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Archive for the ‘WATER’ Category

BY ROXANNE BLACKWELL, HON. ASLA

Portland Mall Revitalization, ASLA 2011 Professional General Design Award of Excellence, designed by ZGF Architects LLP. Image courtesy ZGF Architects LLP.

FROM ASLA’S THE DIRT BLOG

 

The House of Representatives just passed the Infrastructure Investment and Jobs Act, which makes significant investments in the nation’s transportation, water, renewable energy, and broadband infrastructure. The legislation incorporates 13 of the transportation, water, and natural resource policy recommendations sent by ASLA’s Government Affairs team to the leaders of congressional transportation and infrastructure committees and the Biden–Harris administration.

The legislation includes a five-year reauthorization of transportation programs and dramatically increases funding for safe, active, and low-carbon transportation programs such as the Transportation Alternatives Program, the Safe Routes to School program, and the Complete Streets initiative.

The package creates new programs that will allow landscape architects to lead projects nationwide. These include the Healthy Streets initiative as well as programs to remove invasive plants, create habitat for pollinators on highway rights-of-way, and plan and design new wildlife crossings.

There are also some first steps to address the legacy of environmental and social inequities in cities created by highways that have divided communities for decades. The Reconnecting Communities program provides $1 billion to remove highways and reconnect communities through multimodal transportation options, boulevard-like green spaces, and new connections to economic opportunity. These are projects landscape architects are poised to lead.

The legislation increases funding for the Drinking Water and Clean Water State Revolving Fund programs, which landscape architects will be able to access to help communities address their water quality and quantity issues.

The legislation will also create five new Stormwater Centers of Excellence. These will enable landscape architecture educators to explore new types of nature-based green infrastructure methods to improve existing designs and strategies for financing and rate setting, public outreach, and professional training. (more…)

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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Image courtesy Russell + Mills Studios.

From “Home Brewed” by Brian Barth in the November 2021 issue, about New Belgium Brewing Company’s riverside East Coast headquarters in Asheville, North Carolina.

“Working the ravine.”

–CHRIS MCGEE, LAM ART DIRECTOR

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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On the Cover: Students perch on an overlook at the Tennessee River.

“When Stars Align,” by Jared Brey. Thanks to years of work by students and faculty from the University of Tennessee, Knoxville’s School of Landscape Architecture, the 652-mile trail known as the Tennessee RiverLine has grown from a sparky idea to a full-fledged proposal. It is poised to be part of the region’s next era of people-centered infrastructure.

Also in the issue:
Russell + Mills Studios designs a riverfront for New Belgium Brewing Company in Asheville, North Carolina. | Landscape architect Martin Smith’s vision for revitalizing the Arkansas Delta has grown from passion project to a force for change. | Fallen Sky lands at Storm King Art Center. | Knoxville’s storied Loghaven re-emerges as an artists’ haven. | Seferian Design Group finds a material balance along Lake Ontario. | Carbon counting for city services in Reno, Nevada. | The High Line Canal is a vision for a 71-mile irrigation canal that runs along Denver’s eastern edge. | Goods features new exhibitors at ASLA’s EXPO in Nashville. | Three designers from SCAPE Studio reflect on Hurricane Ida. | A review of Site Matters: Strategies for Uncertainty Through Planning and Design, edited by Andrea Kahn and Carol J. Burns. | Seeking a way to translate wildfire risk in Lake Tahoe, a landscape artist lets the trees talk. 

 

Online this month from the November issue:

“Better Edges for Eels” by Timothy A. Schuler on November 2. On a living shoreline in Ontario, Canada, Seferian Design Group is designing to counteract erosion and provide a habitat for endangered species.

“Home Brewed” by Brian Barth on November 11. A connection with New Belgium Brewing Company led to a chance for Russell + Mills Studios to design the landscape for a brewery in Asheville, North Carolina.

“When Stars Align” by Jared Brey on November 18. A student project to connect people and public lands along a 652-mile river trail gathers steam. English and Spanish.

“High Profile” by Haniya Rae on November 30. The transformation of an irrigation canal east of Denver shows off the region’s diversity.

The full table of contents for November can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting November articles as the month rolls out.

Credits: Cover, photo by Tennessee River Studio; “The Bridge Builder,” Timothy Hursley; “When Stars Align,” Tennessee River Studio; “Home Brewed,” Mark Herboth Photography, LLC; “High Profile,” Evan Anderman.

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BY ZACH MORTICE

View of Utqiaġvik, Alaska, and the Chukchi Sea in February 2020. Photo by Chengxin Sha/Arctic Design Group, 2020.

Federally funded research will help set a baseline for how to build in the Arctic.

 

In Alaska, beyond the Arctic Circle in North Slope Borough, Indigenous communities practice subsistence whale hunting. To store the whale meat, tribal communities dig ice cellars in the permafrost, a major infrastructural feat, as a 50-ton whale can feed thousands. But as climate change melts permafrost, the cellars are failing, leading to spoiled food. Studies have indicated that climate change may be a factor, but soil conditions and development on top of cellars are also causing warming and potential failure. “We keep it there in trust for the community,” says Gordon Brower, the director of North Slope Borough Planning and Community Services and a member of the Iñupiaq Indigenous community. “To keep that type of meat secure and healthy, we need to evaluate our earthen storage shelters.”

How might designers augment ice cellars’ cooling capacity in ways that support Indigenous traditions, while contending with the Arctic’s position on the front lines of climate change? This question is just one part of the National Science Foundation-funded research by the University of Virginia’s Arctic Research Center, aimed at gathering data to determine the design parameters for Arctic infrastructure in an era of expanding development and climate change, says Leena Cho, an assistant professor of landscape architecture at UVA. Cho, her partner Matthew Jull, an associate professor of architecture, and a team of UVA researchers will install aquatic, meteorological, and geotechnical sensors in the North Slope Borough town of Utqiagvik. This data will help Cho and Jull formulate guidelines for building height, form, materials, and foundations, as well as wider urban planning concerns in the Arctic. (more…)

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Designers from SCAPE’s New Orleans and New York offices talk about the lessons from Hurricane Ida, in and out of the office.

Damage from Hurricane Ida in Pointe-aux-Chênes, Louisiana, where volunteers from SCAPE are pitching in with the recycling organization Glass Half Full to help with the cleanup. Photo by Liz Camuti.

In early September, a few days after Hurricane Ida raked through Louisiana on its way up the East Coast, three designers from SCAPE Studio met up on Zoom to talk with Landscape Architecture Magazine’s Acting Editor, Jennifer Reut, about Ida’s aftermath. SCAPE’s practice has long focused on coastal resilience and sea-level rise, but Ida’s dual impact on New Orleans (August 29) and New York (September 1) was the first time that designers from both offices had experienced catastrophic flooding from the same storm. Hurricane Ida’s aftermath offered a chance to reflect on what is changing and what isn’t in the profession and the public’s understanding of climate-fueled catastrophes.

Gathered were John Donnelly, ASLA, the technical principal at SCAPE, who had recently moved to New Orleans to work at SCAPE’s office there. Studio Director Chris Barnes, ASLA, had founded the New Orleans office when he moved back home to Louisiana, and Design Principal Gena Wirth, ASLA, called in from SCAPE’s New York office. This is an excerpt from the conversation that took place on September 10. The full interview will appear in Landscape Architecture Magazine in November 2021. (more…)

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FOREGROUND

Big Tree, Small World (Interview)
The author and entomologist Doug Tallamy’s new book, The Nature of Oaks: The Rich Ecology of Our Most Essential Native Trees, advocates for the environmental workhorse of trees.

One Big Picture (Water)
A comprehensive new map of the Colorado River Basin connects the watershed and the people.

FEATURES        

Licensure on the Line
After years of political attacks, the design professions are uniting to protect
against threats to professional licensure.

Worlds Away
Hidden in the leafy Washington, D.C., suburbs, Glenstone has been an insider’s destination for years. For a new expansion and outreach, PWP Landscape Architecture designed a landscape
for the confluence of big art and small moments.

The full table of contents for September can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 250 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting September articles as the month rolls out.

Credits: “Worlds Away,” Glenstone; “Licensure on the Line,” LAM; “One Big Picture,” Pete McBride; “Big Tree, Small World,” Rob Cardillo Photography.

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BY ZACH MORTICE

A puzzle-like model of the Mississippi River Basin helps to reveal connections.

FROM THE AUGUST 2021 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

This month, on the riverside terrace of a former pump house in Columbus, Indiana, an exaggerated topographic model of the Mississippi watershed will be installed. It is a hardier object than models meant for conference rooms or museum galleries. In fact, the model’s designer, Derek Hoeferlin, Affiliate ASLA, encourages visitors to pour a glass of water, or beer, over the landscape, to see how much pilsner the Ohio River can take, or how many ounces of stout it requires to overtop the Missouri River. Or, “if it’s coming from the Northwest,” Hoeferlin says, “it might be an IPA.”

Installed as part of this year’s Exhibit Columbus, a biennial celebration of the Indiana city’s trove of midcentury modern architecture, the model is split into six lobes that fit together like puzzle pieces, representing the Mississippi and its tributary watersheds. It’s an extension of a long-term effort to create an atlas of the Mississippi River Basin, in which Hoeferlin is working to map the basin at a variety of scales and examining the control measures that make the watershed a tool for commerce. The installation, dubbed Tracing Our Mississippi, also includes expository boards, and Hoeferlin plans to host public programming themed on Indigenous rights to the land and water with artists from opposite ends of the Mississippi watershed: Angie Tillges from Minnesota and Monique Verdin from Louisiana. (more…)

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