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Landscape Architecture Magazine

The Magazine of the American Society of Landscape Architects

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APRIL 2020

10 Inside

12 Land Matters

14 Letters

FOREGROUND

20 Now

An adventurous playground in Kansas made by kids; the Ohio High School Landscape Olympics attracts students; a long-awaited urban riverside park swooshes across Lake Washington; and more.
Edited by Timothy A. Schuler

40 Materials
The Bricks Are Back
A beloved theater and public plaza are reimagined for accessibility and diversity.
By Katharine Logan

54 Workplace
Worked Up
Working on two Indiana campus sites for a hometown company, David Rubin Land Collective balances corporate identity with a sense of place.
By Zach Mortice

68 Goods
Life of the Project
New plant varieties that pop.
By Emily Cox

 FEATURES

 78 The Wild World of Terremoto
Terremoto is a young firm in Los Angeles betting that the future depends on redesigning practice along with the Southern California landscape.
By Timothy A. Schuler

98 Fair Play
Working inside the Milwaukee Public Schools system, Pam Linn, FASLA, is rolling out an equitable model for upgrading dozens of Milwaukee’s dreary schoolyards and playgrounds.
By Jonathan Lerner

112 Hell of Fun
Montreal-based Claude Cormier + Associés hurdles design obstacles with a sly sense of humor and vibrant colors, but it only looks easy. It’s not.
By Brian Barth

THE BACK

 134 Whose Landscapes Next?
A symposium on diversity in landscape architecture prompts hard questions about
what the profession is dearly missing.
By Marc Miller, ASLA

144 Books
Let Freedom Clang
A review of Bells for America: The Cold War, Modernism, and the Netherlands Carillon in Arlington, by Diederik Oostdijk.
By Bradford McKee

162 Advertiser Index

163 Advertisers by product category

176 Backstory
Down, South
Listening to Frederick Law Olmsted on the landscapes of enslavement.
By Jennifer Reut

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    The April 2021 issue is live and in color:
    Repost from @nationalasla
    Repost from @nationalasla "Sometimes places are palimpsests, meaning part of the brick and mortar, and some of them are based in memories, the passing of time. For people of color who are marginalized, stories get lost." Designer Walter Hood speaks: http://bit.ly/3t59o8j
    Repost from @nationalasla - "Sometimes places are palimpsests, meaning part of the brick and mortar, and some of them are based in memories, the passing of time. For people of color who are marginalized, stories get lost." Designer Walter Hood speaks: http://bit.ly/3t59o8j
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