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The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Credit: GGN (Gustafson Guthrie Nichol).

Credit: GGN (Gustafson Guthrie Nichol).

From “San Francisco’s Overlooked Edge” by Lisa Owens Viani, in the July 2016 issue, featuring the reworking of San Francisco’s neglected shorelines into the Blue Greenway.

“San Francisco terminus.”

—Chris McGee, LAM Art Director

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

WILD TIMES

Margie Ruddick and Thomas Rainer talk about their new books on wild landscape design.

Margie Ruddick and Thomas Rainer talk about their new books on wild landscape design.

From the July 2016 issue of Landscape Architecture Magazine.

In the past several months, Thomas Rainer, ASLA, and Margie Ruddick have each published books centered around notions of designing “wild” landscapes in the public realm to help restore ecological diversity in urban settings. Ruddick’s book is Wild by Design: Strategies for Creating Life-Enhancing Landscapes (Island Press, $45), and Rainer’s is Planting in a Post-Wild World: Designing Plant Communities for Resilient Landscapes (Timber Press, $39.95). We invited the two to ASLA’s offices to talk about the project they have in common. This interview has been edited and condensed.

Why did you each decide to write books on wildness in landscape design?

Margie Ruddick: I didn’t actually think of my work as wild at all until Anne Raver wrote this piece, “In Philadelphia, Going Green or Growing Wild?” [about Ruddick’s home garden, in the New York Times], and then I started to get e-mails from people all around the world, and I realized: This is wild gardening.

Thomas Rainer: It felt like a good place to be, and we [Rainer and his coauthor, Claudia West, International ASLA] are both plant geeks. We had a lot of practical problems to work out in terms of how to Continue Reading »

PLAY IT UP

BY DANIEL JOST

A palette of possible play spaces by Studio Ludo and Roofmeadow calls for natural materials including salvaged tree trunks and rainwater.

A yearlong design campaign in Philadelphia promotes the value of recreation.

From the July 2016 issue of Landscape Architecture Magazine.

Today, young children spend much of their time in schools and child-care centers, but these places rarely offer rich outdoor environments for unstructured play. That’s a problem, says Sharon Easterling, the executive director of the Delaware Valley Association for the Education of Young Children. Such play is not just a leisure activity. It’s how children learn. “Good early-
childhood education is really hands-on, play-based learning,” she says.

Over the past year, the association and the Community Design Collaborative in Philadelphia have partnered to bring attention to the important role that play—and thoughtfully designed play environments—can have on children’s intellectual, emotional, social, and physical development. As part of an initiative called Infill Philadelphia: Play Space, they created an exhibit, brought in speakers, hosted a charrette, and sponsored a design competition.

Their Play Space Design Competition, funded by the William Penn Foundation, sought ideas for Continue Reading »

BIG IDEAS IN JULY

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Iconic projects and designers are in the spotlight in July’s issue of LAM. Eight years after opening, the Rose Kennedy Greenway—housed over a sunken highway in the middle of downtown Boston—has become a treasured spot for tourists and locals alike. The new Mosholu driving range in the Bronx, designed by Ken Smith Workshop, sits atop one of New York’s largest public works project, the Croton Water Filtration Plant. Anthony Acciavatti, the author of the new book Ganges Water Machine: Designing New India’s Ancient River, discusses the history and influence of India’s sacred river. And plans, drawings, and paintings by the famed Brazilian landscape architect Roberto Burle Marx are celebrated for their artistic value at the Jewish Museum in New York.

In the departments, Interview brings together two authors to discuss their books on wild landscape design, then computational logic and coding pave new avenues for landscape architectural practice in Tech. And don’t miss our regular Now, Species, Goods, and Books columns. The full table of contents for July can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating July articles as the month rolls out.

Credits: “The Big Sprig,” Sahar Coston-Hardy; “Driving Concern,” Alex S. MacLean/Landslides Aerial Photography; “A Course in Change,” Anthony Acciavatti; “Where Roberto Burle Marx Belongs,” © Tyba; “Wild Times,” Charles Steck; “Follow the Script,” Responsive Environments and Artifacts Lab/Bradley Cantrell, ASLA; Justine Holzman, Associate ASLA; Leif Estrada.

 

Osteria ai Pioppi is an unusual ecological amusement park in a small community north of Venice, Italy. There Bruno Ferrin handcrafted fantastical rides with metal and other odd materials that are all kinetically driven, allowing children to learn while engaging with the rides. Ferrin has been adding new creations—which he says are all inspired by nature—since 1969. This two-minute video is presented by the Great Big Story, a video network featuring unusual and awe-inspiring places around the world. For more information and videos, please visit here.

HOW THE GARDEN MOVES

BY GALE FULTON, ASLA

BEDIT_LAMjun16_Books152

From the June 2016 issue of Landscape Architecture Magazine.

Several conditions of the contemporary world present serious challenges to traditional or conventional ways of thinking and making in landscape architecture. Some of these, such as the continuing analog versus digital debates, are tiresome, rarely well-argued (by at least one side if not both), and counterproductive to an advance in the cultural efficacy of the discipline. Others are more complex and unwieldy, but also likely have much greater capacity to expand the scale and scope of landscape architecture in the future. In this category I would place the interrelated questions of “planetary urbanization,” “Nature,” and the effects of the Anthropocene among the most perplexing and fecund for the future of the discipline. As Jedediah Purdy writes in After Nature: A Politics for the Anthropocene, “As climate change shifts ecological boundaries, problems like habitat preservation come to resemble landscape architecture. We can’t just pen in animals to save them; we need to secure migration corridors and help species move as their habitats lurch across a changing map.” In effect, we will have to become planetary gardeners.

Obviously, such massive questions exceed the capacities of any one discipline’s knowledge. But this “bigness” should not be an alibi for continued reliance on outmoded ways of thinking such as notions of cities or sites as discrete, bounded conditions that can be operated on without understanding of context or flows. Similarly, and perhaps even more relevant to the day-to-day practices of many landscape architects, ideas (or ideologies) regarding nature, ecology, wild, invasive, and native continue to be treated as simplistic binary conditions that prematurely shut down what could be a vast territory of conceptual and practical exploration. It may also be that landscape architecture is particularly well-suited to engage these territories because of the unique disciplinary potential made possible through the hybridization of typically distinct science/design/humanities epistemologies. With these larger questions in mind, two recent books prove useful in providing not only new conceptual frames to intellectually engage these issues, but also updated tools and techniques necessary for developing concrete practices to physically and practically engage these conditions in ways that move beyond the status quo.

As the title suggests, Planting in a Post-Wild World by Thomas Rainer, ASLA, and Claudia West, International ASLA, draws upon the notion that Continue Reading »

The things our art director, Chris McGee, hated to leave out of the current issue of LAM.

Credit:

Credit: Tim Waterman.

From “There’s Room” by Tim Waterman, in the June 2016 issue, featuring the Netherlands’ ambitious Room for the River plan that will help the country adapt to rising tides.

“Dutch flatline.”

—Chris McGee, LAM Art Director

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

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