewis, who first saw the bird on his expedition with William Clark—had been seen at the nature center. It was reason enough for Wolff to clear his docket. Before long, the three birders were driving south to be among the first people to see the bird in Illinois, outside its historic range.

When they entered the nature center’s indoor viewing area, the woodpecker was already perched on a platform feeder—a “walk-up,” in birder’s parlance—eating shelled peanuts in front of a one-way reflective plate glass window. They watched it peck at the platform for several minutes, then fly to a hackberry with a peanut wedged in its bill, pausing before circling back to the feeder.

“At some point, though,” Wolff told me later in his office on the sixth floor of the Old Republic Building on North Michigan Avenue, “it flies over toward the feeder and overshoots and flies into the window. I think it sees its own reflection and it sort of pulls up and touches the window lightly and is able to fly off.”

Many birds are not so lucky. Ornithologists estimate that up to a billion birds, often migratory birds listed as species of conservation concern, die in building collisions in the United States annually—collisions that Wolff says are largely preventable, and deaths that warrant a stronger response from landscape architects as advocates for bird-friendly design. (more…)

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BY ZACH MORTICE

FROM THE FEBRUARY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Just a few years ago, Keri VanVlymen, a landscape designer with Ratio in Indianapolis, had never driven a golf cart, but now she’s an expert. Over five months in 2018, she surveyed each of Indianapolis’s 13 public golf courses, trekking “every mile of every trail of every course,” she says, 49 miles in all. She’s watched colleagues get stuck on icy hills and has clawed her way up a snowy, arched footbridge, one foot on the accelerator, one hand pulling herself along the railing while the wheels spun.

In late 2017, Indianapolis hired Ratio to re-evaluate the city’s public golf courses, with an eye toward converting some into parks. Whereas most cities of its size would have one to four public courses, Indianapolis’s baker’s dozen stretches across 1,800 acres. With VanVlymen’s colleague John Jackson, ASLA, a principal and the director of landscape architecture and urban design at Ratio, the firm is proposing supplanting green fees in favor of multipurpose recreation and letting everyone onto the land.

“Golf courses are very large-scale designed landscapes,” Jackson says. “You’re playing the game through these very large corridors.” Golf courses are often designed as “18 very large rooms. If you apply that to today’s recreational trends, there’s a lot of interesting places you can go,” he says. (more…)

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BY BRICE MARYMAN, FASLA

The Supreme Court leaves in place a decision that prevents criminalizing the habits of the homeless.

FROM THE FEBRUARY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

With nowhere else to go, people experiencing homelessness increasingly occupy spaces designed by landscape architects: parks, medians, overpasses, stream corridors, and urban forests. Fearful of this new phenomenon, many communities have made it illegal to ask for change, sleep on benches, or pitch tents in public. A recent action by the United States Supreme Court may stem this tide of reactive stigmatization, criminalization, and incarceration. While homeless advocates and constitutional scholars hope that it may force cities to pivot toward a more comprehensive, proactive set of strategies to help people exit homelessness, they are also wary of recent signals from the federal government that suggest a doubling down on counterproductive punitive approaches.

Between 2007 and 2009, Boise, Idaho’s criminal justice system cited, fined, and sentenced Janet Bell and Robert Martin for violating the city’s new ordinances that made it illegal for anyone to be “occupying, lodging, or sleeping in any…place…without…permission,” including the use of “streets, sidewalks, parks, or public places as a camping place at any time.” Though they were members of the public, sleeping in the city’s public spaces had been deemed a crime. (more…)

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This slideshow requires JavaScript.

FOREGROUND

Public Space, No Exceptions (Law)
The Supreme Court in December affirmed that people have a right to sleep in public space when no other options are provided, but homeless advocates see worrisome holes in the net.

Mulligans (Planning)
As golf declines in popularity, the office of Ratio helps Indianapolis fix its oversupply of public courses.

FEATURES

Amazon Fire: Who Owns the Amazon?
Issues of sovereignty and colonialism in the Amazon Basin have long hindered efforts to protect its rain forests. The recent destructive push for development has made those conflicts more urgent.

Lethal Glass Landscapes
North American wild bird populations have dropped by almost 30 percent since 1970. Landscape
architects are working with policy makers to avoid the collisions that kill birds in cities.

Editorial Discretion
For a lakeside residential compound in Vermont, Wagner Hodgson weaves together
old and new elements with a few striking moves.

All this plus the regular Now and Goods columns. The full table of contents for February can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting February articles as the month rolls out.

Credits: “Amazon Fire: Who Owns the Amazon?” AP Photo/Victor R. Caivano; “Lethal Glass Landscapes,” Marek Lipka-Kadaj/Shutterstock.com; “Editorial Discretion,” Jim Westphalen; “Mulligans,” Ratio; “Public Space, No Exceptions,” Brice Maryman, FASLA. 

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BY BRIAN BARTH

A flood-friendly park re-creates a resilient landscape in Calgary’s Bow River.

FROM THE JANUARY 2020 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

In the summer of 2013, catastrophic flooding in southern Alberta killed five people and forced 100,000 to evacuate. With $6 billion in property damage, it was one of the costliest natural disasters in Canadian history. The swollen Bow River, which flows from glacial headwaters in the Rockies to Calgary, left much of the city’s urban core underwater. The inundated area included St. Patrick’s Island, one of several islands in the downtown stretch of the river, where Barbara Wilks, FASLA, and Mark Johnson, FASLA, had just kicked off construction on a new 31-acre park. A new pedestrian bridge to the island, which was partially built at the time, suffered significant damage. But for the park itself, Wilks and Johnson—the founders of W Architecture and Landscape Architecture and Civitas, respectively—say the floodwaters provided positive reinforcement of their design.

This was not the initial reaction, however, of the folks at the Calgary Municipal Land Corporation (CMLC), their client.

“Our client called and said, ‘Oh, God, you have to get up here; we’re going to have to change the design,’” said Johnson as he, Wilks, and I strolled across the bridge to the completed park on a clear spring day.

“The whole island flooded!’” Wilks recalled members of the CMLC team saying in an urgent and distressed call. “We said, ‘It’s going to be fine; there’s nothing to change. We designed it to flood—this is what’s supposed to happen.’” (more…)

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