Posts Tagged ‘American Institute of Architects’

BY TIMOTHY A. SCHULER / PHOTOGRAPHY BY KEVIN SCOTT

In dry western Washington, a fruit company compound by Berger Partnership all but vanishes in a shroud of native plantings.

FROM THE AUGUST 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The shift takes place just past Cle Elum. Driving the 140 miles from Seattle to Yakima, Washington, crossing the Cascade Range at Snoqualmie Pass, the landscape seems to dissolve in the span of a few minutes. The ponderosa pine forest gives way to high desert so quickly it’s as if the towering trees had been shrunk by a laser, transfigured into gnarly sagebrush. Dotting eastern Washington’s arid, gray-brown shrub steppe are green pastures, fields, orchards, and farms. The Yakima Valley is one of the most productive regions in Washington, thanks to a massive irrigation project undertaken around the turn of the 20th century. Farmers here grow apples, peaches, pears, cherries, and plums, as well as grapes for wine and hops for beer. The Yakima Valley produces more hops than anywhere else in the United States and more than two-thirds of Washington’s wine grapes, an industry worth nearly $5 billion.

And yet the sparsely vegetated ridges reveal the climatological truth of this place: that under normal conditions, the Cascades are a good enough goalie to prevent all but a fraction of western Washington’s wetness from slipping past them, and the presence of even the smallest amount of water is broadcast in bright pops of color. The draws and gullies appear as gashes of green, yellow, pink, and white, as if someone took a landscape painting, folded it in two, and stuffed the canvas into a crevice.

I take in the view from the cab of a 2016 Toyota Tacoma hurtling eastward on Interstate 90. Jason Henry, ASLA, a principal at the Seattle-based Berger Partnership, is driving. We’re on our way to Yakima, a sprawled-out town of roughly 100,000 people, where Berger Partnership recently completed the landscape for the headquarters of the Washington Fruit & Produce Company, a family-owned grower founded in 1916. Although Henry has lived in Seattle since 1996, the landscape architect has a deep connection to the Yakima Valley. His mother was born in Selah, just north of Yakima, and as a child, he spent summers at his aunt and uncle’s ranch outside the city, exploring and fishing and occasionally helping out in the family orchards. He still has cousins in the fruit industry. (more…)

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BY TIMOTHY A. SCHULER

A lei by PBR HAWAII references the island’s dark colonial past. Courtesy PBR HAWAII.

As the receptionist for the Honolulu office of Belt Collins, Dawn Higa is not typically involved in design discussions. Her tasks, while vital to the day-to-day operations of the global design firm, tend toward the administrative: answering phones, directing calls, taking messages. It’s a job Higa’s held since 1987, when as a single mother she was placed at the company, which today has offices in multiple countries, including China, Singapore, Thailand, and Vietnam, by a temp agency. “I don’t think I even knew what an engineer did for the first year,” Higa says.

But once every two years, Higa becomes an integral part of the team competing in Honolulu’s biennial RE-LEI competition, in which individuals and teams craft traditional Hawaiian lei—a garland typically made out of flowers, ferns, leaves, or nuts—out of 100 percent postconsumer waste. Registration for this year’s competition, which is open to anyone, not just those living in Hawaii, closes Saturday, March 23, 2019. The cost is $75 for individuals and $250 for teams, with discounted rates for students. RE-LEI was first organized by a group of landscape architects and planners in 2015; its proceeds support landscape architecture education and the recently created MLA program at the University of Hawaii at Manoa (UHM). (more…)

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BY ANDREW LAVALLEE, FASLA

Warranties on plantings often seem reasonable. Until they aren’t.

FROM THE FEBRUARY 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Most landscape architects are familiar with specifications about plant warranties. We often apply them without much thought because many consider it to be an industry standard practice. A typical plant warranty, usually lasting one or two years, requires the contractor to replace plantings that have died or appear to show unsatisfactory growth. Standard specification language often seems reasonable and enforceable. Until it isn’t—especially a few months after you thought the job was complete, or worse, after the end of the stated warranty period when the client calls upset that some of the plants are looking bad or are outright dead. Now comes the hard part. Whose responsibility is it if plants don’t succeed? Aren’t the dead or dying plants supposed to be covered by the warranty? If not, what was the warranty actually supposed to cover? These are all good questions that are symptomatic of a larger problem in the landscape industry. (more…)

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BY TIMOTHY A. SCHULER

A new firm in L.A. thinks it’s time to turn up the volume on landscape architecture.

A new firm in L.A. thinks it’s time to turn up the volume on landscape architecture.

From the August 2016 issue of Landscape Architecture Magazine.

Earlier this spring, Kelly Majewski, Affiliate ASLA, was one of more than 100 designers in Los Angeles who attended Design for Dignity, a one-day “congress” convened by the L.A. chapter of the American Institute of Architects (AIA) to identify ways to alleviate the city’s homeless crisis. But for Majewski, a landscape designer, the takeaway may not have been what the organizers hoped. “I got asked by multiple architects, once they found out I did landscape architecture, what I was doing at this conference,” she says. “I heard it three times. Which just blows my mind.”

Majewski founded Superjacent, a new landscape architecture and urban design studio, with Tony Paradowski and Chris Torres in January 2016. And it’s interactions like those at the AIA conference that inspired (more…)

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