The Venice Biennale’s Latent Landscapes

The biannual design extravaganza attempts urbanism without landscape.

By Jessica Bridger

Venetian bridge with Biennale banner.
Venetian bridge with biennale banner.

Rem Koolhaas, the director of the 2014 Venice Architecture Biennale, calls for the “end of starchitects” and a refocusing on capital-A architecture, which is usually marked by insecurity and ideological cliquishness. While no one, not even the chief starchitect himself, could remove this high school mentality, Koolhaas did succeed in wrangling what is usually a messy biennale of murky disconnection into a unified exhibition of buildings and their contexts. Continue reading The Venice Biennale’s Latent Landscapes

A Filmmaker Who Follows Buried Rivers

Director Caroline Bâcle on a singular way to trace the evolution of cities.


Beneath many older cities across the globe are mysterious worlds hidden from sight since the Industrial Revolution. Rivers, once lifelines to wealth, were exiled underground as they became breeding grounds for disease. Burying rivers solved the sanitation issues of the times, but the aging infrastructure today falls short of modern needs and cuts off humans from nature. Caroline Bâcle, the writer and director of the new film Lost Rivers, which follows the stories of these forgotten waterways, spins an intriguing narrative of the rivers themselves but also of how people might connect with them. I spoke with Bâcle, who is based in London, about her experiences during the project and what Lost Rivers could mean to cities today. Continue reading A Filmmaker Who Follows Buried Rivers

Rotterdam’s Boundless Biennale

Urban by Nature puts a spotlight on landscape architecture’s role in the Anthropocene.

By Jessica Bridger 

Visitors roam the Urban by Nature exhibits on opening day.

The landscape architect Dirk Sijmons wants to make a double point with the name of “his” biennale—the 6th International Architecture Biennale Rotterdam (IABR)—which opened in late May. Continue reading Rotterdam’s Boundless Biennale

Nature’s Salary

A Florida rancher, among others, finds himself enmeshed in conservation’s next big thing: payment for ecosystem services.

By Jonathan Lerner 

Flooded agricultural land in payment for ecological services approach in interior Southern Florida.

Low dikes separate pastures on the Florida cattle ranch Jimmy Wohl’s father bought in 1962, when Jimmy was 12. Continue reading Nature’s Salary

Go! Fish!

Habitat benches and salmon skylights help fish feel at home.

By Katharine Logan

sea wall _blog
New design for Seattle’s Elliott Bay Seawall will include habitat for young salmon and a glass-floored promenade to allow light into the ocean.

Before Seattle grew up on its shores, Elliott Bay was a bluff-backed beach, with intertidal marshes and mudflats providing a complex and varied habitat for birds, fish, and marine invertebrates. Its sloping beaches offered salmon a safe passage through shallow waters, with plenty to eat along the way. Continue reading Go! Fish!

Bernhard Leitner’s Field Compositions

When sound becomes your design medium, the landscape becomes your venue.

By Michael Dumiak

cylindre.sonore2
Cylindre Sonore. Photo by Sophie Chivet, copyright Atelier Bernhard Leitner, Vienna.

Probably not for the first time in his 40-year career, the Austrian architect Bernhard Leitner is explaining that he’s not a musician. “My background is in architecture. I’m an architect,” he says. “But I was always very interested in the musical experiments of people like Iannis Xenakis, Karlheinz Stockhausen, Luigi Nono.” Continue reading Bernhard Leitner’s Field Compositions

The Magazine of the American Society of Landscape Architects