Posts Tagged ‘Alvsjo Flatbed’

TEXT AND PHOTOGRAPHY BY PIERRE BÉLANGER, ASLA

Recovering and Reprojecting James Corner's Lost Map.

Recovering and Reprojecting James Corner’s Lost Map.

From the February 2015 issue of Landscape Architecture Magazine.

(Correction appended)

Hanging vertically on the basement wall of Room L30C in Gund Hall at the Harvard Graduate School of Design (GSD) is a seemingly anonymous light box. It’s rarely looked at or recognized and has been that way for more than 10 years. It’s considered a work of art—a sculpture, according to the Harvard University Cultural Properties Database—and it’s the primary source of light for the small underground office of Trevor O’Brien, the assistant manager of building services at the school. “No one has really bothered to ask about it over the years,” O’Brien says. It’s nearly invisible, but behind its anonymity, not to mention its remarkable beauty, lies an interesting backstory.

The rectangular light box was made by James Corner, ASLA, for the 2001 conference, “Territories: Contemporary European Landscape Design,” organized by George Hargreaves, FASLA, and Dorothée Imbert, ASLA, here at the school. The light box is a design project ahead of its time. The aluminum box, 36 inches by 48 inches and 4 inches deep, is part of a proposal for the growth and expansion of Stockholm into the neighboring suburb of Älvsjö. Layered among the collage of transparencies and films of information is a caption that reads somewhat like a micromanifesto:

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February’s issue of LAM minces no words, starting with Fred A. Bernstein, who talks with female landscape architects whose firms listed as women business enterprises, or WBE’s, can sometimes attract jobs that make them feel as if they’re on board only to fill a quota; Jerry van Eyck, ASLA, a Dutch landscape architect who transplanted himself to New York, is making his mark in North America with !melk, his firm of four years that has public space and park business projects as lively as his character; and the Pérez Art Museum Miami’s grand new building by Herzog & de Meuron and ethereal hanging gardens by Patrick Blanc become backdrops to the small yet thoughtful designs of ArquitectonicaGEO, which repurpose the neglected Miami waterfront with native plantings and innovative flood control.

In Now, Camden, New Jersey, proves that park renovations don’t always have to be expensive. In Water, Anne Raver follows up our earlier coverage of Owens Lake in California, where an official decision has now been reached on how to tamp down the toxic dust blowing off the dried lake bed. Planning takes a look at the wave of the future in ecodistricts; House Call visits a picturesque vineyard by Scott Lewis Landscape Architecture, which won a 2014 ASLA Honor Award in Residential Design; and in The Back, the long forgotten Älvsjö Flatbed, produced by James Corner a generation ago, reveals a design language ahead of its time. All this plus our regular Species, Goods, and Books columns. The full table of contents for February can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 200 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be ungating February articles as the month rolls out.

Credits: “A Hand Up, A Hand Down,” Greeen/Shutterstock.com; “!melk Man, Jerry van Eyck,” Patrick Pantano; “Soft Landing,” Robin Hill/Courtesy ArquitectonicaGEO; “For A Song,” Sikora Wells Appel and Group Melvin Design; “The Dust Settlement,” Nuvis Landscape Architecture and Planning; “What Ecodistricts Need,” GBD Architects; “Among the Vines,” Matthew Millman Photography; “Everything on the Table,” Pierre Bélanger, ASLA.

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