Posts Tagged ‘Canopy’

BY TIMOTHY A. SCHULER / PHOTOGRAPHY BY KEVIN SCOTT

In dry western Washington, a fruit company compound by Berger Partnership all but vanishes in a shroud of native plantings.

FROM THE AUGUST 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

 

The shift takes place just past Cle Elum. Driving the 140 miles from Seattle to Yakima, Washington, crossing the Cascade Range at Snoqualmie Pass, the landscape seems to dissolve in the span of a few minutes. The ponderosa pine forest gives way to high desert so quickly it’s as if the towering trees had been shrunk by a laser, transfigured into gnarly sagebrush. Dotting eastern Washington’s arid, gray-brown shrub steppe are green pastures, fields, orchards, and farms. The Yakima Valley is one of the most productive regions in Washington, thanks to a massive irrigation project undertaken around the turn of the 20th century. Farmers here grow apples, peaches, pears, cherries, and plums, as well as grapes for wine and hops for beer. The Yakima Valley produces more hops than anywhere else in the United States and more than two-thirds of Washington’s wine grapes, an industry worth nearly $5 billion.

And yet the sparsely vegetated ridges reveal the climatological truth of this place: that under normal conditions, the Cascades are a good enough goalie to prevent all but a fraction of western Washington’s wetness from slipping past them, and the presence of even the smallest amount of water is broadcast in bright pops of color. The draws and gullies appear as gashes of green, yellow, pink, and white, as if someone took a landscape painting, folded it in two, and stuffed the canvas into a crevice.

I take in the view from the cab of a 2016 Toyota Tacoma hurtling eastward on Interstate 90. Jason Henry, ASLA, a principal at the Seattle-based Berger Partnership, is driving. We’re on our way to Yakima, a sprawled-out town of roughly 100,000 people, where Berger Partnership recently completed the landscape for the headquarters of the Washington Fruit & Produce Company, a family-owned grower founded in 1916. Although Henry has lived in Seattle since 1996, the landscape architect has a deep connection to the Yakima Valley. His mother was born in Selah, just north of Yakima, and as a child, he spent summers at his aunt and uncle’s ranch outside the city, exploring and fishing and occasionally helping out in the family orchards. He still has cousins in the fruit industry. (more…)

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BY ZACH MORTICE

Image courtesy Raphaël Thibodeau.

For a temporary installation celebrating LGBTQI Canadians during Pride Month, Claude Cormier + Associates created a rainbow canopy to acknowledge a spectrum of identities that are “plural, diverse, inclusive, and nuanced,” as the firm’s website states. Asked to “create a place with a sense of magic” for a summer pedestrian mall, says Claude Cormier, his firm didn’t want to clog the streetscape with more visual noise as thousands of people in a festival atmosphere walked Saint Catherine Street East in Montreal. So instead, they looked up, forming an outdoor room with one kilometer’s worth of recycled plastic balls strung up on wires.

Six principal colors are differentiated with three hues each, hence the title of the installation (“18 Shades of Gay”). This long strip of color (more…)

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As part of an ongoing effort to make content more accessible, LAM will be making select stories available to readers in Spanish. For a full list of translated articles, please click here.

Click above for a full PDF of the translated text with English text available below.

BY JONATHAN LERNER

FROM THE FEBRUARY 2018 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

Atlanta’s Fernbank Museum of Natural History occupies a formidable 1992 postmodernist structure by Graham Gund Architects. Visitors enter through a lobby that looks down into an octagonal atrium dominated by enormous dinosaur skeletons posed as if on the brink of carnage. Beyond the atrium’s glazed rear facade is a narrow concrete terrace. Then the ground behind the building pitches steeply down 45 feet to a creek. So from inside, there’s a horizontal view straight out into the tree canopy, a promise of respite from the vaguely daunting scale and sense of menace inside.

This wooded ravine, which is sort of the reason the museum exists, was neglected and inaccessible until a recent intervention by Sylvatica Studio. Now, beginning right at the atrium’s back doors and set into the terrace’s pavement, the wooden planking of an elevated walkway leads into the trees. Not far along the walkway, just visible where it turns, a 26-foot-high, latticelike but curvilinear “tree pod” beckons from the midst of branches and leaves. Its shape and color mimic the blossom of the tulip tree, a common tree in these woods. The pod is a place to stop, or sit, gently protected by its rounded tracery. But it also offers a sweeping panorama down to the creek and streamside meadow. “It’s 35 feet off the ground. We wanted people to feel slightly—not afraid—but thrilled. ‘What is this experience I’m having?’” explains Sylvatica’s founder, Susan Stainback, ASLA. (more…)

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BY JAMES TRULOVE / PHOTOGRAPHY BY RUNGKIT CHAROENWAT

Landscape Architects of Bangkok has reforested a speck of the Thai capital. The cobras seem to approve.

FROM THE MAY 2017 ISSUE OF LANDSCAPE ARCHITECTURE MAGAZINE.

It would not be a stretch to think of this reforestation project as a “vest-pocket” park, much in the tradition of the work of the noted landscape architect Robert Zion in New York City. After all, the name of the project, “Metro-Forest,” might suggest as much. Though it is not bounded on all sides by encroaching office towers, this five-acre landscape rests squarely in the midst of equally inhospitable and unchecked suburban sprawl dotted by illegal dump sites (of which this was once one), a tangle of expressways and surface roads, and the din of more than 800 planes landing and departing nearby every day at Suvarnabhumi Airport, which serves Bangkok. Certainly many of the design elements of a vest-pocket park are present: a water feature to mask the clamor of planes and cars, native plants that recall a bygone era, seating to contemplate the surrounding nature, hardscape to create boundaries, and a carefully designed network of berms that increase the overall planting area of this small space while blocking views of the surroundings.

The project, which won a 2016 ASLA Professional Honor Award for General Design, is an oasis, (more…)

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