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Landscape Architecture Magazine

The Magazine of the American Society of Landscape Architects

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OCTOBER 2015

22 Land Matters

28 Letters

FOREGROUND

40 Now
A Tsinghua University team works to reshape China’s national parks; a New York City program focuses on parks’ edges; Chicago’s water agency is capturing valuable phosphorus from waste; Hawaii’s new environmental court is in session; and more.
Edited By Timothy A. Schuler

58 Goods
Enjoy the Show
A selection of products you’ll find at ASLA’s Annual Meeting & EXPO at McCormick Place in Chicago from November 6 to 9.
By Lisa Speckhardt

AWARDS

68 The 2015 ASLA Student Awards
This year’s student winners freely broke disciplinary boundaries in pursuit of solutions to complex problems.
By Katarina Katsma, ASLA, and Jennifer Reut

70 Communications
74 Student Collaboration
78 Community Service
86 Research
90 Analysis and Planning
102 Residential Design
106 General Design

116 The 2015 ASLA Professional Awards
Across the categories, this year’s winning practitioners embrace the most challenging problems that face landscape architects today.
By Bradford McKee and Lisa Speckhardt

118 Communications
124 Research
130 Analysis and Planning
138 Residential Design
148 General Design

158 The 2015 ASLA Landmark Award
The Wild Grid
Dan Kiley’s South Garden at the Art Institute of Chicago has seasoned since the late 1960s into one of the city’s most enchanting public spaces.
By Gary Hilderbrand, FASLA

192 Professional Awards Source List

196 Display Ad Index

198 Buyer’s guide Index

212 Honors
ASLA announces the recipients of its 2015 medals and other awards.
By Lisa Schultz

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    The April 2021 issue is live and in color:
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    Repost from @nationalasla "Sometimes places are palimpsests, meaning part of the brick and mortar, and some of them are based in memories, the passing of time. For people of color who are marginalized, stories get lost." Designer Walter Hood speaks: http://bit.ly/3t59o8j
    Repost from @nationalasla - "Sometimes places are palimpsests, meaning part of the brick and mortar, and some of them are based in memories, the passing of time. For people of color who are marginalized, stories get lost." Designer Walter Hood speaks: http://bit.ly/3t59o8j
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