“It’s a very complicated project, but because of the way we’ve been able to explore it and show people exactly what we mean, I think we’ve been able to take the conversation a lot farther a lot more quickly than we would have been able to in traditional drawings.”
— Liz Wreford
Image courtesy Taylor LaRocque, Public City.
The Winnipeg, Canada-based firm Public City has its office’s 3D printers humming for all its projects, says Liz Wreford, the firm’s cofounder and principal landscape architect. For Thunderhead, the winning competition design for the 2SLGBTQI+ National Monument in Ottawa, the concept was rooted in the prairie landscape and the experience of both dread and celebration that a thunderhead brings.Continue reading Public City’s 3D-Printed Models Illuminate What Drawings Can’t→
In California’s wine country, a landscape architect helps farmers and residents prepare for wildfires.
By Jennifer Reut
Working with homeowners on design templates was a way to support those who had lost homes to wildfires. Courtesy Christie Jarvis/Ann Baker Landscape Architecture.
Having grown up in Northern California, Ann Baker remembers the region’s wine country before it was dotted with tasting rooms and destination spas. Baker often visited her grandparents, the Solaris, at Larkmead Vineyards, the historic winery and vineyards that have been in her family since the mid-20th century. “As a kid, I always was going out to Larkmead because that was their home, and we always had big family gatherings there and played games on the lawn and had ravioli for Thanksgiving, and then the turkey and everything else,” she says. Continue reading Together for the Terroir→
A concept for InterPlay Park called “The Window” would allow visitors to observe the highway traffic below. Image by Terrain Work.
Seattle’s Freeway Park, Boston’s Rose Kennedy Greenway, and Dallas’s Klyde Warren Park. Although all three highway deck parks are known outside their home cities for their audacious design and engineering, it’s the third, by OJB, that arguably has set off a wave of similar projects in the past several years. Continue reading Inter-Active→
In early September, a few days after Hurricane Ida raked through Louisiana on its way up the East Coast, three designers from SCAPE Studio met up on Zoom to talk with Landscape Architecture Magazine’s Acting Editor, Jennifer Reut, about Ida’s aftermath. Continue reading Finding Community in the Floodwaters→
Cornelia Hahn Oberlander, on site in Inuvik, Northwest Territories, in 2013. Photo by Anne Raver.
Cornelia Hahn Oberlander, a Fellow of the American Society of Landscape Architects and a recipient of the ASLA Medal, died this weekend at the age of 99, leaving behind an unparalleled legacy of designed projects and a lifelong commitment to advocacy for the profession. Continue reading Cornelia Hahn Oberlander, 1921–2021→
As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.
Four communities in remote West Texas try to find a way to manage the future before it runs over them.
There are a lot of different kinds of roads in Texas. There are state and federal highways that pull truckers through long stretches of the state from one town to another. They tangle up briefly in urban and suburban streets before heading west. Continue reading Big Bend in the Road→
The Tucson Historic Preservation Foundation restores the work of the Japanese American landscape designer Taro Akutagawa to the modernist desert Southwest.
Like many cities in the Southwest (Palm Springs, California, most conspicuously), Tucson, Arizona, has a decent bank of midcentury modern buildings and landscapes. In the 1950s and 1960s, home buyers, drawn by the mirage of golf course-adjacent desert living (with air-conditioning, swimming pools, and lawns), flocked to the Southwest, and large swaths of the new development that went up during that era were built in the middle-class modern idiom. Continue reading Found Scenery→
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