Feeds:
Posts
Comments

Posts Tagged ‘BAMBOO’

As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

BY JENNIFER REUT

FROM THE NOVEMBER 2019 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

Like many cities in the Southwest (Palm Springs, California, most conspicuously), Tucson, Arizona, has a decent bank of midcentury modern buildings and landscapes. In the 1950s and 1960s, home buyers, drawn by the mirage of golf course-adjacent desert living (with air-conditioning, swimming pools, and lawns), flocked to the Southwest, and large swaths of the new development that went up during that era were built in the middle-class modern idiom. In the Southwest, modernism incorporated regional materials and climatic adaptations into lively vernacular architecture, and also generated some truly inspired landscapes.

Tucson Modernism Week was launched by the Tucson Historic Preservation Foundation in 2001 to highlight the region’s midcentury modern architecture and landscape heritage. The foundation is also among a handful of preservation groups trying to broaden notions of modern design to include the work of women and people of color, as well as expanding the boundaries of modernism to include textiles, dance, ceramics, and neon.

Among those whom the foundation has brought to the public’s attention is Taro Akutagawa (1917–2002), a Japanese American landscape designer whose work, primarily in Albuquerque, New Mexico, has been nearly erased. The foundation’s Taro Akutagawa Collection contains photographs, newspaper clippings, archival images, drawings, and plans.

The outlines of Akutagawa’s life and work are known, though there is not quite a full accounting of his projects. He was born in California in 1917 and educated in Japan before (more…)

Read Full Post »

BY ZACH MORTICE

Birdlink, at Sara Roosevelt Park in Lower Manhattan. Photo by Stephen A. Scheer.

BIRDLINK IS ONE PART ECOLOGICAL PUBLIC ART, ONE PART BIRD MIGRATION SCIENCE.

 

More than 300 species of birds migrate through New York City along the Atlantic Flyway each year. The goal of the art installation and avian habitat Birdlink, by Anina Gerchick, Associate ASLA, is to get a fraction of them to linger in the city for a bit.

Birdlink is an assemblage of stair-step bamboo and gabion planters stacked almost a dozen feet high, and intended to offer food and habitats for birds and other pollinators in urban areas outside major wildlife hubs such as Central Park or Jamaica Bay on Long Island. If you look closely, you’ll see bird varieties that shift with the seasons, as tides of migratory birds arrive and depart in New York City. (more…)

Read Full Post »

HERE COMES EVERYBODY

BY ANNE RAVER

The final pier has opened. Brooklyn Bridge Park is all but complete.

FROM THE DECEMBER 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

It was raining, so we crouched, rather than sat, in the grassy bowl that Michael Van Valkenburgh, FASLA, had envisioned as the centerpiece of the newly completed green space and playground on Pier 3, which, like most of the other piers in Brooklyn Bridge Park, sprawls over five acres, into the East River.

“I’m lucky to know what it’s like to imagine and hope for something like this for 20 years and finally see it, have it realized,” said Van Valkenburgh, whose firm drew its first plan for this park in 1999. “Look at that sky.” (more…)

Read Full Post »

BY JANE BERGER

There’s a lot to love about bamboo.

FROM THE NOVEMBER 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Thousands of lucky San Franciscans will soon be walking through a bamboo forest on their way to and from towering glass buildings in the city’s Mission District. Groves of giant Japanese timber bamboo (Phyllostachys bambusoides) are a stunning horticultural statement in a 5.4-acre park atop the new Transbay Transit Center, scheduled for completion later this year. It’s just one more sign of bamboo’s increasing popularity, despite its bad reputation.

The park, long and skinny, is 70 feet aboveground and extends four blocks, with public access by bridges that connect with adjacent skyscrapers, by gondola from street level, or by escalator, elevators, and stairways inside and outside the building. Adam Greenspan, ASLA, a partner at PWP Landscape Architecture, explains that no matter what level people are on, “we wanted them to see that there was an inhabitable landscape up on the roof.”

The dominant feature of the Transit Center is a light tower that extends from the grand concourse at street level up to the roof, where its glass dome is surrounded by bamboo. Greenspan says he selected Japanese timber bamboo because it allows for “transparency and translucency,” and when you’re inside the building, “you get a bit of filtered light through foliage and through stems and culms.” Up on the roof is a “transparent scrim of green.” The bamboo is planted in a concrete basin about four feet deep, which sequesters the bamboo’s rhizomes so they (more…)

Read Full Post »

This slideshow requires JavaScript.

Technologist landscape architects rejoice—the November issue of LAM is packed with imagined scenarios, myth breakers, and tantalizing possible futures for urban design. Whether or not autonomous vehicles will allow for utopian cities of tomorrow depends on careful planning and policies today, says writer Brian Barth. And the future of autonomous vehicles might not look as green as we’re imagining. A new landscape by Ki Concepts on Honolulu’s Ford Island—site of the Pearl Harbor attack in World War II—weaves the richly layered history of the site into a sleek, cohesive design. And a new streetscape redesign by CRSA in the Sugar House business district of Salt Lake City turns a large thoroughfare into an inviting multimodal streetscape.

In Materials, Jane Berger discusses the stigma—and benefits—of the often-misunderstood bamboo. And in Tech, geodesign unites academics and agriculturists in the pursuit of the most optimal yield for their yearly crops. All this plus our regular Books, Now, and Goods columns. The full table of contents for November can be found here.

As always, you can buy this issue of Landscape Architecture Magazine at more than 700 bookstores, including many university stores and independents, as well as at Barnes & Noble. You can also buy single digital issues for only $5.25 at Zinio or order single copies of the print issue from ASLA. Annual subscriptions for LAM are a thrifty $59 for print and $44.25 for digital. Our subscription page has more information on subscription options.

Keep an eye out here on the blog, on the LAM Facebook page, and on our Twitter feed (@landarchmag), as we’ll be posting November articles as the month rolls out.

Credits: “The Retraining of Salt Lake City,” CRSA; “Before and After Pearl Harbor,” Alan Karchmer; “Dream Cars,” Illinois Institute of Technology; “Raising Canes,” OvS; “Models of Collaboration,” Len Kne. 

Read Full Post »

%d bloggers like this: